The Shed presents a powerful new staging of Academy Award-winning writer of Moonlight Tarell Alvin McCraney’s acclaimed play, The Brothers Size. This co-production with Los Angeles’s Geffen Playhouse marks the 20th anniversary of this groundbreaking work, which explores themes of brotherhood, resilience, and the complexities of the Black male experience. Directed by Bijan Sheibani and presented in the round in The Griffin Theater, this play invites audiences to witness the raw and intimate story of two brothers navigating life after incarceration, weaving into the storytelling the rich tradition of the Yoruba people of West Africa. The Brothers Size is a modern-day fable about two brothers in the Deep South. Ogun, the elder brother, embodies hard work and reliability, while Oshoosi, formerly incarcerated, is seemingly carefree and unpredictable. Their relationship is tested when the charismatic Elegba arrives, tempting Oshoosi back to his old habits. As the brothers wrestle with loyalty, freedom, and duty, their humanity is revealed through a raw and heartfelt exploration of the bonds of brotherhood.
That alone is worth the price of admission. Okay, the entire production is worth more than the price of admission. If there’s any drawback to what’s on view, it may be that the early clowning somewhat delays McCraney’s up-close-and-personal view of brothers unsuccessfully trying to align. (Inevitably, men in the audience who have a brother will focus, even if fleetingly, on their sibling.)
For as much as the play is about the very real and very prescient themes of Black incarceration, brotherhood and Black masculinity, “The Brothers Size” doesn’t feel as grounded as it needs to be to make these relationships and motifs sing. The show has the capacity to explore this deep lyricism while maintaining its footing, however, as it proves in a quiet scene late in the play where Oshoosi and Elegba are sitting outside at night. Here the show slows its pace to linger with these men; the lights dim and the sound of crickets chirp in the background. It’s the scene that stays so vividly in my mind not for any particular line delivery or turn in the plot but because it is where the abstract most gracefully meets the concrete. That was where the play felt most alive.
| 2007 | Off-Broadway |
Off-Broadway |
| 2025 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
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