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Review: THE PHANTOM OF THE OPERA at Paramount Theatre

It’s almost unbelievable for me to admit that this was my first time seeing The Phantom of the Opera. Of course, I knew the iconic songs and had seen countless clips over the years, but experiencing the production live on stage for the first time was entirely different, haunting, and spine-chilling in the best way possible. From the chandelier drop to the monumental set pieces, the show truly lives up to its legendary reputation. The 2026 tour, directed by Harold Prince, serves as a revitalized version of the original production, featuring Maria Björnson’s iconic designs, musical staging, and choreography by Gillian Lynne. It is absolutely ravishing, and Seattle audiences are lining up hours early to witness the spectacle for themselves.

Review: THE PHANTOM OF THE OPERA at Keller Auditorium

Nearly 40 years after its Broadway premiere, THE PHANTOM OF THE OPERA continues to cast its spell. I saw proof of that everywhere at the packed Keller Auditorium, including a young girl clutching a teddy bear wearing a tiny Phantom mask. The now and future PHANTOM fandom is in excellent hands.

Review: PHANTOM OF THE OPERA at the Eccles Theater is Refreshed with Reverence

The national tour of PHANTOM OF THE OPERA, currently playing at the Eccles Theater in Salt Lake City, brings back the old favorite with refreshed reverence. The dark beauty of the original production remains intact while freshly burnished in this iteration, which features a new heartstopping chandelier drop that you’ll want to see for yourself. 

Review: THE PHANTOM OF THE OPERA at Orpheum Theatre Minneapolis

If you’ve lived in Minneapolis long enough, you’ve probably seen a touring Phantom (or at least pretended you did when talking to theatre friends). But the production now at the Orpheum through December 7 feels surprisingly alive. Not “reinvented,” not “modernized”—just performed with the kind of conviction that makes you remember why this show became a juggernaut in the first place.

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