Gershwin’s PORGY AND BESS Gets Brazilian-made, Black-led Revival at Theatro Municipal of São Paulo
by Claudio Erlichman - Sep 8, 2025
Porgy and Bess is a famous 'folk opera' created by George Gershwin, with a libretto by DuBose Heyward and lyrics by DuBose and Ira Gershwin. The work chronicles the life of a Black community on Catfish Row in Charleston and is known for its fusion of operatic elements with American folk music, jazz, and blues. The story focuses on the love between Porgy, a disabled beggar, and Bess, a woman seeking a better life.
Review: THE ROCKY HORROR SHOW Is Horrifyingly Delicious
by Cybele Pomeroy - Oct 24, 2024
Is it time to Time Warp? Why, yes, yes it is. If it’s October on the East Coast, you can bet your Hot Patootie that there will be an abundance of Sweet Transvestites in many locations who Can Make You A Man at The Rocky Horror Show.
Fourth Annual Academy Museum Gala to Honor Rita Moreno, Paul Mescal and Quentin Tarantino
by Josh Sharpe - Jun 10, 2024
The Academy Museum of Motion Pictures has announced details of its annual fundraising gala, to be held on October 19, 2024. The Academy Museum Gala will celebrate the acclaimed museum’s third anniversary and will honor Academy Award-nominated actor Paul Mescal; Academy Award-winning actress, singer, and dancer Rita Moreno; and two-time Academy Award-winning and six-time Academy Award-nominated writer and director Quentin Tarantino.
Review: ORDINARY DAYS at BWU Musical Theatre Program
by Roy Berko - Mar 19, 2024
What did our critic think of ORDINARY DAYS at BWU Musical Theatre Program In Collaboration With Playhouse Square/Cleveland? Adam Gwon, who wrote the music and lyrics for ORDINARY DAYS, which recently finished its run as part of the Playhouse Square/Baldwin Wallace annual collaboration, was in attendance at the brief 3-day run.
Review: At Dr. Phillips Center, ANNIE Ain't Equity, But It Is Interesting
by Aaron Wallace - Oct 26, 2023
Mounting a non-union production of a story about unfair working conditions and class disparity in New Deal-era America takes some gall. Watching such a production on the heels of a record-breaking WGA strike and in the midst of an ongoing SAG-AFTRA one only adds to the irony. But setting aside the ethics of it all, the ANNIE on stage in Orlando transcends any low expectations one might reserve for a non-Equity, not-from-Broadway tour...