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BWW Column: Three Simple Ways to Improve Upon Success of THE WIZ LIVE!

Now that we are a week removed from last Thursday's THE WIZ LIVE!, NBC's third live musical in as many years, we know that the production has predominantly been hailed as a critical and ratings success, vindicating the audacious experiment after two, less than artistically satisfying, outings. Led by a newcomer plucked from an open call, director Kenny Leon and executive producers Neil Meron and Craig Zadan found a star in Shanice Williams and surrounded her with an all-star cast that ranged from serviceable to revelatory. However, as enjoyable as the event was, especially in relationship to past efforts, THE WIZ LIVE! was not a perfect production. There is, after all, a reason why no one did live TV musicals for nearly half a century; they are hard.

BWW Discussion: BWW Orlando Editors Discuss Beautiful CINDERELLA at Dr. Phillips Center

On Tuesday night, RODGERS & HAMMERSTEIN'S CINDERELLA opened a week-long run at Orlando's Dr. Phillips Center for the Performing Arts. Running through Sunday, I was fortunate enough to attend the tour stop's opening night, as was fellow BWW Orlando editor Kimberly Moy. As we did when we discussed THE PHANTOM OF THE OPERA, first show of the 2014-2015 Orlando Broadway Series, we had a back-and-forth conversation about CINDERELLA. While I tend to look at things from a more historical and critical point of view, Kim is an admitted fan girl.

BWW Review: RODGERS & HAMMERSTEIN'S CINDERELLA is Fantastic Mix of Fresh and Familiar at Dr. Phillips Center

The 2015-2016 Orlando Broadway Series kicked off in royal style last night as the wonderful RODGERS & HAMMERSTEIN'S CINDERELLA set up shop at downtown's Dr. Phillips Center for the Performing Arts. This reimagined take on the classic musical will be in town through Sunday, November 15th, and is a gloriously entertaining spectacle that has as many colorful costumes as it does characters. With a fantastic, first-rate cast, the enjoyable family-friendly musical combines the comfortingly nostalgic Rodgers and Hammerstein score with a brand-new, empowering book. R&H's CINDERELLA is an inspiring, must-see hit for theatre fans of all ages.

BWW Interview: Ted Chapin Discusses CINDERELLA, SOUND OF MUSIC Tours, Future R&H Broadway Shows

For generations, RODGERS & HAMMERSTEIN'S CINDERELLA existed only as a beloved television movie. First with a live broadcast in 1957 starring Julie Andrews; then in 1965 with Lesley Ann Warren, a version which was regularly re-broadcast into the 90s (which I grew up watching); and finally in 1997 with Brandy in the title role and Whitney Houston as her Fairy Godmother. However, in 2013, over 55 years after its first broadcast, led by Broadway's favorite princess Laura Osnes and crowned prince Santino Fontana, R&H 's CINDERELLA took its first Broadway bow. The show earned nine Tony nominations, running for nearly two years. Now, CINDERELLA's First National Tour sets up shop in its own little corner at Orlando's Dr. Phillips Center for the Performing Arts, with performances beginning on Tuesday night.

BWW Interview: CINDERELLA National Tour's Blake Hammond

Whether it's Disney's Cinderella, A Cinderella Story, Ella Enchanted, Ever After, or some other variation, you know the story.  This classic fairy tale has been told time and time again.  It just never gets old!  And now, to make things even better, the national tour of Rodgers and Hammerstein's CINDERELLA is making its way to the Saenger Theatre tonight!  That's right, you and yours have the chance to experience the most magical evening of all during the most enchanted week of the year (of course, I'm referring to Halloween).

Tony and Emmy Nominee Jerome Kass Has Died

BroadwayWorld has learned the sad news that playwright Jerome Kass has died. A Tony nominee for penning the book of the 1978 musical BALLROOM, Kass passed away in his Manhatta home on Thursday, Oct. 22 from prostate cancer. He was 78.

