Mark Senior News

First-look production photos have been released of the UK premiere of Here There Are Blueberries, a co-production between Tectonic Theater Project and Stratford East.

RuPaul’s Drag Race UK champion Danny Beard has joined the cast of The Lightning Thief: The Percy Jackson Musical for UK tour, running until March 2026. Check out all new photos here!

Bill Kenwright Ltd is getting ready to present Barnum, the classic Broadway musical by Cy Coleman (music), Michael Stewart (lyrics) and Mark Bramble (book) that celebrates the life of the world’s greatest showman, P.T. Barnum. Check out photos of the cast in rehearsals!

You can now get a first look at The Last Ship starring Sting. The Royal Theatre Carré in Amsterdam will present the world premiere of the reimagined production.

Written by Henry Lewis, Jonathan Sayer and Henry Shields, Christmas Carol Goes Wrong sees the return of Mischief’s beloved Cornley Polytechnic Drama Society, which was first seen by audiences in The Play That Goes Wrong over ten years ago. The show actually picks up where the last “Goes Wrong” show, Peter Pan Goes Wrong, left off, with the Cornley crew putting on a production of Charles Dickens’s A Christmas Carol.

You can now get a first look at photos of Freaky Friday in the UK! Bringing the body-swapping, mother-daughter duo to life on the stage are Rebecca Lock as Katherine, and Jena Pandya as Ellie.

There is no role in British theatre quite like the Pantomime Dame. The thrill I feel right now, heading into rehearsals at the legendary Stratford East, is electric. Stepping into a legacy that is equal parts mother, mayhem, and magnificent spectacle is an absolute gift for me.

Stratford East has released first look rehearsal images for the 2025 pantomime Mama Goose, a reimagined telling of the fairy tale classic with a special East London twist. Check out the photos here!

Mischief, the multi-award-winning company behind The Play That Goes Wrong, has released new production photos by Mark Senior for its upcoming festive comedy Christmas Carol Goes Wrong.

Patricia Highsmith's psychological thriller The Talented Mr Ripley was published 70 years ago, but remains fascinating due to her brilliant writing, but also movie and Netflix versions that have kept the story alive. This excellent new stage adaptation, written and directed by Mark Leipacher, strips back the story and takes us to the dark heart of Highsmith's most famous character.

It’s an extensive rumination on family, Jewishness, marriage, and the boundaries of emotional infidelity, but it neglects the nuances and peculiarities of the characters, who ultimately remain two-dimensional figurines with very little identity. The narrative is severely self-indulgent, without as much scope or aim as it believes it's offering. It exploits womanhood for the benefit of its male protagonists and under-analyses the consequences of their actions. The direction and company are remarkable, but each element suffers the material.

Rob Madge’s adapted version of Brandon Thomas’s Victorian farce proves both hilarious and unexpectedly timely, with standout performances and a contemporary edge that never sacrifices the original’s sparkle.

It’s been 70 years since the publication of Patricia Highsmith’s celebrated thriller, and the introduction of one of literature’s greatest creations: Tom Ripley.  He’s appeared in four further novels, several films, most famously the Oscar-nominated one by Anthony Minghella, and a recent TV series on Netflix starring Andrew Scott.  This year, the numerous articles in the media about the character continue – what makes him so consistently compelling?

Glamorous and mythic, the Mitford sisters often feel like untouchable figures of the past, central to the tumultuous politics of the interwar period and yet forgotten amidst the rollcall of far more significant names. They seem like the sorts of characters who would be impossible to bring to life, and yet Amy Rosenthal’s The Party Girls successfully brings these figures vividly into the sphere of the audience’s knowledge.

Talented by name, talented by nature: Ed McVey is a perfectly cast Mr Ripley, deftly juggling paranoia, wild optimism, self-pity and bouts of violence, while never losing either his sense of humour or the audience's tolerance. It's a demanding role requiring seemingly endless reams of dialogue as Ripley narrates his every thought, and McVey navigates it with style and charisma. 

Lock a few theatre characters in a room together, sit them around a dinner table and they surely won’t leave without revealing a few hidden resentments, infidelities, or family secrets they thought they’d take to their graves. It’s a tried and tested dramatic formula, and one that’s hard to get right.

Putin, Chekhov, Trump, art, principles, punishment, love, hate and that iconic, topless-on-a-horse photo of Mad Vlad. And much, much, more.

Back to the Future The Musical has been bringing audiences on a time-travelling adventure on the West End for four years, adapting the iconic 1985 film by Robert Zemeckis and Bob Gale for the stage. Recently, we had the chance to chat with Oliver Halford, who was cast as the alternate Marty McFly after an open casting call. We discussed what the casting process was like, how this role in particular is full-circle for him and how he survived an absolutely chaotic opening week!

Few families have captured the English imagination quite like the Mitfords. The six sisters—and their brother Tom—came of age in the 1930s, a period when other land-rich, cash-poor aristocrats quietly slipped into obscurity. Instead, the Mitfords commanded headlines: dazzling and scandalising in turn as debutantes, runaways, novelists and devoted fans of Fascism.

Last seen in London over 35 years ago, Drew McOnie's inaugural season as Artistic Director of Regent's Park Open Air Theatre ends with him directing and choreographing a new production of Lerner & Loewe’s Scottish fantasy musical Brigadoon.