BWW Review: THE ANDREWS BROTHERS Jukebox Musical Recreates a WWII USO Show Somewhere in the South Pacific
by Shari Barrett - Feb 25, 2020
THE ANDREWS BROTHERS sung-through musical is sure to please those who remember the 1940s first-hand, or those of us who appreciate the song stylings of those bygone days. According to Bean, a?oeHere we create the atmosphere of a rag-tag USO team a?' a very real organization with an important and impressive history a?' sing songs familiar to many in the audience, and try to live up to the memory of a legendary singing group.a?? And thanks to the talented, triple-threat performers, Kelley Dorney, Michael D'Elia, Max DeLorch and Grant Hodges, no matter what goes wrong, the show must go on!
BWW Review: Timely New Play HUMAN INTEREST STORY Focuses on Homelessness, Celebrity Worship and Truth in American Journalism
by Shari Barrett - Feb 24, 2020
This thought-provoking testament to the universal struggle of living day-to-day in a society whose apathy seems to know no bounds for the down-and-out will grab your attention and keep you at the edge of your seat as Jane Doe's story unfolds. Tanya Alexander's magnificent ability to morph herself from a homeless woman in dirty clothing, sitting on a park bench holding a sign stating a?oeI am NOT Invisiblea?? allows us to see where she has been and how much she really desires to pick herself up by her bootstraps and do whatever is necessary to survive. As she achieves celebrity status, Alexander opens to heart and soul and lets us see into Jane Doe's guilt of having survived when others have not. And as Jane Doe's fortunes rise, Alexander is costumed to perfection in lovely, form-fitting dresses designed by Shon LeBlanc that would allow Jane Doe to shine anywhere.
Photo Flash: Check Out Photos From Foothill Theatre Arts' Production of THE RESISTIBLE RISE OF ARTURO UI
by Chloe Rabinowitz - Nov 8, 2019
Multi award-winning Foothill Theatre Arts presents Bertolt Brecht's satirical masterpiece about the rise of a demagogue, The Resistible Rise of Arturo Ui, in a stunning new adaption by Pulitzer, Olivier and Tony Award-winning American playwright, Bruce Norris (Clybourne Park) making its Bay Area premiere. Director Bruce McLeod invites audiences into a seedy 1930s Chicago cabaret for this production, presented three weeks only November 8 – 24, 2019 (press opening: Saturday, November 9) at the Lohman Theatre, 12345 El Monte Road, Los Altos Hills.
BWW Review: COPENHAGEN at Cesear's Forum
by Roy Berko - Sep 22, 2019
Photo Flash: PlayMakers Repertory Company Presents Nambi E. Kelley's NATIVE SON
by A.A. Cristi - Sep 11, 2019
PlayMakers Repertory Company proudly opens its 2019/20 Mainstage season with Nambi E. Kelley's powerful and heart-stopping adaptation of Richard Wright's “Native Son”. Directed by Colette Robert, and featuring original music by G. Clausen, the production runs from September 11 to 29, 2019.
Photo Flash: Dawn Derow Presents THE HOUSE THAT BUILT ME At Laurie Beechman Theatre
by Stephi Wild - Jun 27, 2019
In 2016, critically acclaimed cabaret performer Dawn Derow revisited her operatic roots and took home a Bistro Award as "Outstanding Vocalist" for LEGIT: A Classical Cabaret. Then in 2017 and 2018, Dawn explored the hit music of the "Greatest Generation" period with her MAC Award-winning ("Best Female Vocalist") MY SHIP: SONGS FROM 1941 (she was also nominated for BroadwayWorld.com Cabaret Awards for "Best Show" and "Best Vocalist"). Now Dawn is ready to prove that you can go home again-musically, that is.
Photo Flash: Jennifer Saunders Stars in BLITHE SPIRIT
by Julie Musbach - Jun 18, 2019
Get a first look at Theatre Royal Bath Productions' Blithe Spirit, Noel Coward's classic comedy starring BAFTA-winning comedian, actor and screenwriter Jennifer Saunders
Photo Coverage: Inside Irish Repertory Theatre's 30th Anniversary Celebration Gala
by Walter McBride - Jun 18, 2019
Irish Repertory Theatre held its 30th Anniversary Celebration Gala on Monday June 17th at 7:00PM at Alice Tully Hall at Lincoln Center (1941 Broadway, New York, NY 10023).
Photo Flash: Hampton Theatre Company Stages PRIVATE LIVES
by Julie Musbach - May 21, 2019
Playwright Noel Coward's effervescent 1930s comedy "Private Lives" will be the fourth and final play of the Hampton Theatre Company's 2018-2019 season, opening on May 23 at the Quogue Community Hall and running through June 9.
Photo Flash: In Rehearsals With The World Premiere Of THREE MUSKETEERS: 1941
by A.A. Cristi - May 17, 2019
Project Y Theatre Company gave Broadway World an exclusive sneak peek into rehearsals for their World Premiere of Megan Monaghan Rivas' Three Musketeers: 1941, co-directed by Michole Biancosino and Andrew W. Smith, which is being presented as part of the fourth annual Women in Theatre Festival, June 5-29 at the Jeffrey and Paula Gural Theatre at the A.R.T./New York Theatres (502 West 53rd Street New York, NY 10019).
Photo Flash: First Look At The US Premiere of ALL OUR CHILDREN
by A.A. Cristi - Apr 9, 2019
After an acclaimed run in London's West End, the Sheen Center for Thought & Culture presents the American premiere production of Stephen Unwin's new play, All Our Children. Now playing in a limited five-week engagement through May 12 at The Sheen Center (18 Bleecker Street at the corner of Elizabeth Street, NYC) in the Black Box Theater. The official opening is Sunday, April 14 at 3PM.
BWW Review: Matthew Bourne's CINDERELLA is a Shoe-in Splendiferous Success at The Ahmanson Theatre
by Valerie-Jean Miller - Feb 14, 2019
New Adventure's Production of the tale of Cinderella has never been more salacious or delicious. The dancing is superb, as well as the artistry involved in every facet of the production. With the updated scenario created, Cindy's world is smack dab in the middle of World War II. Directed and Choreographed by the incredible Sir Matthew Bourne, and loosely based on his parent's war stories, we are taken to London in the '40s, during the middle of air raids, bombings and destruction. The set design and wardrobe is all very drab in muted black and grey reflecting the tone of the environment. Wickedly creative is the choreography, the sets, the costumes, lighting and sound, not to mention the score by Prokofiev. Cinderella Opus 87 is such a melodious wonderland for a choreographer and his artistic team to work with. There is such power, intensity and magic in this lively piece. In Sir Matthew Bourne's hands, and feet, it is a fabulous, imaginative display of artistry and brilliance.
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