Skip to main content Skip to footer site map

San Francisco Playhouse Announces Cast For FOLLIES Opening June 30

This marks the first fully staged professional production of Follies in San Francisco.

San Francisco Playhouse Announces Cast For FOLLIES Opening June 30

San Francisco Playhouse announced casting for Follies by James Goldman and Stephen Sondheim. The musical will run on the San Francisco Playhouse Mainstage from June 30 through September 10, 2022. Bill English will direct, with music direction by Dave Dobrusky and choreography by Nicole Helfer. This marks the first fully staged professional production of Follies in San Francisco.

The cast features three-time Helen Hayes Award winner Natascia Diaz* in the role of Sally Durant Plummer, alongside local favorites Samantha Rose Cárdenas* as Young Sally, Maureen McVerry* as Phyllis Rogers Stone, Danielle Cheiken as Young Phyllis, Ryan Drummond* as Buddy Plummer, Chachi Delgado as Young Buddy, Chris Vettel* as Benjamin Stone, Cameron La Brie as Young Benjamin, Cindy Goldfield* as Carlotta Campion, Lucinda Hitchcock Cone* as Hattie Walker, Jill Slyter as Solange LaFitte, Caroline Louise Altman* as Stella Deems, Louis Parnell* as Dimitri Weismann, Frederick Winthrop as Roscoe, Eiko Yamamoto as Emily Whitman, Rene Collins as Theodore Whitman, and Emily Corbo, Anthony Maglio, Catrina Manahan, and Anne Warque in the ensemble. An additional ensemble role will be announced soon.

Originally slated for the Playhouse's 2019/20 Season and canceled due to Covid-19, the show marks the first fully staged professional production of Follies in San Francisco. The musical, which won seven Tony Awards in 1972 and has been heralded by the New York Times as "one of the greatest musicals ever written," closed on Broadway after 522 performances and never went on a national tour.

"We are thrilled and amazed to be presenting the professional San Francisco premiere of this Sondheim classic," said Bill English, Artistic Director. "More than a dazzling collection of tributes to musical styles from the first half of the 20th century, Follies is a meditation on the subject of regret, urging us to either refuse to regret or to make sure we have nothing in life to regret. It is also a profoundly feminist piece, that speaks with even greater power now than it did in 1971. We intend our Follies to capitalize on our intimate space to really delve into the characters' dilemmas while at the same time giving space to theatrical wizardry!"

It's 1971, and theatrical impresario Dimitri Weismann is hosting a reunion of former Follies performers in his crumbling theatre, about to be demolished to make room for a parking lot. The artists gather for one last time, reminiscing about the past and contemplating their future, before the theater dims its lights for good. Surreal, sophisticated, compelling, heart wrenching and epic in scope, this legendary masterpiece uses the musical theatre as a metaphor for the collapse of American innocence and naiveté.

James Goldman (book) was an American playwright, novelist, and screenwriter, honored with an Academy Award for the screen adaptation of his own play The Lion in Winter. He is also the author of the screenplays for Robin and Marion, Nicholas and Alexandra, and White Nights; and the book for Stephen Sondheim's stage musical Follies. Mr. Goldman was born in Chicago and was a graduate of the University of Chicago before beginning postgraduate work at Columbia University in music criticism until he was drafted into the army during World War II. In 1961 his whimsical play They Might Be Giants, about a man who believes he is Sherlock Holmes and is attended by a psychiatrist named Dr. Watson, was produced by Joan Littlewood in London and 10 years later was turned into a film starring George C. Scott and Joanne Woodward and directed by Anthony Harvey, who also directed the 1968 film version of A Lion in Winter. Mr. Goldman's first play on Broadway was a comedy about life in the army, Blood, Sweat, and Stanley Poole (1961), written with his brother William Goldman. Other work for the stage includes A Family Affair, a collaboration with John Kander, starring Shelley Berman; Evening Primrose (1966), his second collaboration with Mr. Sondheim; Oliver Twist (1982), Anna Karenina (1985), Anatasia: The Mystery of Anna (1986), and Tolstoy (1996). Mr. Goldman's novels include The Man from Greek and Roman (1974), Myself as Witness (1980), and Fulton County (1989).

Stephen Sondheim (music and lyrics) wrote the music and lyrics for Saturday Night (1954), A Funny Thing Happened on the Way to the Forum (1962), Anyone Can Whistle (1964), Company (1970), Follies (1971), A Little Night Music (1973), The Frogs (1974), Pacific Overtures (1976), Sweeney Todd (1979), Merrily We Roll Along (1981), Sunday in the Park with George (1984), Into the Woods (1987), Assassins (1991), Passion (1994) and Road Show (2008) as well as lyrics for West Side Story (1957), Gypsy (1959) and Do I Hear a Waltz? (1965) and additional lyrics for Candide (1973). Anthologies of his work include Side by Side by Sondheim (1976), Marry Me a Little (1981), You're Gonna Love Tomorrow (1983), Putting It Together (1993/99) and Sondheim on Sondheim (2010). He composed the scores of the films "Stavisky" (1974) and "Reds" (1981) and songs for "Dick Tracy" (1990) and the television production "Evening Primrose" (1966). His collected lyrics with attendant essays have been published in two volumes: "Finishing the Hat" (2010) and "Look, I Made A Hat" (2011). In 2010 the Broadway theater formerly known as Henry Miller's Theatre was renamed in his honor.

Tickets ($30 - $100) are now available. For tickets or more information, the public may contact the San Francisco Playhouse box office at 415-677-9596, or online at https://www.sfplayhouse.org/sfph/2021-2022-season/follies/.



Related Articles View More San Francisco Stories


More Hot Stories For You