Lights Out: Nat 'King' Cole Off-Broadway Tickets, News, Info & More
New York Theatre Workshop
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Despite being the voice that built Capitol Records, Nat “King” Cole’s groundbreaking NBC variety show faced cancellation as they could not find a sponsor. Now, on the night of his final broadcast, Nat must decide whether to quietly step out of the spotlight, or, as his friend Sammy Davis Jr. urges, “go out with a bang.” Tony and Academy Award nominee Colman Domingo (Rustin) and NYTW Usual Suspect and Artistic Director Patricia McGregor (The Refuge Plays) bring us this electrifying exploration of the soul of an American icon who fought to break through America’s color barrier in the early days of television. Starring Emmy Award nominee Dulé Hill ("The West Wing," "Psych") as Nat “King” Cole and Tony Award nominee Daniel J. Watts (The Refuge Plays, Tina: The Tina Turner Musical) as Sammy Davis Jr., Lights Out features Nat’s hit songs, like “Nature Boy,” “It’s a Good Day,” “Smile” and “Unforgettable.”
Lights Out: Nat 'King' Cole - Off-Broadway Cast
FEATURED REVIEWS FOR Lights Out: Nat 'King' Cole
New Play ‘Lights Out: Nat “King” Cole’ Focuses on the Many Tribulations Endured by the Pioneering Black Entertainer
8 / 10
Daniel J. Watts is a shinier, more buoyant presence as Sammy Davis Jr., who cajoles and haunts Nat throughout the taping, which grows more and more surreal, evolving into a sort of fever dream — or more of a nightmare, with David Bengali’s video design and Stacey Derosier’s lighting conspiring to create a hellish atmosphere. “Lights Out” nonetheless proves uplifting, delivering a message of resilience as much as defiance. And while not technically a musical, it offers some of the most delightful music, and singing, available on New York’s stages at the moment.
Dulé Hill and Daniel J. Watts shine in a befuddling biomusical ‘Lights Out: Nat King Cole’ (Off Broadway review)
6 / 10
The biggest scene-stealer is Watts, who so dominates whenever he takes the stage that you may wish that Sammy Davis Jr.’s name was in the title. Watts flashes a feral energy that’s truly magnetic, and he moves with a catlike grace around the stage — and occasionally the auditorium. His tap duet with Hill on “Me and My Shadow” (tap choreography by Jared Grimes) is a burst of percussive performance art. Lights Out is a showcase for some wonderful song and dance, but the luster dims whenever the band stops playing.
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Lights Out: Nat 'King' Cole History
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| 2025 | Off-Broadway |
NYTW Off-Broadway Premiere Off-Broadway |
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