by A.A. Cristi
- Jan 23, 2026
Join the South Street Seaport Museum for a hybrid Sea Chanteys & Maritime Music event, blending in-person and online participation. The event will take place on the first Sunday of every month at 12 Fulton Street and via Zoom.
by A.A. Cristi
- Dec 16, 2024
Hell in a Handbag Productions will open its 2024/25 Season with the 25th anniversary edition of Artistic Director David Cerda’s* holiday classic Rudolph the Red-Hosed Reindeer (An Unauthorized Musical Parody). Check out photos from the production,
by Bruce Glikas
- Jul 26, 2024
The Outsiders released their original cast recording on streaming on May 22nd, and physical CD on June 28th. The cast appeared at Barnes & Noble to sign albums yesterday, July 25th to celebrate the release. Check out photos here!
by Valerie-Jean Miller
- May 28, 2024
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you?
Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival.
Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
by Stephen Sorokoff
- Jun 19, 2023
Attending the opening performance of Kander & Ebb’s Cabaret at the award winning Barrington Stage Company Sunday took on an added degree of darkness for me because of the current political situation in our country.
by Blair Ingenthron
- Apr 9, 2023
Jay Leno celebrated Bergen Performing Arts Center's (bergenPAC's) reopening of the theater in Englewood, N.J., with a historic drive through town and ribbon cutting. Jay Leno attended the private reception at Benzel-Busch Mercedes-Benz Automotive Dealership in Englewood, N.J. for a private reception taking photos with the Mercedes-Benz 1955 Gulfwing and the all-new AMG EQS Sedan from Benzel-Busch to bergenpac to cut the ribbon before his performance to a sold-out audience of over 1300 people. Check out photos and video here!
by Jade Kops
- Feb 26, 2023
Sydney Symphony Orchestra pairs with MM Creative Productions to celebrate the centenary of the movie and media behemoth Disney with DISNEY 100 THE CONCERT
by Blair Ingenthron
- Nov 27, 2022
The original musical, created and directed by Jorge B. Merced, runs December 1-18 off-Broadway at The Puerto Rican Traveling Theater. Check out a first look at production photos here.
by A.A. Cristi
- Aug 12, 2022
Music Theater Heritage has released photos of its new production of CABARET today. The production is directed by MTH Artistic Director Tim Scott and features Christopher Barksdale as the iconic Emcee and Julie Pope as Sally Bowles.
by Jade Kops
- Jun 24, 2022
BONNIE & CLYDE considers the notorious duo’s desire for a better life and equally importantly, emulation of their idols fame and fortune, during the great depression.