Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
Playwrights Horizons is presenting Christina Anderson’s “the ripple, the wave that carried me home,” directed by Tiffany Nichole Greene, at the Judith O. Rubin Theater in New York City. See what the critics are saying...
See what critics are saying about The Visitors, Bryna Turner's new comedy-drama starring Celie Keenan-Bolger, Esco Jouléy, and more at Second Stage Theater.
See what critics are saying about Here There Are Blueberries, now open on Broadway at the Ethel Barrymore Theatre for a limited 10-week engagement.
A new musical has officially entered the 2026/27 Broadway season! Inspired by a Clarke family story carried for generations, Wanted is the epic tale of Mary and Martha: sisters, outlaws, legends. Wanted features book and lyrics by Angelica Chéri and music by Ross Baum, with direction by Stevie Walker-Webb and choreography by Chelsey Arce. Check out what the critics are saying...
Slanted Floors, is now officially open, performed in an intimate, 30-seat performance space within the Astor Place Theatre building in Lower Manhattan. See what the critics are saying...
Fiasco Theater's production of Susan Glaspell's The Verge, starring Miriam Silverman and directed by Jessie Austrian, officially opens at The Public Theater. The 1921 play follows a botanist whose determination to create an entirely new form of life challenges societal expectations and personal relationships. Find out what the critics are saying!
The annual November residency of John Pizzarelli and Jessica Molaskey is always a musical event of the highest order, but this year there was an added attraction: the presence of their supremely talented daughter, Maddie.
A remarkable program of ballets by top-flight choreographers.
Blu on the Hudson’s menu by Executive Chef Juan Carlos 'JC' Ortega offers the finest Raw Bar & Crudos, Land & Sea, Sushi, Cold Appetizers, Hot Appetizers, Pasta, Steak, and Sides.
Christmas came early to Vancouver on Saturday, November 7, as Pentatonix brought their CHRISTMAS IN THE CITY Tour to Rogers Arena. With the holiday season still several weeks away, the five-member vocal group gave audiences a reason to get into the Christmas spirit a little sooner. The concert marked the group's first Canadian holiday tour stop, bringing together Christmas classics, original songs, and their signature a cappella harmonies.
There's no shortage of ways to enjoy live music, but Postmodern Jukebox offers something a little different. Bringing its Future Is Vintage World Tour to Minneapolis' historic State Theatre on Wednesday evening, Scott Bradlee's musical collective gave familiar songs a fresh twist with vintage-inspired arrangements, impressive vocal performances and plenty of theatrical entertainment.
For fans who grew up with early-2000s pop and rock, Michelle Branch’s music has a way of bringing back memories. With hits like “Everywhere,” “All You Wanted,” and “Goodbye to You,” Branch helped define an era of radio-friendly pop-rock, pairing catchy melodies with honest songwriting. On Wednesday night, she brought that catalog to First Avenue as part of her Everywhere and Back Again Tour.
The national tour of THE OUTSIDERS, currently playing at the Eccles Theater in Salt Lake City, is a visceral triumph – a production that transcends all the best parts of live theatre.
CATS fans rejoice! The Jellicle Ball is back in town, and it dazzles in the same choreographed purr-fection it’s best known for. This production is traditional CATS at its finest, featuring the iconic choreography and design executed perfectly.
Some stories stay with us long after we've finished reading them. Charlotte Perkins Gilman's The Yellow Wallpaper is one of those stories. First published in 1892, it remains a powerful examination of women's mental health, isolation, and what happens when someone else's judgment takes precedence over your own experiences.
What did our critic think of THE WASH at Front Porch Arts Collective?
Four years after its Portland premiere, THE SMUGGLER is back and it cuts deeper than before. Tom O’Leary is excellent as a desperate man in search of the elusive American Dream.
Coronado Playhouse’s production of 'Into the Woods' finds plenty of humor and heart in this wonderfully tangled tale.
Ego Death Theatre Collective enters its third season with a timely production of Year One exploring how strong the bonds of familial love are when put to the test against blind loyalty, nationalism, and complacency.
Paradigms are broken--thematically, logistically, and vision-wise --in the Washington National Opera’s innovatively reconfigured, and forward-looking production of the beloved opera Madama Butterfly. Paradigms aside, the glorious music of Puccini is always the compelling reason that this opera has fascinated so many over the decades.
There were multiple occasions when, as an adult, I was completely in awe of how the cast and crew of Beauty and the Beast managed to pull off an effect. The story revolves around magic so it only makes sense to have that same enchanted quality to this performance.
Jackie Burns and Kristen Beth Williams deliver powerhouse performances and electric chemistry in a wickedly entertaining production filled with dazzling costumes, breathtaking design, and jaw-dropping theatrical illusions.
Shakespeare’s rarely staged TROILUS & CRESSIDA becomes a story told among neighbors in 1930s Appalachia, with rich performances, fierce fights, and a welcoming adaptation for longtime fans and newcomers alike.
The Sound of Music is, without a doubt, one of the most famous musicals ever written. It’s a genuine American masterpiece, and thanks to the film adaptation starring Julie Andrews, it’s become a household staple that has been passed down from generation to generation. Its newest stage outing on tour is a testament to the timeless nature of the piece. Now playing at the Aronoff Center in Cincinnati, a whole new generation of theatergoers gets to ask and answer the age-old question: “How do you solve a problem like Maria?”
One of my favorite things about educational theatre is watching young performers discover their talents, but I get even more excited when schools let their students take charge! Pulaski Academy in Little Rock did just that with its November 7 and 8 production of DEAR EDWINA JR. at the Connor Performing Arts Center.
It’s true. BISEXUAL SADNESS is funnier than it sounds. Written by already prolific 29-year-old playwright India Kotis, whose pedigree includes father Greg Kotis of URINETOWN fame, the play addresses, well—bisexual sadness. It’s exactly what the play is about. Our bisexual, cisgender protagonist Faye is marrying cisgender, straight Alex.
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