Surprisingly toothless
4 / 10
Smith rails against the narcissism and atomisation of society engendered by an always-online culture, and against social and economic inequality and hashtag politics – all sound stuff, but all bleeding obvious; the semi-articulated enthusiasm of the audience is equally predictable. None of it feels the slightest bit dangerous or provocative, any more than the onstage rehearsals of Thomas’ band, with their on-the-nose cover of Bowie’s Changes.