NIGHT OF JANUARY 16TH Comes to Ruth Stage
by Stephi Wild
- Mar 2, 2026
Ruth Stage will continue its residency at the Jersey Shore Arts Center with Night of January 16th, following its acclaimed productions of Edward Albee's The Zoo Story and At Home at the Zoo.
STORIES FROM THE BRINK Premieres at SoHo Playhouse This March
by Stephi Wild
- Feb 27, 2026
SoHo Playhouse and Bahr None Productions will present the New York premiere of Stories From the Brink, written and performed by award-winning performer Iris Bahr (Curb Your Enthusiasm, Hacks, Friends, DAI (enough).
Review: THE DANCE OF DEATH at Steppenwolf Theatre Company
by Rachel Weinberg
- Feb 19, 2026
When I think of Steppenwolf, I often think of family members crying, screaming at one another, or some combination of the two. So the sparring between spouses Alice and Captain Edgar in August Strindberg’s 1900 play THE DANCE OF DEATH feels right at home. In a surprisingly funny and sharp version from accomplished Irish playwright Conor McPherson and direction from Steppenwolf ensemble member Yasen Peyankov, Kathryn Erbe and Jeff Perry go toe-to-toe as a troubled married couple about to celebrate their silver anniversary.
Theater For The New City To Honor Estelle Parsons
by A.A. Cristi
- Feb 17, 2026
Academy Award-winning actress Estelle Parsons is returning to Theater for the New City as the honoree at its annual Love and Courage gala to raise money to present the work of emerging playwrights.
Review: South Coast Repertory Presents GOD OF CARNAGE
by Michael Quintos
- Feb 10, 2026
Wildly surprising and deliciously savage, Yasmina Reza's machete-edged 2006 dark comedy GOD OF CARNAGE—here directed by Marco Barricelli and continues performances at OC's South Coast Repertory through March 21, 2026—has to be one of the most ferocious dissections of modern-day performative civility ever to grace the stage—an 80-minute, intermission-less pressure cooker that gleefully burns away the polite veneer of bourgeois adulthood to reveal the petulant, immature children actually lurking just beneath. Boosted by a foursome of terrific actors, the play endures as entertainingly voyeuristic in its unsettling relatability. SCR's outstanding production is a brilliantly observed theatrical skirmish—equal parts comedy of manners and psychological boxing match with no clear winners or losers.
|
|