Climate activists disrupting Jeremy Strong was the best part of the play
5 / 10
Gold’s attention to texture and tactile detail asks audiences to lean in; the play’s early scenes foster an engrossing intimacy later blasted apart by civic controversy. From the delicate border on Petra’s woolen shawl (costumes are by David Zinn) to the Rosemaling patterns painted on the white set (by the design collective Dots), the production creates a seductive and convincing world in the realm of the senses. But it took a startling ambush to jolt the moral of the story into the moment.
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