OHIO STATE MURDERS: GRABBED BY THE THROAT—BY RACISM AND MEMORY
10 / 10
A Zoom reading of the play during the pandemic immersed McDonald in the material, and director Kenny Leon has planted her amidst a first-rate physical production. Beowulf Boritt’s set incorporates reality and fancy much as Kennedy does. Suzanne is surrounded by law library volumes, for instance, but the shelves are overhead and askew like cards thrown into the air in Alice in Wonderland. It’s a snowy day in Columbus, but we see the constant flakes through a gaping gash in the black back wall, the shavings of a consciousness being deconstructed before our eyes. Allen Lee Hughes’ lighting subtly ushers us through mists of pain and memory, with Jeff Sugg’s deftly chosen projections illustrating historical moments.
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