BWW Review: HANNAH AND MARTIN at Shattered Globe Theatre
A thought-provoking blend of philosophy, politics, and personal ethics, Kate Fodor's HANNAH AND MARTIN explores the fall-out of one German intellectual's entanglement with the Nazi party. Now playing at Shattered Globe Theatre under the direction of Louis Contey, Fodor's historical drama recreates t...
BWW Review: A CHORUS LINE at Porchlight Music Theatre
Under the direction of Brenda Didier and with show-stopping choreography from Christopher Chase Carter, Porchlight's A CHORUS LINE captures the emotional heart at the center of this classic musical and has plenty of pizzazz. Whether you're a long-time fan of A CHORUS LINE or experiencing this musica...
BWW Review: A Country's Soul Beats in CAMBODIAN ROCK BAND
BWW Review: A Country's Soul Beats in CAMBODIAN ROCK BAND...
BWW Review: LOTTERY DAY at Goodman Theatre
It seems only fitting that Ike Holter would conclude his seven-play "Rightlynd Saga," set in the fictional 51st Ward of Chicago, by literally sending it off with a party. And this is no ordinary celebration. A cast of characters from previous installments in the "Rightlynd Saga" gathers in Mallory's...
BWW Review: CRUEL INTENTIONS: THE '90S MUSICAL
If you're feeling nostalgic for the catchy pop hits of the '90s, CRUEL INTENTIONS: THE '90S MUSICAL is just the ticket....
BWW Review: ADMISSIONS at Theater Wit
Now in its Chicago debut at Theater Wit under the direction of Artistic Director Jeremy Wechsler, Joshua Harmon's ADMISSIONS is entirely prescient. The play takes a critical look at both prep school and college admissions, and the lengths to which people will go to have their children admitted. The ...
BWW Review: A NUMBER at Writers Theatre
In true science fiction fashion, British playwright Caryl Churchill's gripping two-hander, A NUMBER, raises more questions than it answers. Set in the near future and structured as a series of tense encounters between a father and his grown son(s), the play premiered at the Royal Court Theatre in 20...
Set Sail for Hell in a Handbag's Stellar POSEIDON!
Hell in a Handbag's parody of the classic 1972 disaster film, is in top ship-shape and worthy of you booking a passage. It's a laugh riot of epic proportions....
BWW Review: BRIGHT STAR at BoHo Theatre
Launching BoHo Theatre's fifteenth season, Steve Martin and Edie Brickell's BRIGHT STAR is an earnest and charming show that wears its heart proudly on its musical sleeve....
BWW Review: SWEAT at Goodman Theatre
Lynn Nottage's 2017 Pulitzer Prize-winning SWEAT, now in its Chicago premiere at Goodman Theatre under the direction of Ron OJ Parson, focuses on a group of blue-collar factory workers in Reading, Pennsylvania. Bound together by the toils of working-class life in the town's steel-tubing factory, the...
BWW Review: HANDS ON A HARDBODY at Refuge Theatre Project
In HANDS ON A HARDBODY, now making its Chicago premiere with Refuge Theatre Project, the mobility offered by that titular hardbody truck is not just of the wheeled variety. Instead, the contest among 10 working class Texans to be the last to have their hands on that Nissan truck also becomes a rathe...
BWW Review: A BRONX TALE on Tour in Chicago
It's in the moments of high energy and pure entertainment that A BRONX TALE succeeds the most, and the company finds all the joy in Alan Menken's reliably tuneful score....
BWW Review: Steppenwolf for Young Adults Presents WE ARE PROUD TO PRESENT A PRESENTATION…
Jackie Sibblies Drury's WE ARE PROUD TO PRESENT A PRESENTATION…, currently onstage as the second production in Steppenwolf for Young Adults' season, opens up challenging questions about history, who has the right to tell what story, and how best we can represent critical moments from the past with...
BWW Review: AN INSPECTOR CALLS at Chicago Shakespeare Theater
AN INSPECTOR CALLS is a gripping theatrical experience from start-to-finish. Director Stephen Daldry's breathtaking revival of J.B. Priestley's 1946 thriller had its origins in 1992 and comes to Chicago Shakespeare Theater now as part of an international tour from the National Theatre of Great Brita...
BWW Review: TWILIGHT BOWL at Goodman Theatre
TWILIGHT BOWL is a thoughtful and delicate examination of what it means for the young women in the play to find their places in the world, and the fact that 'making it' in life might look quite different for all of them. The play posits that there is no definitive definition of success and that the ...
BWW Review: LA TRAVIATA at Lyric Opera Of Chicago
As with most tales of doomed romance, Giuseppe Verdi's LA TRAVIATA highlights the contrasts between two social spheres and the difficulties faced by lovers who try to bridge this chasm. In this 1853 opera, based on a play by Alexandre Dumas, fils, the beautiful courtesan Violetta Valery (Albina Shag...
BWW Review: THE ABUELAS at Teatro Vista
As with THE MADRES, Walker has once again constructed a devastating and empowering portrait of strong women facing unbearably tragic circumstances in THE ABUELAS....
BWW Review: THE PRODUCERS at Paramount Theatre
Before attending THE PRODUCERS at Paramount Theatre, I had a disturbing dream in which this production cut everything deemed offensive or politically incorrect from the original: tap-dancing Nazis, sex-crazed old ladies, grossly stereotyped portrayals of, well, everyone. 'But what will they have lef...
BWW Review: DEAR EVAN HANSEN National Tour in Chicago
Both profoundly moving and profoundly disturbing, DEAR EVAN HANSEN is one of the most deeply troubling musicals I've seen. I left DEAR EVAN HANSEN with a swirl of mixed emotions. The musical is a meditation on social media and how it makes the social isolation and challenges of high school all the m...
BWW Review: THE TOTAL BENT at Haven Theatre (in association with About Face Theatre)
The Midwest premiere of Stew and Heidi Rodewald's THE TOTAL BENT is a meditation on self-expression and the oppressive forces that can stand in the way of that expression....
BWW Review: A DOLL'S HOUSE, PART 2 at Steppenwolf Theatre Company
A DOLL'S HOUSE, PART 2, now in its world premiere at Steppenwolf, explores the gap between society's expectations for the central character Nora and how she perceives herself. Lucas Hnath's sequel to Ibsen's classic, proto-feminist work A DOLL'S HOUSE sees Nora returning through the very door she sl...
BWW Review: PIPELINE at Victory Gardens Theater
In PIPELINE, playwright Dominique Morisseau reflects on the cracks in the inner-city public-school system, and the ways in which it often functions as a school to prison pipeline for young black men, without vilifying the system's participants. It's a skillfully crafted balance that demonstrates how...
BWW Review: ON CLOVER ROAD at American Blues Theater
Like a car in a drag race, Steven Dietz's theatrical thriller ON CLOVER ROAD goes from zero to 100 within the first few seconds and doesn't shift down for 85 minutes. The challenge of telling this tale full of twists in such a short time is where do we go once we're at 100? The intensity for the act...
BWW Review: HOW TO CATCH CREATION at Goodman Theatre
In HOW TO CATCH CREATION, a world premiere at Goodman Theatre, playwright Christina Anderson tackles universal themes: the desire for human connection, the pursuit of creative and intellectual passions, and the longing to leave a meaningful legacy. Niegel Smith directs this intricately crafted tale,...
BWW Review: A GENTLEMAN'S GUIDE at Porchlight Music Theatre
Though the D'Ysquiths may be felled one by one in A GENTLEMAN'S GUIDE, nothing can stop Matt Crowle from stealing the show....
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