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A Chorus Line 2017 St. Louis, MO (Regional) — Photo Coverage


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Photos: GIRL FROM THE NORTH COUNTRY At Actor’s Express

Photos: GIRL FROM THE NORTH COUNTRY At Actor’s Express

by A.A. Cristi • Feb 6, 2026

Actor’s Express has released photos of its oroduction of Bob Dylan and Conor McPherson’s gorgeous musical Girl From The North Country.  Performances run through March 8th, 2026 at the Actor’s Express Theatre in the King Plow Arts Center.

Photos: Inside Look at Laguna Playhouse's Production of A CHORUS LINE

Photos: Inside Look at Laguna Playhouse's Production of A CHORUS LINE

by Marissa Tomeo • May 29, 2022

LAGUNA PLAYHOUSE is thrilled to present one of the greatest and most celebrated musicals of all time, A Chorus Line, conceived and originally directed & choreographed by Michael Bennett, book by James Kirkwood and Nicholas Dante, music by Marvin Hamlisch, lyrics by Edward Kleban, musical direction by Ricky Pope and directed and choreographed by Luis Villabon.

BWW Spotlight Series: Meet Suzanne Mayes, a Native Angeleno Who Went from Future Astr

BWW Spotlight Series: Meet Suzanne Mayes, a Native Angeleno Who Went from Future Astronaut to Shining Onstage

by Shari Barrett • May 7, 2020

With the current theatre world on hiatus, I have created a Spotlight Series on Broadway World which features interviews with some of the many talented artists who make our Los Angeles theatre community so exciting and vibrant thanks to their ongoing contribution to keeping the Arts alive in the City of the Angels. And just like all of us, I wondered how they are dealing with the abrupt end of productions in which they were involved. This Spotlight focuses on Suzanne Mayes, who started out thinking she would pursue the stars as an astronaut and wound up shining onstage!

BWW Review: ORLANDO: A Revolutionary, Radical New Opera Blends Art With Activism at V

BWW Review: ORLANDO: A Revolutionary, Radical New Opera Blends Art With Activism at Vienna State Opera

by Cindy Sibilsky • Dec 31, 2019

Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.

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