Review: The Stratford Festival's THE TAO OF THE WORLD is Hilarious and Moving
by Lauren Gienow - Aug 22, 2026
The final openings of the 2026 season of the Stratford Festival are upon us, and Thursday night, audiences at the Tom Patterson Theatre were in for a treat with the much-anticipated world premiere of Jovanni Sy’s THE TAO OF THE WORLD. This inventive and laugh-out-loud-funny comedy - based loosely on famed William Congreve play THE WAY OF THE WORLD - keeps audiences guessing about what hijinks will happen next, while also surprising them with heartfelt moments and thoughtful messages.
Stratford Festival's Meighen Forum Sets August Lineup
by Chloe Rabinowitz - Aug 4, 2026
Stratford Festival's Meighen Forum will continue its 2026 season this August with an expansive lineup of discussions, interviews and special events, including Global Theatre Week, Readers and Writers Week, plus more.
Review: The Stratford Festival's OTHELLO is Stirring and Powerful
by Lauren Gienow - Jun 21, 2026
The Stratford Festival’s Tom Patterson Theatre continues to demonstrate why it should be considered one of the best spaces in the world to mount Shakespeare. Director Haysam Kadri’s production of OTHELLO is stirring and powerful, with excellent performances by the entire company. Led by André Sills as Othello and Evan Buliung as Iago, this cast elevates every scene of this devastating Shakespearean tragedy. Themes of doubt, jealousy, manipulation, belonging, and betrayal, along with explorations of racism, and misogyny are explored with nuance and deliberateness. This paired with reflective and moving performances leaves audiences clinging to every word – spoken and unspoken.
Review: McCamus and Gross are Excellent in Stratford's WAITING FOR GODOT
by Lauren Gienow - Jun 1, 2026
The Stratford Festival’s Opening Week wrapped up last night with director Molly Atkinson’s production of Samuel Beckett’s WAITING FOR GODOT at the Festival Theatre. As I sit here contemplating what I want to say about it, I suspect I could write a One Act play called Reviewing Godot. How does one review what has been described as ‘a play in which nothing happens…twice’? One can of course highlight the brilliant performances of Tom McCamus, Paul Gross, Jonathan Goad, and David W. Keeley as Estragon, Vladimir, Pozzo, and Lucky – but even as I sit here reflecting on the performances, I find myself continuing to reflect (in a good way) on the absurd profundity of ‘nothing’ happening.
Review: SOMETHING ROTTEN at the Stratford Festival is Just as Good the Second Time Around
by Lauren Gienow - May 31, 2026
In the most delightful case of déjà vu, Stratford Festival audiences once again can take in Director/Choreographer Donna Feore’s masterful production of SOMETHING ROTTEN (last seen in 2024) at the Festival Theatre this season. For a production that is being repeated, it is ironically part of a lot of firsts! This is the first time (in my recollection) that a show has been brought back by popular demand, and it is also the first time Feore has both musicals on the Festival Theatre stage (with mostly the same company of actors between them). What is affectionately being called SOMETHING ROTTEN 2.0 opened to thunderous applause (and two mid-show ovations) Friday night and I've never been able to say with more certainty that it will be a hit!
Review: A MIDSUMMER NIGHT'S DREAM at the Stratford Festival Mustn't be Missed!
by Lauren Gienow - May 28, 2026
Opening Week at the Stratford Festival continues with an outstanding production of William Shakespeare’s A MIDSUMMER NIGHT’S DREAM at the Tom Patterson Theatre. With a phenomenal cast and inventive design, Director Graham Abbey’s production is infused with such humour and vitality that the show itself feels like a living, breathing organism.
A Stellar Cast Tells a Captivating WINTER'S TALE at the Stratford Festival
by Lauren Gienow - Jun 1, 2025
Opening Week at the Stratford Festival continued Friday night with a lively production of THE WINTER’S TALE at the Tom Patterson Theatre. Presented at the Festival for the first time in 15 years, and directed by Artistic Director Antoni Cimolino, this beloved Shakespearean tragicomedy boasts an excellent cast that offers powerful performances.