VIDEO: Get A First Look At The Met Opera's FALSTAFF
by Alan Henry - Mar 9, 2023
Watch highlights from the Met Opera's production of Falstaff, now on stage through April 1st. Verdi’s glorious Shakespearean comedy features a brilliant ensemble cast in Robert Carsen’s celebrated staging.
Keri-Lynn Wilson to Conduct a Met Revival of LADY MACBETH OF MTSENSK
by Chloe Rabinowitz - Sep 21, 2022
Maestro Keri-Lynn Wilson, following a triumphant tour leading the Ukrainian Freedom Orchestra last summer, makes her Metropolitan Opera debut conducting Shostakovich’s Lady Macbeth of Mtsensk for six performances beginning September 29.
Brody Price Shares 'Dying When I Met You' from Upcoming 'Win A Trip To Palm Springs!' Album
by Michael Major - Aug 31, 2022
Brody Price has signed with Niles City Records, a label by singer/songwriter Robert Ellis, producer Josh Block (Leon Bridges, White Denim, Caamp), and artist manager Cara Merendino (Robert Ellis, Liz Cooper). The album features Ellis, as well as John Paul White of The Civil Wars, Will Johnson of Centro-matic, and Andy Baxter of Penny & Sparrow.
A CONCERT FOR UKRAINE Recorded Live at The Met Out Today
by Chloe Rabinowitz - Jul 21, 2022
The Metropolitan Opera, Decca Classics, and Deutsche Grammophon present A Concert for Ukraine, an album recorded live at the Met on March 14, 2022, that features the company’s complete special concert expressing solidarity with the people of Ukraine.
Anthony Roth Costanzo Recognized As A Changemaker By 4 Major Institutions As AKHNATEN Re-opens At The Met Tonight
by A.A. Cristi - May 19, 2022
Anthony Roth Costanzo is an opera superstar who brings his otherworldly talent to the title role of AKHNATEN at the Met Opera (which opens tonight and runs through June 10). But along with his celebrated gifts as a countertenor and actor, Anthony is being increasingly recognized by major institutions at home and abroad as a preternaturally gifted producer, arts innovator, community builder, civic leader, and negotiator of change.
BWW Review: Soprano Nadine Sierra Makes a Splash " and a Splat " in Bloody New Simon Stone LUCIA at the Met
by Richard Sasanow - Apr 27, 2022
Well, no one can say that the Met doesn’t have guts. After the tepid response that subscribers gave its Las Vegas version of Verdi’s RIGOLETTO by Michael Mayer, no one would have suspected that they’d come up with a version of Donizetti’s LUCIA DI LAMMERMOOR that made anything else it’s produced look tame. And while the new LUCIA isn’t something that will send every Met attendee into quivers of excitement--I don’t think I’ve ever heard so many pros and cons discussed at an intermission before--it also won’t send them to sleep either.
VIDEO: Get A First Look At EUGENE ONEGIN at the Met Opera
by Alan Henry - Mar 29, 2022
Ailyn Pérez has excited Met audiences in several of opera’s benchmark soprano roles, and she adds another one this season as Tatiana, the naïve young girl who grows into a sophisticated beauty in Tchaikovsky’s sumptuous opera of unrequited love.
The Met Announces A CONCERT FOR UKRAINE
by Chloe Rabinowitz - Mar 7, 2022
The Metropolitan Opera announced today A Concert for Ukraine on Monday, March 14, at 6:00pm ET, with Music Director Yannick Nézet-Séguin leading the Met Orchestra and Chorus, featuring a roster of star soloists.
VIDEO: Get A First Look At ELEKTRA at The Met Opera
by Alan Henry - Feb 17, 2022
Soprano Nina Stemme brought down the house when she headlined the premiere of visionary director Patrice Chéreau’s 2016 staging of Elektra. Now she returns to Strauss’s unhinged heroine, opposite one of today’s most in-demand artists, soprano Lise Davidsen, as her sister, Chrysothemis. Donald Runnicles is on the podium for one of opera’s most blistering scores, leading a cast that also includes mezzo-soprano Michaela Schuster as Klytämnestra, tenor Stefan Vinke as Aegisth, and bass-baritone Greer Grimsley as Orest.
VIDEO: Watch A New Trailer For The Met Opera's MADAMA BUTTERFLY
by Alan Henry - Feb 16, 2022
Soprano Eleonora Buratto takes on the touchstone title role of the tragic geisha, following earlier Met successes as Norina in Don Pasquale and Liù in Turandot. Tenor Brian Jagde is the callous American naval officer who betrays her, alongside mezzo-soprano Elizabeth DeShong as her devoted maid Suzuki and baritone David Bizic as the consul Sharpless. Alexander Soddy conducts Anthony Minghella’s evocative, ever-popular staging.
VIDEOS: Get A First Look At Met Opera's TOSCA
by Alan Henry - Feb 4, 2022
Puccini's thrilling masterpiece Tosca returns to the Metropolitan Opera for 15 performances December 2, 2021-March 12, 2022. Check out video from the final dress rehearsal!
BWW Review: Radvanovsky's TOSCA a Winner for the Met
by Richard Sasanow - Dec 18, 2021
What is there to say about Puccini’s TOSCA that hasn’t been said in the last hundred-plus years since its premiere in Rome (to echo the locations in the opera)? It is a marvel of brevity, with librettists Illica and Giacosa shaving locations, characters and action from the original play, written by the French dramatist Victorien Sardou for the legendary actress Sarah Bernhardt, without sacrificing its impact. It has a gorgeous score, but for a grand opera, it is also quite intimate, with the action mainly revolving around three characters who carry their emotions on their sleeves and interact like their lives depend on it.
VIDEOS: Get A First Look At Met Opera's TOSCA
by Alan Henry - Dec 2, 2021
Puccini's thrilling masterpiece Tosca returns to the Metropolitan Opera for 15 performances December 2, 2021-March 12, 2022. Check out video from the final dress rehearsal!
BWW Review: Gershwin's PORGY & BESS Returns to the Met with a Grand Bess in Angel Blue
by Richard Sasanow - Nov 6, 2021
There are so many things to like about the season’s revival of Gershwin’s PORGY & BESS, which was new in the 2019-2020 season, before Covid became the “song” that no one wanted to hear.
PORGY on the other hand, is the music that everybody can take a liking to, with its fluid combination of opera, Broadway musical and versions of spirituals and Gullah folk music that nobody ever heard before. It has been best known for its songs, which have become “standards” in the Broadway songbook. The stylistic shifts in the complex, yearning, comic score are handled mightily by the Met’s game orchestra under David Robinson.