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Sun-Up 1930 Broadway — Photo Coverage


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Town Hall Theater To Present The HOLLYWOOD MUSICAL: PART 2

Town Hall Theater To Present The HOLLYWOOD MUSICAL: PART 2

by A.A. Cristi • Jan 16, 2026

Town Hall Theater will present The Hollywood Musical: Part 2, a four-part class and film series led by Director in Residence Doug Anderson. The program examines the evolution of the Hollywood movie musical from the 1950s through the present.

Review: ANNIE at Palm Canyon Theatre

Review: ANNIE at Palm Canyon Theatre

by Charlie Thomas • Dec 5, 2025

Palm Canyon Theatre’s holiday-season production of “Annie” is a radiant reminder that optimism and heart can light even the darkest of times. Directed and choreographed by Se Layne, with musical direction by Linda Mack Berven, this beloved musical bursts with warmth, humor, and dazzling performances. Running November 28 through December 21, 2025, the production captures the spirit of the Great Depression-era story while infusing it with a fresh, contemporary energy that makes it feel timeless.

Photos: MAKE BELIEVE At New Jersey Repertory Company

Photos: MAKE BELIEVE At New Jersey Repertory Company

by A.A. Cristi • Feb 14, 2025

Marking the start of another extraordinary season dedicated to new voices and compelling stories, New Jersey Repertory Company will launch its 28th season of groundbreaking world premieres with Make Believe by acclaimed playwright John Biguenet, directed by NJ Rep’s Artistic Director SuzAnne Barabas. See photos from the production.

Review: SOME LIKE IT HOT at Connor Palace

Review: SOME LIKE IT HOT at Connor Palace

by Roy Berko • Nov 7, 2024

SOME LIKE IT HOT, the movie was released without approval from the Motion Picture Production Code, became a commercial hit, was nominated for six Academy Awards and was the major cause of the end of the restrictive freedoms for the entire film industry.

Review: THE BARBER OF SEVILLE at Opera Theatre Of St. Louis

Review: THE BARBER OF SEVILLE at Opera Theatre Of St. Louis

by Steve Callahan • May 28, 2024

Spring fever?  If you’ve been made a bit dozy by these warm spring days the new production at Opera Theatre of Saint Louis will, with a bang, hoist you wide awake in all your senses.  Rossini’s The Barber of Seville opened Saturday to an audience that packed the Loretto-Hilton theatre to the rafters.   

Photos: First look at Rise Up Arts Penguin Project's ANNIE JR

Photos: First look at Rise Up Arts Penguin Project's ANNIE JR

by Jerri Shafer • Nov 15, 2023

Established in 2004, The Penguin Project has evolved into a National program, with Chapter sites throughout the United States. The program provides a supportive environment for children with disabilities to explore their creative talents. It has also demonstrated that participation in the performing arts has therapeutic value by enhancing social interaction, communication skills, self-confidence and self-esteem. The impact of the program has reached beyond the stage to create a social network for children who previously had very few friends and limited social opportunities. Based on the popular comic strip and adapted from the Tony Award-winning Best Musical, Annie Jr. features everyone’s favorite little redhead in her very first adventure. With equal measures of pluck and positivity, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930’s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan’s evil machinations, finding a new home and family in billionaire Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy. Performances are Nov 17 and 18 @ 7pm & Nov 19 @ 4pm, at Thomas Ewing Jr. High School, 2024 Sheridan Dr., Lancaster, OH 43130. Purchase tickets: https://www.riseupartsalliance.org/tickets

Feature: A Public Fit - Unapologetically Theatrical

Feature: A Public Fit - Unapologetically Theatrical

by Jeanmarie Simpson • Nov 18, 2022

I founded APF with the starry-eyed hope that someday I would be able to helm a company that paid its artists a living wage. In the 'entertainment capital of the world', this did not seem to be completely out of the realm of possibility.

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