The Royal Ballet will perform Perspectives, a programme of one-act ballets. A world premiere by Cathy Marston features as well as the UK premiere of Justin Peck’s Everywhere We Go. George Balanchine’s ballet Serenade opens the evening.
Dates have been announced for the 50th Anniversary West End revival of David Hare's rebel play TEETH 'N' SMILES starring Rebecca Lucy Taylor, AKA Self Esteem, in her West End play debut.
Anthology Theatre has announced the full cast for the London premiere of Tim Firth's Award-winning musical This Is My Family. Learn more about the upcoming production here.
Multi-award-winning dance artist and cultural innovator Ivan Michael Blackstock presents the return of TRAPLORD, a dance performance meditating on life, death and rebirth, in the opening programme of Sadler’s Wells East.
The National Theatre has announced further details and casting for previously announced shows in Director Rufus Norris' final season. Learn more about the upcoming productions here!
Get a first look at San Francisco Opera's West Coast premiere of composer Poul Ruders and librettist Paul Bentley’s opera The Handmaid’s Tale, based on the bestselling novel by Margaret Atwood. Check out the video!
The Almeida Theatre has announced five new productions including Almeida Associate Director Rebecca Frecknall's new production of Tennessee Williams' Pulitzer Prize-winning play Cat on a Hot Tin Roof, featuring Kingsley Ben-Adir, Daisy Edgar-Jones and Lennie James.
San Francisco Opera will present the West Coast premiere of composer Poul Ruders and librettist Paul Bentley’s opera The Handmaid’s Tale, based on the bestselling novel by Margaret Atwood.
The world première of brand-new musical Wild Rose, written by Nicole Taylor (One Day, Three Girls, The C Word, The Nest) and directed by John Tiffany (Harry Potter and the Cursed Child, Black Watch) begins its life in Scotland where the piece is set, opening The Royal Lyceum Theatre in Edinburgh in 2025 as part of the company’s new season.
The Donmar Warehouse production of the Broadway musical Next To Normal has announce its full company ahead of its transfer to the West End’s Wyndham’s Theatre this summer. Learn more about the cast here!
San Francisco Opera will present the American premiere of composer Kaija Saariaho’s final opera, Innocence, at the War Memorial Opera House from June 1–21.
The 2024–25 Season includes six mainstage opera productions along with concert presentations including a one-night-only performance of Beethoven's Ninth Symphony on October 26, honoring the work's 200th anniversary and, in the summer of 2025, a special Pride Concert celebrating San Francisco's LGBTQIA+ community.
Learn how The Royal Opera created a climate-conscious production of Rusalka in this all-new video. The Royal Opera worked towards Green Book standards in The Royal Opera's recent production of Rusalka - a modern interpretation of Dvořák's magical story.
San Francisco Opera's 101st season continues May 30–June 30 at the War Memorial Opera House with the highly anticipated American premiere of Kaija Saariaho's final opera, INNOCENCE, along with Mozart's THE MAGIC FLUTE (DIE ZAUBERFLÖTE) and Handel's PARTENOPE, presented in award-winning productions.
The critically acclaimed Donmar Warehouse production of the Broadway musical Next to Normal – which sold every seat at every performance across its season at Donmar Warehouse, where the production made its long-awaited UK Premiere – is to transfer to London's West End.
Critically acclaimed Broadway musical Next to Normal has now opened at London's Donmar Warehouse. Caissie Levy stars as Diana, a suburban wife and mother living with bipolar disorder and haunted by her past. Donmar Artistic Director Michael Longhurst directs the long-awaited UK première of this powerful musical about a far from average family.
It’s a musical of profound emotional intelligence and accuracy. Informed and thought-provoking, it encourages reflection and promotes a healthy dialogue on the matter. It’s a touching, life-size picture of a family who can’t overcome their pain. Too many productions are haphazardly labelled as “a must-see” these days, but this is the real deal.