Daphnie Sicre

Daphnie Sicre, PhD. (she/ella) is a multi-hyphenated artist. She is a director/dramaturg/scholar/educator who shares a deep passion for Black and Latinx perspectives in theatre, especially AfroLatinidad. Engaging in anti-racist and culturally competent theatre practices, she helps bring stories from the page to the stage.
She has directed for Skylight Theatre, East West Players, Greenway Court Theatre, Hollywood Fringe (New Musicals Inc), Playwrights' Arena, Garry Marshall Theatre, The Road Theatre, San Diego Rep/Latinx New Play Festival, The Robey Theatre, The Fountain Theatre, Circle X, The Hollywood Fringe/New Musicals Inc, Austin Latinx New Play Festival, FringeNYC, First Foot Productions, the Blindspot Collective, BMCC, NYU, Columbia University, and LMU, where she currently teaches. She also directed Stranger by Kendra Augustin (Stage Black) in NYC, where she won Best Director and the AUDELCO nominated Not About Eve by Karl O’Brian Williams (Braata Productions). She was the resident dramaturge at the Robey Theatre, where she ran the Playwright’s Lab. Selected dramaturgy credits include the musicals, Big Dawn by Marcus Terrell Smith, It Happened in Key West-Book, Music, & Lyrics by Jason Huza, Jeremiah James and Jill Santoriello (Bristol Riverside Theatre). She's also worked with Launch Pad, Playwrights’ Arena Readings Series, The Fountain Theatre, TheaterWorks Harford, Hartbeat Ensemble, New Play Project, FringeNYC, Bratta Productions, First Foot Productions, Lehigh University, NYU, and Columbia University as a dramaturge.
Her latest publication is a book chapter on AfroLatinidad in The Routledge Companion Latinx Theatre and Performance. Other publications include, an article in Theatre Symposium; Race & Theatre, “Being Black and Latinx in Theatre Today” and the co-published “Training theatre students of colour in the United States” in Theatre, Dance and Performance Training. Book chapters include Contemporary Black Theatre & Performance: Acts of Rebellion, Activism, & Solidarity, Stages of Reckoning- Anti Racist and Decolonial Actor Training, The Routledge Companion to African American Theatre and Performance, Black Acting Methods, and Shakespeare & Latinidad. Upcoming book chapters will appear in Every Great Dream: Visioning African American Theatre for Young Audiences. She also recently starting writing back for HowlRound, where she led a series with AfroLatine playwrights.
When she is not writing, directing or doing dramaturgy, she leads DEI Theatre Workshops across the country and serves as a culture consultant for Nickelodeon, having worked on the Emmy nominated Santiago of the Seas, and Teenage Mutant Ninja Turtles; Mutant Mayhem.
For more information, click https://daphniesicre.com/