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SCOTLAND THEATER REVIEWS

The latest reviews and critic recommendations from Scotland
Review: NOW THAT'S WHAT I CALL A MUSICAL, King's Theatre

Review: NOW THAT'S WHAT I CALL A MUSICAL, King's Theatre

by Natalie O'Donoghue — February 19, 2025
Celebrating 40 years of iconic and chart-topping compilation albums, this brand-new musical comedy has an unbeatable 80s soundtrack and show-stopping direction and choreography by Strictly Come Dancing’s Craig Revel Horwood....
Review: KINKY BOOTS, King's Theatre

Review: KINKY BOOTS, King's Theatre

by Natalie O'Donoghue — February 12, 2025
After inheriting his family's failing shoe factory and with a relationship on the rocks, life is proving to be very challenging for Charlie Price. That is until he meets Lola, a drag queen whose sparkle and unsteady heels might just hold the answer to saving the struggling business....
Album Review: THINGS THAT COME AND GO, Hadley Fraser

Album Review: THINGS THAT COME AND GO, Hadley Fraser

by Cindy Marcolina — February 7, 2025
It’s a meticulously organised ten-track album. The songs are famous, but not so excessively that the line-up comes off as a redundant rehashing of standards or a vanity project. The piece has a consistent cohesion to it - sonically but also narratively, with the numbers living inside a bubble of m...
Review: The Pictish Trail, Mackintosh Church

Review: The Pictish Trail, Mackintosh Church

by Natalie O'Donoghue — February 3, 2025
Throughout his career, Johnny Lynch (aka Pictish Trail) has furrowed his own path. The Isle-of-Eigg dwelling electro-acoustic psych-pop artist has created a unique back catalogue of recordings and performances, while refraining from the blueprint of the predictable singer-songwriter....
Review: THE BLUEBELLS, Glasgow Barrowland

Review: THE BLUEBELLS, Glasgow Barrowland

by Natalie O'Donoghue — February 2, 2025
After disbanding in 1986, members pursued solo projects until reuniting for a series of performances. In 2023, they released their new album The Bluebells In The 21st Century following the re-release of Sisters. For this show, original members Ken, David, and Bobby will be joined by Campbell Owens (...
Celtic Connections 2025 Closes on a High Note

Celtic Connections 2025 Closes on a High Note

by Natalie O'Donoghue — February 3, 2025
After disbanding in 1986, members pursued solo projects until reuniting for a series of performances. In 2023, they released their new album The Bluebells In The 21st Century following the re-release of Sisters. For this show, original members Ken, David, and Bobby will be joined by Campbell Owens (...
Review: HAIRSPRAY, Kings Theatre Glasgow

Review: HAIRSPRAY, Kings Theatre Glasgow

by Mary Baillie — January 28, 2025
Hairspray returns with charm to the Kings Theatre in Glasgow this week. The classic musical follows Tracy Turnblad, an ambitious teen with big dreams of dancing on TV and tackling racial segregation in 1960s Baltimore....
Review: ROAMING ROOTS REVUE, Glasgow Royal Concert Hall

Review: ROAMING ROOTS REVUE, Glasgow Royal Concert Hall

by Natalie O'Donoghue — January 27, 2025
Following the huge two night sell-out success of 2024’s Songs Of Modern Scotland, Roaming Roots Revue returns to recreate some legendary moments from some of Britain’s most iconic songwriters and bands ever....
Review: MARY POPPINS, Festival Theatre

Review: MARY POPPINS, Festival Theatre

by Natalie O'Donoghue — January 27, 2025
Based on the stories of P.L. Travers and the Walt Disney film, the story of the World’s favourite nanny arriving on Cherry Tree Lane is even more magical than ever before featuring dazzling choreography, incredible effects and unforgettable songs....
Review: THE MERCHANT OF VENICE, The Royal Lyceum Edinburgh

Review: THE MERCHANT OF VENICE, The Royal Lyceum Edinburgh

by Mary Baillie — January 27, 2025
Arin Arbus's bold reimagining of The Merchant of Venice trades Venetian canals for tech bro skyscrapers in a near-future America dominated by corporate giants. Presented by New York-based TFANA (Theatre For A New Audience), the production’s corrosive bigotry and blinding vengeance feel eerily fam...
Review: PEAT & DIESEL, Emirates Arena

Review: PEAT & DIESEL, Emirates Arena

by Natalie O'Donoghue — January 24, 2025
Hailing from Stornoway, this trio—Innes, Uilly, and Boydie—began playing tunes for their pets in a humble home jam session, only to create something entirely unique. Their lyrics may not make sense to the average listener, but that's the charm of Peat & Diesel—relatable only to those of a 'spe...
Review: MACBETH, In Cinemas

Review: MACBETH, In Cinemas

by Cheryl Markosky — January 22, 2025
David Tennant and Cush Jumbo lead a first-rate cast in a raw, visceral, brutal and ultimately hopeful show filmed live at the Donmar Warehouse in London....
Review: GRETCHEN PETERS, Barony Hall

