Critics' Choice: Gary Naylor's Best Theatre of 2025
by Gary Naylor
- Dec 24, 2025
Theatre is, of course, a window on another world, often glitzier and brighter than our own, sometimes a reflection that can comfort or discomfit us and sometimes a portal into what it is to be human at all. It is an escape - and who can deny that we need such refuges more than ever - but it can be so much more than mere escapism. The best theatre of 2025 made those lofty promises - and kept them.
Review: PINOCCHIO, Globe Theatre
by Christiana Rose
- Dec 22, 2025
Pinocchio at the Globe Theatre is a radiant and heartfelt triumph which transforms a much loved story into a richly imaginative new musical. The atmosphere is electric, with the standing audience filling the lower space, with a striking set emblazoned with giant letters spelling PINOCCHIO framed by grand red curtains, ensuring the sense of occasion is unmistakable.
The Best Theater of 2025: London Shows that Ruled the Year
by Sidney Paterra
- Dec 19, 2025
As 2025 comes to a close, London's top theatre critics have been taking stock of this theatre season- deciding on their personal choices for their favorite productions of the year. The season has been full of so many stellar plays, musicals, revivals and new works. Be sure to check back later for new additions as they're released!
Review: TOP HAT, Queen Elizabeth Hall
by Clementine Scott
- Dec 18, 2025
Twenty or so dancers parade before an oversized Art Deco clock, to the familiar strains of ‘Puttin’ on the Ritz’ from a brass band offstage. In other words, the stage is set for a reassuringly old-fashioned taste of the Golden Age of movie musicals.
Review: INDIAN INK, Hampstead Theatre
by Clementine Scott
- Dec 17, 2025
Indian Ink is not among Tom Stoppard’s greatest plays. The tale of a literary darling moving to 1930s India is awkwardly structured and hamfisted in its messages about Indian identity. Yet this revival breathes new life into the lesser-known work.
Review: PARANORMAL ACTIVITY, Ambassadors Theatre
by Franco Milazzo
- Dec 15, 2025
London is a city built on ghosts. Romans, plague pits, abandoned Tube stations and the collective memory of audiences who still shudder about The Woman in Black. There’s even a theatre supposedly inhabited by a ghost dolphin called Flipper.
Review Roundup: What Did The Critics Think of Jordan Fein's INTO THE WOODS?
by Aliya Al-Hassan
- Dec 12, 2025
What happens after Happily Ever After, after all? In Sondheim and Lapine’s beloved musical retelling of the Grimm classics, a parade of familiar folktale figures find their way “Into the Woods” and try to get home before dark—under the guidance of Mark Lamos, who dazzled us with A Little Night Music in 2008. What did the critics think of Jordan Fein's revival?
Review: THE RED SHOES, Sadler's Wells Theatre
by Mica Blackwell
- Dec 12, 2025
I couldn't help but get swept away by The Red Shoes. A rich blend of romantic storytelling and cinema, this production showcases the best Matthew Bourne has to offer as a love letter to ballet in its purest (and most haunting) form. If you're unable to find a production of The Nutcracker this holiday season, a trip to Sadler's Wells will more than suffice.
Review: INTO THE WOODS, Bridge Theatre
by Aliya Al-Hassan
- Dec 12, 2025
Having brought their extraordinary theatrical concepts to the all-conquering Fiddler on The Roof, director Jordan Fein and designer Tom Scutt reunite to bring lucky London audiences a gorgeously dark and heartfelt version of James Lapine and Stephen Sondheim's Into The Woods.
Review: PADDINGTON THE MUSICAL, Savoy Theatre
by Christiana Rose
- Dec 1, 2025
Paddington the Musical arrives at the Savoy Theatre with a heart full of hope and a suitcase packed with marmalade flavoured charm, delivering a joyous celebration of inclusion, diversity and equality in every beat.
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