Review: THROUGH THE SHORTBREAD TIN, Tron Theatre
Through The Shortbread Tin is a brand-new show, performed in Scots with Gaelic songs, which explores Scottish culture, myths, history and identity....
Film Review: SIX THE MUSICAL LIVE!
SIX the Musical Live! is the filmed version of the hit musical about the six wives of Henry VIII that has taken the world by storm. The show has been seen by over 3.5 million audience members around the world since it first debuted at the Edinburgh Festival Fringe in 2017. The original West End cast...
Review: AN INSPECTOR CALLS, King's Theatre
JB Priestley's brilliantly constructed masterpiece powerfully dramatises the dangers of casual capitalism's cruelty, complacency and hypocrisy. Stephen Daldry's epic production highlights the play's enduring relevance....
Review: THE LEFTBEHINDS, National Theatre Secondary Schools Tour
The National Theatre's outreach work is as crucial as ever but, with its primary schools tour under threat, how long will it last?...
Review: ROSCO MCCLELLAND: Sudden Death, Oran Mor
Step into the wild world of McClelland’s Sudden Death, where old friendships collide with the unexpected in a comedic whirlwind set in the heart of Scotland....
Review: LIAM FARRELLY: FLIPBOOK, Oran Mor
After an excellent run at the Edinburgh Fringe, Farrelly brings his show about becoming a father at 21 to Glasgow as he laments about going to baby ballet to the many issues of owning Guinea pigs....
Review: SUSIE MCCABE: BEST BEHAVIOUR, King's Theatre
The Billy Connolly Spirit of Glasgow award winner Susie McCabe is back! On the back of her sold out shows Femme Fatality and Merchant of Menace, this year she is on her Best Behaviour....
Review: THE KELTON HILL FAIR, Tron Theatre
Teenager Flora is on the run. Defiant but desperately alone, until she stumbles upon a mysterious fair run by the legendary Billy Marshall. Everyone says he’s “like 200 years old”. But that’s impossible. Isn’t it?...
Review: Darren Connell: My Name Is Darren Connell And This Is My Self Tape, King's Theatre
Expected the unexpected as Darren takes the audience through a journey of his surreal dark madness, with a comical twist about everything in his life and how it’s almost impossible to get a break in the industry. This is Darren Connell’s self-tape....
Review: UP A CLOSE, Pavilion Theatre
Up A Close is the story of Joanna, looking back on her life in her Partick tenement flat, when her husband doesn't come home one night, she reminisces on her marriage, her children, the wonderful times she had growing up in the mid 70s with her mum, dad and her auntie Sandra....
Review: WAR HORSE, Theatre Royal
War Horse is an unforgettable theatrical experience which takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France. Based on the beloved novel by Michael Morpurgo, this powerfully moving and imaginative drama, filled with stirring music and...
Review: BBC MUSICALS NIGHT, BBC Four and iPlayer
Some diamonds in the rough, but why can't we choose for ourselves from the BBC archive?...
Review: WASPS, Oran Mor
Rianne is your typical 16-year-old girl, aside from an obsessive phobia of wasps, trying to survive the hellhole that is high school. Wasps is a new coming-of-age drama written by Cameron Forbes directed by Lesley Hart and starring Yolanda Mitchell. ...
Review: EILIDH, EILIDH, EILIDH, Oran Mor
A new comedy set on the Isle of Skye about two drunken cousins who take on the rural housing crisis…sort of. Eilidh, Eilidh, Eilidh is a new play written and directed by Lana Pheutan that looks at the rural housing crisis....
Review: BOYS FROM THE BLACKSTUFF, Theatre Royal
80s Liverpool. Chrissie, Loggo, George, Dixie and Yosser are used to hard work and providing for their families. But there is no work and there is no money. What are they supposed to do? Work harder, work longer, buy cheaper, spend less? They just need a chance....
Review: PRIDE & PREJUDICE* (*SORT OF), Theatre Royal Glasgow
From Netflix series to teen chick flicks to zombie mashups, Jane Austen adaptations feel overdone in the entertainment world. But throw in a five-woman cast, constant fourth-wall breaks, multi-role madness, tacky karaoke, and red Solo cups? Somehow, Isobel McArthur delivers something fresh, witty, a...
Review: KEV CAMPBELL WAS HE, Oran Mor
In a nightclub toilet in the heart of Glasgow, a failed graffiti attempt goes wrong and eighteen-year-old Weegie, Kev, ends up meeting and befriending a stranger…a posh young guy of all people....
Review: ALL MOUTH: A QUEER COMEDY SHOW, The Rum Shack
The Rum Shack’s queer comedy night is the best kind of silly — hosted by the fabulous Kate Hammer, it brings together a beautifully diverse lineup of queer comedians showcasing chaotic joy....
Review: DOOKIN' OOT, Oran Mor
From her Easterhouse cooncil flat, terminally ill Diane dreams of a peaceful end in the hills of snowy Switzerland, but her state pension just won’t cover it....
Review: LARRY DEAN: DODGER, Pavilion Theatre
Join the thrice Edinburgh Comedy Award-nominated, two-time star of Live At The Apollo for a hilarious new show about identity, heroes and the benefits of being a dafty....
Review: THE LAST LAUGH, Noël Coward Theatre
Homage to much-loved comedians and their deceptively dangerous art...
Review: DEAR EVAN HANSEN, King's Theatre
Meet Evan: an anxious high school kid who wants nothing more than to fit in. The thing is, on his way to fitting in, he didn’t tell the whole truth. And now must give up on a life he never dreamt he’d have. As events spiral and the truth comes out, Evan faces a reckoning with himself and everyon...
Review: PRIDE & PREJUDICE (*SORT OF), Richmond Theatre
How many ways can you re-tell Jane Austen? Isobel McArthur continues to prove it is more than possible to stage a show bursting with silliness, satire and the sharpest wit without losing the essence of Austen's beloved work....
Review: NOW THAT'S WHAT I CALL A MUSICAL, King's Theatre
Celebrating 40 years of iconic and chart-topping compilation albums, this brand-new musical comedy has an unbeatable 80s soundtrack and show-stopping direction and choreography by Strictly Come Dancing’s Craig Revel Horwood....
Review: KINKY BOOTS, King's Theatre
After inheriting his family's failing shoe factory and with a relationship on the rocks, life is proving to be very challenging for Charlie Price. That is until he meets Lola, a drag queen whose sparkle and unsteady heels might just hold the answer to saving the struggling business....
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