The artists and artistry of San Francisco Opera will be on full display in Celebrating the Voices of San Francisco Opera, a virtual event that will be unveiled at sfopera.com, YouTube and Facebook on Friday, December 4 at 7:30 pm Pacific.
The English National Opera (ENO) announces the full details of the first ENO Drive & Live - Europe's first live drive-in opera production that audiences can safely experience from their cars.
It seems almost a lifetime ago that the National Theatre made the decision to start streaming shows from their archive to shine a light in the darkness of these times. Beginning with One Man, Two Guv'nors, their screening of the peerless production of Peter Shaffer's Amadeus marks the last of these shows and ends this wonderful series on a triumphant high.
When EV Crowe wrote Shoe Lady for the Royal Court, little did she know that a pandemic would force Vicky Featherstone's production to close early. It's also probable that she didn't predict a mid-run meltdown would transform so seamlessly into a brilliantly dystopian, Alice in Wonderland-esque radio drama.
The Royal Court Theatre's Jerwood Theatre Downstairs will be available from 7:30pm tomorrow (Friday 8 May 2020) for the public to virtually visit Caretaker, a durational installation by Hester Chillingworth (pronouns: they/them), which will run until the theatre can reopen.
E.V. Crowe debuts her new play Shoe Lady directed by the Royal Court's artistic director Vicky Featherstone. Katherine Parkinson returns to the stage as a woman who accidentally loses a shoe on her way to work. What ensues from the incident is a bleak reflection on middle-class anxiety.
Kayla Meikle and Katherine Parkinson have been cast in the world premiere of Shoe Lady written by E.V. Crowe and directed by Royal Court Artistic Director Vicky Featherstone. With set design by Chloe Lamford, lighting design by Natasha Chivers, composition by Matthew Herbert, sound design by Tony Gayle and movement direction by Sasha Milavic Davies.
San Francisco Opera General Director Matthew Shilvock today announced the Company's 98th season, which opens on September 11, 2020 with an Opening Night Celebration featuring soprano Albina Shagimuratova and tenor Pene Pati in concert with the San Francisco Opera Orchestra conducted by Music Director Designate Eun Sun Kim. Opening Night festivities include San Francisco Opera Guild's Opera Ball, BRAVO! CLUB's annual Opening Night Gala and two new events: the Opera Supper in the Veterans Building's elegant Green Room and, for the entire audience, a celebratory, post-concert toast to the season.
It's a case of rather ironic programming that the press night for Mike Lew's Teenage Dick at the Donmar Warehouse was on the 12 December, the day of the General Election in the UK. An adaptation of Shakespeare's Richard III, Lew's new play is a meditation on the nature of power transposed to an American high school. Commissioned by The Apothetae, a theatre company dedicated to plays that discuss disability, and with direction by Michael Longhurst, Lew retells Shakespeare with a needed urgency, providing an arch reminder that the voices of the disabled have often been ignored, terrorised or shouted down from the earliest possibility.
Tickets for Wende's international project in collaboration with Royal Court Theatre, London and other performances of Operadagen Rotterdam 2020 are on sale from Friday, December 13 12.00 PM and onward.
The Donmar Warehouse today releases rehearsal images for Teenage Dick, Mike Lew's darkly comic take on Shakespeare's Richard III, directed by Donmar Artistic Director Michael Longhurst.
Following the success of Summer and Smoke at both the Almeida and the Duke of York's theatre, director Rebecca Frecknall returns to the former venue with John Webster's The Duchess of Malfi. Taking Webster's grotesque tale of betrayal, this production sets the lives of its female characters on brutal display with a relentless atmosphere.
Check out the current standings in the 2019 BroadwayWorld UK Awards and cast your vote!
Is this a great time to tell stories, shedding light in dark times? Or is it an impossible task? That's the loose premise of Annie Baker's wilfully elusive new piece, featuring the brainstorming session from hell a?' or possibly about hell, or in hell. Immaculately directed by Baker herself and designer Chloe Lamford, it's monstrously clever: a philosophical Fright Night.
Their phones switched off, a group of people sit around a table telling, categorising and theorising stories. This is a world that is both familiar and fantastical. Their real purpose is never quite clear, but they continue on, searching for the monstrous. Part satire, part sacred rite, The Antipodesasks what value stories have for a world in crisis.
Voting continues for the 2019 BroadwayWorld UK Awards, brought to you by TodayTix! Nominations were reader-submitted and now our readers get to vote for their favourites. Check out the current standings and cast your vote.
The previously announced Open Court: Climate Emergency scheduled for March 2020 will be a catalyst for complete organisational transition towards net zero.
Today, the shortlist is announced for the 2019 BroadwayWorld UK Awards, celebrating the best long-running West End productions and best new productions from around the country. CLICK HERE TO VOTE!
Following acclaimed runs of The Flick and John, Pulitzer Prize-winner Annie Baker returns to the National Theatre with her latest extraordinary play, The Antipodes.
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Annie Baker's latest to Ealing comedy and a royal reunion, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
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