Emmy and Tony Award-winner Sean Hayes (Will & Grace) brings his acclaimed, Tony Award-winning performance to the Barbican this Summer in Good Night, Oscar – direct from a critically acclaimed Broadway season.
It’s 1958, and Jack Paar hosts the hottest late-night talk-show on television. His favourite guest? Character actor, pianist, and wild card Oscar Levant. Famous for his witty one-liners, Oscar has a favourite: “There’s a fine line between genius and insanity; I have erased this line.” Tonight, Oscar will prove just that when he appears live on national TV in an episode that Paar’s audience—and the rest of America—won’t soon forget.
Full of humour, with an unmissable, virtuosic performance from Sean Hayes, Good Night, Oscar masterfully explores fame, artistry, and the fragility of genius. This strictly limited one time seven-week summer season at the Barbican will sell out quickly – advance booking is strongly advised.
As Wright’s play emphasises, Levant’s worldview was ahead of its time – and so were the people who hired him, presaging an era of reality tv where uninhibited, unself-aware participants are wheeled on to scandalise viewers, with little thought given to the toll it takes on them. Still, this drama doesn’t feel quite as forward-looking in its perspective on mental illness. Levant’s madness here is romanticised, stylised: his hallucinations are used as a convenient way to flesh out his backstory. There’s something of a debt to Peter Shaffer’s Amadeus here, with its tale of an ageing composer haunted by his more successful rival Mozart. Levant sees visions of a sleekly suited George Gershwin, who taunts his loyal discipl, and imprisons him in an identity as a favoured interpreter of “Rhapsody in Blue”, nothing more.
Sean Hayes, Tony Award in stowage, crosses The Atlantic to reprise his role as Levant and it’s hard to overstate just how good he is, a one-man rebuttal for the disappointments many have felt paying top dollar for big Hollywood names in the West End. He simply inhabits the part. There’s the desperate vulnerability of the addict, the ticks that speak of a roiling mind, the ruthless exploitation of the decency of others. But there’s also the speed of the wit, the grudging willingness to do the right thing, the sheer chutzpah of the man. Most of all, and this elevates the performance to the very best of any I’ve seen, there’s the charisma - Levant’s and Hayes’ - that bounces around this large house like a laser show.
| 2021 | Regional (US) |
Goodman Theatre's Premiere Production Regional (US) |
| 2023 | Broadway |
Original Broadway Production Broadway |
| 2025 | West End |
West End |
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