Wicked - Broadway

Wicked - TimeOut New York

Based on novelist Gregory Maguire's 1995 adult variation on the Wizard of Oz mythology, Wicked provides a prequel to the children's book and movie. The lavishly designed musical addresses complex themes, such as standards of beauty, individual morality and, believe it or not, opposing fascism. Thanks to Winnie Holzman's witty book and composer-lyricist Stephen Schwartz's robust and pop-inflected score, Wicked soars.

Wicked - Variety

It's not easy being green. Or blonde, for that matter. Those are just two of the many lessons to be learned from this big, murky new Broadway musical. But maybe the most salient pointer is that it ain't easy being a Broadway musical. A strenuous effort to be all things to all people tends to weigh down this lumbering, overstuffed $14 million production. "Wicked" is stridently earnest one minute, self-mocking the next; a fantastical allegory about the perils of fascism in one scene, a Nickelodeon special about the importance of inner beauty in another. There are flying monkeys, flying witches and flying scenery, but the musical itself truly soars only on rare occasions, usually when one of its two marvelously talented leading ladies, Kristin Chenoweth and Idina Menzel, unleashes the kind of vocal magic that needs no supernatural or even technical assistance.