Academy Award nominee Rachel McAdams stars in the Broadway premiere of MARY JANE, written by Pulitzer Prize finalist Amy Herzog (4000 Miles, the recent Tony-nominated adaptation of A Doll’s House). Captivating, affecting and compassionate, it’s the story of a single mother in an impossible family situation. Faced with seemingly insurmountable odds, Mary Jane relies on unflagging optimism and humor, along with the wisdom of the women around her who have become a makeshift family, to take on each new day. But will inner strength and newfound friendships be enough to see her through? The New York Times calls Mary Jane “the most profound of Herzog’s many fine plays.” And The New Yorker raves, “beautiful and remarkable... Herzog has made theatre that shines.” Directing is the acclaimed Anne Kauffman (The Sign in Sidney Brustein’s Window).
“Mary Jane” nonetheless remains a work of remarkable courage, and far more than that: Ms. Herzog captures, with dialogue that feels bracingly, fearlessly authentic — and that is often very funny besides — how powerful love can be in the face of pain and loss and, just as significantly, the limits of that power. Under Anne Kauffman’s vigorous, compassionate direction, the screen star Rachel McAdams steps into the title role, and acquits herself nicely. Where Ms. Coon brought more of a wry quality and a sense of latent, perhaps worn ferocity to Mary Jane, Ms. McAdams plays her very credibly, and movingly, as a fundamentally gentle woman who is overwhelmed by her lot.
Mary Jane is as much about community as it is about the tension of a bifurcated existence — the painful severance one feels in a society that renders the chronically ill and those caring for them invisible. Kauffman and Jellinek use the set, filled with revelatory moments of movement, to reflect the security of an apartment building in Queens versus the sterility of a hospital. Ben Stanton’s lighting attunes audiences to the pull of optimism against the seduction of nihilism. And in the conversations we find Mary Jane, in the face of despair and as a kind of self-protection, always choosing hope.
2017 | Off-Broadway |
New York Theatre Workshop Production Off-Broadway |
2024 | Broadway |
Manhattan Theatre Club Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Lead Performance in a Play | Rachel McAdams |
2024 | Drama League Awards | Distinguished Performance | Rachel McAdams |
2024 | Drama League Awards | Outstanding Revival of a Play | Mary Jane |
2024 | Outer Critics Circle Awards | Outstanding Lead Performer in a Broadway Play | Rachel McAdams |
2024 | Outer Critics Circle Awards | Outstanding Revival of a Play | Mary Jane |
2024 | Theatre World Awards | Theatre World Award | Rachel McAdams |
2024 | Tony Awards | Best Direction of a Play | Anne Kauffman |
2024 | Tony Awards | Best Performance by an Actress in a Leading Role in a Play | Rachel McAdams |
2024 | Tony Awards | Best Play | Amy Herzog |
2024 | Tony Awards | Best Sound Design of a Play | Leah Gelpe |
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