TimeLine Theatre Company has revealed its 2026–27 Inaugural Season in the company’s first permanent home at 5035 N. Broadway in Uptown. This long‑awaited milestone launches a new era for TimeLine.
The Joseph Jefferson Awards will celebrate the 57th Anniversary of its Equity Theater Awards on Monday, September 29. Check out the full list of nominations here!
Kathy Voytko takes on the iconic role of Mrs. Potts in the BEAUTY AND THE BEAST national tour. She reflects on the production, her history with Chicago theater, and working with Stephen Sondheim on THE FROGS.
What is more American than apple pie? A small-town waitress with a dream and the ingredients for success! Sugar, butter, flour. These aren’t the only ingredients Jenna, a waitress and expert pie maker, uses to make her famous pies. Stuck in a small town and a loveless marriage, Jenna unexpectedly becomes pregnant, and then finds acceptance and love in the most unexpected place.
FALSETTOS, originally written as two-one act musicals set in 1979 and 1981, respectively, feels simultaneously dated and prescient. In this co-production from Court Theatre and TimeLine Theatre Company, director Nick Bowling leads a first-rate ensemble that preserves the musical as a period piece but also makes it feel utterly alive. Lauren Nichols’s set design evokes a 1970s retro roller rink and Theresa Ham’s costume designs also use extremely ‘70s colors (and each character wears a signature color). But many of the show’s central themes hit now as ahead of their time and eerily relevant. In particular, the musical’s reverence for Jewish culture and tradition and its unabashed embrace of queer love are especially moving at a time when anti-Semitism and homophobia seem tragically on the rise in America.
Court Theatre and TimeLine Theatre Company will present William Finn and James Lapine’s Falsettos, a tribute to family and its many forms; a playful interrogation of faith and identity; and a celebration of the beauty, complexity, and necessity of love.
The winners have been announced for the 2024 Joseph Jefferson Equity Awards, more commonly known as the Equity Jeff Awards. These awards are given for theatre arts produced in the Chicago area.
Court Theatre and TimeLine Theatre announced their collaboration on FALSETTOS, set to run this November. The production will bring the Tony Award-winning musical to Chicago audiences.
In this political year, it seems very appropriate that the new production at Marriott Theatre in Lincolnshire is Sherman Edwards and Peter Stone’s musical 1776, the background story of the days leading up to the signing of the Declaration of Independence.
Get a first look at 1776, winner of multiple Tony Awards including Best Musical, at Marriot Theatre. The production opens on Wednesday, August 28 at 7:30pm and runs through October 13, 2024 at Marriott Theatre.
TimeLine Theatre Company's capital campaign has raised nearly $40 million and its general contractor, Bulley & Andrews, has begun construction on the company’s future new home at 5035 N. Broadway, near the corner of Broadway and Argyle, in Chicago’s Uptown neighborhood.
Experience the Tony Award-winning musical 1776 at the Marriott Theatre this election season. Follow the compelling story of America's founding fathers as they debate and sign the Declaration of Independence.
TimeLine Theatre has announced 'FareWellington' events to celebrate its history at 615 W. Wellington Avenue as it prepares to move to a new location in Uptown.
TimeLine Theatre Company has announced details for the world premiere of Dhaba on Devon Avenue by Madhuri Shekar, directed by Chay Yew and presented in a co-production with Writers Theatre.
Mildred Marie Langford, Adhana Reid and Shariba Rivers will give voice to 18 real-life people caught in America’s school-to-prison pipeline in TimeLine Theatre’s Chicago premiere of Notes from the Field by Anna Deavere Smith.
THE LEHMAN TRILOGY is a sweeping play that covers 164 years of history as it weaves together fact and fiction to chart the rise and fall of Lehman Brothers. The play’s title mirrors the ambition of the piece: It has a run-time of over three hours that unfolds in three acts — all performed by only three actors. The trilogy in the title is thus a literal reflection of the play’s structure and the roles, but it’s also suggestive of the piece’s mythical nature. Likewise, playwright Stefano Massani’s script (adapted by Ben Power) has a rhythmic storytelling style; the actors often narrate their own stories and actions in a chamber theater type of presentation. Although the run time is long, the fact that THE LEHMAN TRILOGY covers so much ground means it remains interesting throughout — although I found I was ultimately more intellectually than emotionally stimulated.