From November 13–23, The VORTEX offered a rare kind of theatrical experience: intimate, sensory-rich, and brimming with imagination. In the Pony Shed, a small outbuilding that seats roughly twenty audience members, the regional premiere of Morgan McKenzie Kauffman’s DORA’S GENTLY USED DREAMS STORE unfolded like a dream itself; unusual, tender, and full of hidden treasures waiting to be discovered.
O’Rourke turned her thoughts into a concerningly witty and twisted play that has you both rooting for and terrified of her character. With her natural humour and ability to bounce off the audience’s unscripted interactions, O’Rourke is a master at leaving the ‘review team’ unsettled and hanging onto her every word.
The new album, out now, Lozano honestly portrays the first- and second-generation middle class U.S. experience through heartfelt song, backed by his talented band and featuring a starry cast of Broadway singers
Theatre By The Sea wrapped up its 92nd season with the hip-swaying, leg-lunging Elvis bio-musical Heartbreak Hotel that had the near sell-out crowd dancing and strutting down their own memory lane of the King of Rock & Roll, Elvis Presley.
This piece, along with the fight it is fighting, is not quite finished yet. This exceptionally promising play is something I think needs to be sat in for a while to fully immerse yourself in the understanding of it.
What did our critic think of I WANNA BE A F*CKING PRINCESS at Ground Floor Theatre?aIn I WANNA BE A F*CKING PRINCESS, playwright Jenny Connell Davis invites us to a raucous Southern bridal suite where cocktails flow, secrets unravel, and fairy tales are upended with wicked glee.
When worlds collide, drama ensues. And in the new play THE LOVED ONES by Erica Murray, 4 women meet under the most unusual of circumstances. Buffalo's Irish Classical Theatre is presenting the North American Premiere of this 2023 play. And as can be expected, the dark subjects of death, remorse, unwed mothers and lives lived full of heartbreak are no stranger to the often brooding stories that have been told in the Irish Theatre genre.
REVIEW: Kym Vaitiekus shares his thoughts on MULTIPLE BAD THINGS
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