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AT THIS PERFORMANCE... Returns To The Green Room 42 This Month

AT THIS PERFORMANCE... returns to The Green Room 42 featuring Standbys, Understudies, and Alternates from MERRILY WE ROLL ALONG, THE BOOK OF MORMON, NEW YORK, NEW YORK, WAITRESS, TITANIQUE, and SAW THE MUSICAL: THE UNAUTHORIZED PARODY. Join us on Monday, November 20th at 7 PM for this monthly residency showcasing Broadway talent.

New Musical ONWARD & UPWARD Will Receive Developmental Lab Readings This Month

Amas Musical Theatre and the Amas Musical Theatre Lab, will present developmental lab readings of Onward & Upward, a new musical based on the play “Up (The Man in the Flying Chair)”, with music by Charlie Romano, lyrics by Will Wegner, book by Will Wegner and Charlie Romano at Ripley-Grier Studios.

Alice Ripley to Return to The Green Room 42 in November

Tony winner Alice Ripley and Grammy winner John McDaniel are returning to THE GREEN ROOM 42 for an encore performance on November 21. Don't miss this highly anticipated event where they will showcase their talent and deliver a night of unforgettable music. Catch them for one night only at THE GREEN ROOM 42.

Nashville Rep's Season-Opening 9 to 5: The Musical Kicks Off An Eagerly Anticipated Slate of Theater

Baker’s superb direction brings all the various moving parts of this huge production together to deliver a gratifyingly heartfelt paean to the millions of working women (and men) who inspired the screenplay and musical book by Patricia Resnick. Baker’s vision for the piece, in concert with her team of collaborators, delivers a production of 9 to 5: The Musical that is delightfully fresh and new, eschewing the tendency of some directors to offer a rehash of what’s already been seen on Broadway, on tour or in regional theater.

Review: The Muny's SISTER ACT is Fabulous Baby!

The Muny has delivered a big, bold, over-the-top production of delightful disco divinity that exceeds every expectation. Credit Director and Choreographer Dennis Jones for his directorial vision and collaboration with the entire production team. He, and The Muny’s casting partners at The Telsey Office, have assembled a phenomenal cast with loads of talent, who supply big laughs, and deliver exceptional vocal performances while executing on Jones’ spirited choreography. The acting is superb. Every member of this onstage company performs at their highest level. The orchestrations are first rate. The choreography is amusing and animated. The scenic design is grandiose. The interior of the gothic church on the large Muny turntable is cathedral-like. Huge accolades to the Muny’s costume shop and costume designer Leon Dobkowski. The vintage 1970s costumes are flashy, colorful eye candy. The flow of Dobkowski’s costumes enhanced every movement of the energetic choreography. Shelby Leonard’s dazzling lighting design rivaled the glittery costumes and created a lighthearted and carnivalesque mood. Everything about this Muny production is miraculous.

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