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Listen: LITTLE KNOWN FACTS with Ilana Levine & Kristolyn Lloyd

Today's episode features Kristolyn Lloyd, who most recently starred Jo March in an Off-Broadway Production of Little Women and Princess Faye in Bliss the Musical in Seattle. She is most known for originating the role of Alana Beck in the Tony Award Winning musical Dear Evan Hansen as well as more noticeable roles such as Heather Duke in Heather the Musical Off-Broadway and Dayzee on the daytime soap opera The Bold and the Beautiful.

Photos: Company of Douglas Carter Beane's FAIRYCAKES Meets the Press

As Douglas Carter Beane's new comedy is now in rehearsals! The world premiere of Fairycakes is set for this fall at the Greenwich House Theater (27 Barrow Street), home to many of Beane's first plays, beginning Thursday, October 14, 2021. Opening night is set for October 24th.Fairycakes is set to play a limited engagement through January 2, 2022.

Kristolyn Lloyd Joins the Cast of FAIRYCAKES Off-Broadway

As Douglas Carter Beane’s new comedy begins rehearsals today, Producer Thomas Laub announced that Kristolyn Lloyd has joined the cast of Douglas Carter Beane’s comedy Fairycakes as Peaseblossom replacing Alfie Fuller who has departed due to scheduling conflicts.

BWW Review: Kristolyn Lloyd Debuts Heartfelt Music, Affirmations, & Admissions In CONFESSIONS OF A TOKEN BLACK GIRL At Feinstein's/54 Below

One can never be sure in this uncertain world - especially in show business - of how an acting career will look in hindsight; fortunately, along with all the power as a performer she packs into her slight 5’4” frame, this lady (as it turns out) is also a gifted from the gods songwriter. With more than half her show consisting of her own compositions, Kristolyn Lloyd showed all that she can combine her own poetry with beautiful notes and make songs that soar.

BWW Review: PARADISE BLUE at Williamstown Theatre Festival On Audible Theater

WTF Artistic Director Mandy Greenfield’s choice to revive PARADISE BLUE is another of many highly relevant selections given prevailing racial tensions.  It also demonstrates that a new play, 'born' at Williamstown, that the New York Times suggested was “unlikely to be final” in its form can evolve and overcome challenges. 

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