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Full Cast Set for THE WIZARD OF OZ at 5-Star Theatricals

5-Star Theatricals has revealed the full cast for the second show of their 2026 season, one of the most beloved musicals of all time, The Wizard of Oz by L. Frank Baum, with music and lyrics by Harold Arlen and E.Y. Harburg.

CLUE Comes to the Wharton Center

CLUE, the hilarious murder mystery comedy inspired by the Hasbro board game and adapted from the fan-favorite film, will come to Wharton Center from Tuesday, April 7, to Sunday, April 12, 2026. 

Review: ONE MAN, TWO GUVNORS at A Noise Within

Staged with take-no-prisoners verve by Julia Rodriguez-Elliott and Geoff Elliott, Richard Bean’s romp of a play is a joyride through a 60s England in which would-be actors ham it up gleefully, blondes are dizzy, would-be lovers are temporarily thwarted, and positively everybody is ready to cut loose to the strains of a Beatles-inspired skiffle band.

ONE MAN, TWO GUVNORS to Open A Noise Within 2025-26 Season

Launching A Noise Within’s “Songs from the Volcano” 2025-36 season, One Man, Two Guvnors is British playwright Richard Bean’s hilarious, Tony Award-winning adaptation of Goldoni’s classic 1783 farce, The Servant of Two Masters. Learn more!

Review: Madison Gets A CLUE at The Overture

Clue is based off of the 1985 black comedy film of the same name, based on the Hasbro game also of the same name. Reimagined by Sandy Rustin, with the help of Hunter Foster and Eric Prince, Clue provided roughly an hour and twenty-five minutes of continuous entertainment. It was a joy to watch.

CLUE Comes To Overture Center in May

“Clue,” the hilarious murder mystery comedy inspired by the Hasbro board game and adapted from the fan-favorite film, is coming to Overture Hall in May. Learn more here!

Broadway Touring Production Of CLUE Takes The Stranahan Theater Stage In May

The American Theatre Guild will present CLUE, the hilarious murder mystery comedy inspired by the Hasbro board game and adapted from the fan-favorite film. This production is part of the 24–25 BROADWAY IN TOLEDO Series and will take the Stranahan Theater stage for eight performances May 6–11, 2025. 

CLUE Playing Now At CIBC Theatre

CLUE, the murder mystery comedy inspired by the Hasbro board game and adapted from the fan-favorite film, is now playing at the CIBC Theatre for a limited two—week engagement through March 2 only.

CLUE Comes to Madison's Overture Center in May

CLUE, the murder mystery comedy inspired by the Hasbro board game and adapted from the fan-favorite film, will come to Overture Center for the Arts in May.

Review: THE SKIN OF OUR TEETH at A Noise Within

The Skin of Our Teeth is an astonishing production of the classic play at A Noise Within through September 29th.  It is insatiably alive with sharp-fanged wit, whimsical thoughtfulness, and improbable wonder.  The Skin of Our Teeth is audaciously satirical, but also earnest its incandescent meditation on the eternal human cycle of apocalypse and overindulgence.

Photos: A Noise Within Presents Thornton Wilder's THE SKIN OF OUR TEETH

A Noise Within opened its 2024-25 “True Grit” season last weekend with “The Skin of Our Teeth,” the Pulitzer Prize-winning, time-bending comic romp by Thornton Wilder that’s a testament to the indomitable spirit of humanity. See photos from the production.

Interview: Ann Noble's Always Multitasking By THE SKIN OF HER TEETH

Next up for A Noise Within, Thornton Wilder’s Pulitzer Prize-winning The Skin of Our Teeth opening September 7, 2024 (with previews already started.) ANW’s co-artistic directors Julia Rodriguez-Elliott and Geoff Elliott co-direct the cast led by Frederick Stuart, Trisha Miller, Mildred Marie Langford, Christian Henley and Ann Noble with support from Kasey Mahaffy, Cassandra Marie Murphy, Anthony Adu, Stella Bullock, Julia Chavez, Jacob Cherry, Yannick Haynes, Amber Liekhus, Veronica McFarlane, David A. Rangel, Landon M. Robinson, Micah Schneider and Maya Sta. Ana. Ann found time between her multi-tasking to answer a few of my queries.

Review: SWEENEY TODD at A Noise Within

In classic ANW style, Rodriguez-Elliott has simplified everything, returning to the text and highlighting elements of the (mercifully and artfully) truncated libretto. Without a drop of stage blood, she has crafted lasting images of violence that grip us and carry the narrative.

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