CRITICS' CHOICE: Theater To Keep The Frost Off the Pumpkin

There's the definite feeling of autumn in the air that makes you want to gut a pumpkin or at least have a pumpkin spice latte, chances are you are definitely going to need a sweater in the early morning hours, and it's past the perfect time for you to pick out a Halloween costume. Luckily, theater companies are well into their new seasons and there's plenty of shows to entertain you while you take time off from berating yourself for wearing that same tricked-out Star Wars costume you wore the past fwo-and-one-half years.

BWW Review: CINDERELLA Captivates in Music City Debut

Sumptuously designed, beautifully staged and wonderfully sung, Rodgers + Hammerstein's Cinderella isn't the same show you may recall from childhood hours spent in front of a television or from scores of regional theater productions since, but with a new and refreshingly timely book by Douglas Carter Beane, along with the interpolation of four 'new' songs from the R+H canon, the elaborate new production that's fresh off its first-ever Broadway run seems the ideal interpretation for the 21st century.

BWW Review: CINDERELLA Enchants at Memphis Orpheum

CINDERELLA is the only Rodgers and Hammerstein musical that was originally written for television. Its first performance was broadcast live on CBS on March 31, 1957 as a vehicle for Julie Andrews, who played the title role. It was subsequently remade for television twice. The 1965 version starred Lesley Ann Warren, and the 1997 one starred Brandy Norwood.

Jazzy! Last Fridays Salon #6 at The Drawing Room Set for Today

 Robert Morton, in associationwith Concrete Timbre, Inc., presents Jazzy! Last Fridays Salon # 6, the sixth of an eight-concert series of original contemporary music, sound, words, & images by professional composers wanting to develop their art by working outside their comfort zone to create challenging new compositions, in an intimate setting at The Drawing Room (56 Willoughby St. between Jay and Lawrence) in Downtown Brooklyn tonight, September 26, 2015 at 8:00 p.m. The Last Todays Salon series began in January 2015 and continues on the last Today of the month through November, 2015. Ann Warren is the Producing Artistic Director and Whitney George is Musical Director.

Jazzy! Last Saturdays Salon #6 at The Drawing Room Set for 9/26

 Robert Morton, in associationwith Concrete Timbre, Inc., presents Jazzy! Last Saturdays Salon # 6, the sixth of an eight-concert series of original contemporary music, sound, words, & images by professional composers wanting to develop their art by working outside their comfort zone to create challenging new compositions, in an intimate setting at The Drawing Room (56 Willoughby St. between Jay and Lawrence) in Downtown Brooklyn on September 26, 2015 at 8:00 p.m. The Last Saturdays Salon series began in January 2015 and continues on the last Saturday of the month through November, 2015. Ann Warren is the Producing Artistic Director and Whitney George is Musical Director.

STAGE TUBE: Fellow Stage & Screen Stars Remember Elliott Gould in New Clip from Rick McKay's THE GOLDEN AGE FILM TRILOGY

Rick McKay has shared another video from his trilogy, BROADWAY: THE GOLDEN AGE. In his words, 'Happy (belated) Birthday, Elliott Gould! Shown here in a sneek peek at a chapter from BROADWAY: BEYOND THE GOLDEN AGE, with Jerry Orbach, June Havoc, Vincent Sherman, Marti Stevens, Chita Rivera, Lesley Ann Warrenn - and Elliott! This snippet is from a chapter about learning, not from teachers or schools, but from standing in the wings and watching - or from the audience - or wherever you can learn if you can't get in THAT school that everyone else is going to. And Elliott certainly did learn. '

BWW Interview: Legendary Barry Bostwick Discusses Career, DEVIL'S CARNIVAL, Broadway Return

The man who spoke that iconic line on film is equally as legendary as the words themselves. Not only did Barry Bostwick play Brad Majors in the ROCKY HORROR film, but he also originated the role of Danny Zuko in GREASE on Broadway, won a Tony for THE ROBBER BRIDEGROOM, and was nominated two other times. Since his beginnings on stage, he has become a nearly omnipresent face on screens both large and small for over four decades. Recently, I spoke with Bostwick while he was shooting in Vancouver about ALLELUIA!, his wildly eclectic career, and what it would take to get him back on a Broadway stage.

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