Review: GRETCHEN PETERS, Barony Hall

by Natalie O'Donoghue — January 18, 2025
Inducted into the Nashville Songwriters Hall of Fame in 2014 by singer-songwriter Rodney Crowell, who called her 'both a songwriter and a poet (who) sings as beautifully as she writes,” Peters has accumulated accolades as a songwriter for artists as diverse as Etta James, Bonnie Raitt, The Neville...
Review: SNOW WHITE AND THE SEVEN DRAG QUEENS, Queen Margaret Union

Review: SNOW WHITE AND THE SEVEN DRAG QUEENS, Queen Margaret Union

by Mary Baillie — January 13, 2025
The North East’s adult pantomime sashayed into Glasgow with its latest saucy spectacle: Snow White and the Seven Drag Queens. Overflowing with cheeky innuendos, this one isn’t for the prudish of heart....
Review: CHRISTMAS BY CANDLELIGHT, 18 Candleriggs

Review: CHRISTMAS BY CANDLELIGHT, 18 Candleriggs

by Natalie O'Donoghue — December 19, 2024
Christmas by Candlelight is a two night festive extravaganza staged by JM Theatricals at 18 Candleriggs. Led by John McGlone, a cast of professional singers and an ensemble choir perform Christmas classics in the cosy setting of 18 Candleriggs. ...
Review: TROUBLE IN SPIRITLAND, Traverse Theatre

Review: TROUBLE IN SPIRITLAND, Traverse Theatre

by Mary Baillie — December 19, 2024
Author Paul Tinto performed his original work 'Trouble in Spiritland' as a work-in-progress show at the Traverse this week. Adapted from the mythic epic poem of the same name, Tinto's theatrical spoken-word presentation delves into difficult themes including the wealth divide, capitalist corruption,...
Review: THE NUTCRACKER, Theatre Royal

Review: THE NUTCRACKER, Theatre Royal

by Natalie O'Donoghue — December 19, 2024
Scottish Ballet’s The Nutcracker brings light and joy to winter for audiences of all ages. Enjoy a visual feast as we take you and your family on a fantastical adventure. With live music played by the Scottish Ballet Orchestra, this ever-popular ballet is the perfect festive treat....
Review: PINOCCHIO, Lanternhouse

Review: PINOCCHIO, Lanternhouse

by Natalie O'Donoghue — December 14, 2024
All Pinocchio has ever wanted is to be a real boy. But hold on…if he wants things, surely that means he has thoughts and feelings. And if he has thoughts and feelings, then doesn’t that mean he has a brain and a heart? And if he has all that, doesn’t that make him a real boy already?...
Review: BEAUTY AND THE BEASTIE, Pavilion Theatre

Review: BEAUTY AND THE BEASTIE, Pavilion Theatre

by Natalie O'Donoghue — December 14, 2024
Life in Cludgie on the Cobbles is quiet and peaceful. Belle passes her days helping her mother, Professor Porridge and their neighbours Dame Dolly Drumchapel and her son, Hector....
Review: JACK AND THE BEANSTALK, Beacon Arts Centre

Review: JACK AND THE BEANSTALK, Beacon Arts Centre

by Natalie O'Donoghue — December 13, 2024
p his castle in the clouds, Giant Greedyguts plans to destroy the pantomime kingdom of Inverstrone if Dame Trot doesn’t give him her precious cow, Moomoo, for his lunch. This is just the adventure that Dame Trot’s daredevil daughter, Jack, has been waiting for....
Review: RUMPELSTILTSKIN, Platform

Review: RUMPELSTILTSKIN, Platform

by Natalie O'Donoghue — December 10, 2024
Rumpelstiltskin has never fitted in. Is he a Troll? A Goblin? A Stinky Bog Monster? No one really knows! But he’s excited to head out into the world and start making friends....
Review: THE SOUND OF MUSIC, Pitlochry Festival Theatre

Review: THE SOUND OF MUSIC, Pitlochry Festival Theatre

by Natalie O'Donoghue — December 9, 2024
The Sound of Music is the Pitlochry Festival Theatre's winter show and the final show to be directed by Elizabeth Newman in her role as artistic director of the theatre. ...
Review: SLEEPING BEAUTY, Adam Smith Theatre

Review: SLEEPING BEAUTY, Adam Smith Theatre

by Natalie O'Donoghue — December 7, 2024
The wait is over, Sleeping Beauty is now on! Bring your family and friends to experience the magic, laughter and heart-warming charm of this year’s must-see panto. With Christmas just around the corner, there’s no better way to get into the festive spirit!...
Review: SHE LOVES ME, New Athenaeum Theatre

Review: SHE LOVES ME, New Athenaeum Theatre

by Mary Baillie — December 9, 2024
The Royal Conservatoire of Scotland's musical theatre students showed off their talent in 1930s musical She Loves Me last week. Set in a Budapest perfumery, the piece follows feuding coworkers Georg (Nathan Muwowo) and Amelia (Ailsa Graham) who are unknowingly anonymous penpals, falling in love th...
Review: A CHRISTMAS CAROL, Chandler Studio Theatre

Review: A CHRISTMAS CAROL, Chandler Studio Theatre

by Mary Baillie — December 9, 2024
The Royal Conservatoire’s ‘Performance in British Sign Language (BSL) and English' students presented a beautiful silent adaptation of Dickens classic 'A Christmas Carol' last week. Combining both BSL and English, this performance ensured accessibility and enjoyment for both hearing and hearing-...
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