Review: HELLO DOLLY! at The White Theatre
by Alan Portner - Nov 4, 2025
“Hello, Dolly!” is a crown jewel of American Musical Theatre. “Dolly” is a jubilant blend of romantic comedy, brassy optimism, and showstopping choreography.
Opening night for the White Theatre production of “Dolly” was so surprising and memorable that it earned itself a five-star rating from this reviewer and from its audience writ large.
The Carbonell Awards Welcome Four New Judges for 2025-2026 Theatre Season
by Team BWW - Sep 23, 2025
The Carbonell Awards, South Florida’s most highly coveted recognition of theatrical production and performance excellence, announced four new judges. They will bring the total number of Carbonell judges to 48, including 18 in Broward County, 11 in Miami-Dade, and 19 in Palm Beach County.
Review: STUFF OF DREAMS at The White Theatre
by Alan Portner - Sep 20, 2025
“Stuff of Dreams” is a locally written and produced original musical play within a play. It is offered by the writing team of writing team of Barbara Nichols and Krista Eyler. Eyler is also responsible for conjuring the musical score.
Interview: Rhett Martinez of THE LAST YIDDISH SPEAKER at Mildred's Umbrella
by Brett Cullum - Sep 10, 2025
It is about a family living through a dystopian future that's only a few years into our future, the year 2029. In which… try to follow me on this, see if you can imagine America in this way. It's an America run by right-wing conservative Christians who oppress anyone who isn't like them, to the point of deporting them to other countries, maybe, like, El Salvador?
Review: New Jewish Theatre's TWO JEWS WALK INTO A WAR… is Wryly Amusing
by James Lindhorst - Jul 25, 2025
Two Jews Walk into a War... is not slapstick or laugh out loud funny. It is more wryly amusing. The humor is abundant. Laughs come from Seth Rozin’s quippy script, Aaron Sparks’ crisp direction and sharp timing, and Gary Glasgow and Chuck Winning’s playful sparring. But Rozin, Sparks, and the actors take the audience beyond the laughs and comedy, leaving them with more. Two Jews Walk into a War... provokes a quieted introspection about faith, ethics, beliefs, responsibility, and the relationships among the members of a community and religious congregation.
Review: WEST SIDE STORY at White Theater
by Alan Portner - Jul 12, 2025
From its first electrifying notes to its tragic final act, WEST SIDE STORY continues to captivate audiences with its blend of urgent drama, iconic music, and groundbreaking choreography. Each new staging of this classic presents a fresh opportunity to rediscover its timeless tale of love and rivalry. This latest interpretation seeks not only to honor the legendary legacy of the original but also to breathe new life into its unforgettable characters and vibrant score.
THE LAST YIDDISH SPEAKER Come to Mildred's Umbrella
by Stephi Wild - Jul 3, 2025
Mildred’s Umbrella Theater Company, in collaboration with the Evelyn Rubenstein JCC, opens their 2025-2026 season with the Houston premiere of THE LAST YIDDISH SPEAKER, by Deborah Zoe Laufer.
JULIUS CAESAR Coming to Austin Shakespeare in May
by Josh Sharpe - Apr 9, 2025
Austin Shakespeare is bringing a fierce and fearless production of JULIUS CAESAR to Zilker Hillside Theatre this spring, running May 15–25. In a dynamic twist on Shakespeare’s gripping political drama, most of the conspirators will be played by women, turning the timeless tale of ambition, betrayal, and revolution on its head.
Review: Rebekah Scallet Directs a Sobering and Gripping Production of CABARET at New Jewish Theatre
by James Lindhorst - Mar 21, 2025
New Jewish Theatre’s production of CABARET is a grim reminder of the early days of the Nazi reign in Germany. It is appropriately risqué and bawdy and artfully staged on David Blake’s beautiful set. It is filled with impressive performances from the entire cast, especially the original characterizations developed by Spener Davis Milford, Hailey Medrano, Dustin Lane Petrillo, and Jane Paradise. Rebekah Scallet’s storytelling reflects on the two melancholy love stories with a direful reminder of the past and a warning about current day antisemitism. She hammers home the funereal denouement like a railroad worker driving spikes with a maul.