Broadway Review: ‘Time and the Conways’ With Elizabeth McGovern
6 / 10
Priestley best articulates his faith in that soothing belief system in the last movement of the play, when Kay has a metaphysical epiphany vividly realized by Neil Patel (set), Christopher Akerlind (lighting), and especially Matt Hubbs (sound). It's a great scene, but first we have to get there, and the erratic directorial style makes that rougher than it needs to be.

