BWW REVIEW: MR. BURNS, A POST-ELECTRIC PLAY at Theater Wit
It’s not just fitting that MR.
The latest reviews and critic recommendations from Chicago.
It’s not just fitting that MR.
The Chicago Magic Lounge is a true wonder-inducing experience featuring Chicago's own unique brand of magic.
After such a long wait, it’s particularly magical to see this uproariously funny but also tender play that puts young Black women right at its center.
Why Dogs Don't Talk playfully turns the expression- and assumption- 'Man's Best Friend' on its head.
TEATRO ZINZANNI is unabashedly designed to entertain — and it’s at its best when it makes high-flying fun literal with the aerial acts on display.
I didn't hate I HATE IT HERE.
There's a lot of vulnerability that comes with creating art.
Director Tiffany Nichole Greene stages esteemed playwright Adrienne Kennedy’s OHIO STATE MURDERS with a cinematic twist in this second installment in Goodman Theatre’s Live Series.
In TITANIC (SCENES FROM THE BRITISH WRECK COMMISSIONER’S INQUIRY, 1912), playwright Owen McCafferty poignantly dramatizes eyewitness accounts of the Titanic’s sinking.
If you’re looking for something to help fill that show tunes void, look no further than Lyric Opera’s THE NEW CLASSICS streaming concert.
Broadcast live from Goodman Theatre’s intimate Owen Theatre, THE SOUND INSIDE intrigues because of the twists and turns in Adam Rapp’s script, but also because it combines cinematic-quality streaming with the thrill of live theater.
THE LAST MATCH derives its greatest level of poignancy from the fact that it lays bare Tim and Sergei’s interior lives for the audiences.
No talking about politics: this is the rule by which Marla and Sam abide.
With NEW FACES SING BROADWAY 1961, Porchlight Music Theatre has put together a program that will satisfy the cravings of those who desperately miss live musical theater.
It seems most fitting that Goodman Theatre's current encore streaming production of SMOKEFALL exists both in and out of time.
Although I don’t often preface my reviews, I think this particular write-up deserves one.
Porchlight's streaming program BROADWAY BY THE DECADE provides some much needed musical theater cheer in this unprecedented and challenging year for Chicago theater.
What does live theater look like during a pandemic? As Americans adjust to the new realities of social distancing and sheltering in place to slow the spread of COVID-19, many theaters across the nation and the world are dark.
In WHAT THE CONSTITUTION MEANS TO ME, playwright Heidi Schreck has pulled off one of the most challenging feats in theater: The seamless blending of the personal and the universal.
In Lifeline Theatre's MIDDLE PASSAGE, the intimate Rogers Park venue transforms into the scene of a 19th century maritime epic.
orde arrington tuttle's graveyard shift, now making its world-premiere following an initial workshop production during Goodman Theatre's 2018 New Stages Festival, is a haunting and beautiful reflection on police brutality against Black Americans.
While Donna Summer may be 'Hot Stuff' when it comes to iconic songwriting and singing, SUMMER: THE DONNA SUMMER MUSICAL is a lukewarm entry in the genre of biographical jukebox musicals.
Classic plays provide us a snapshot of the time period in which they were written.
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Fleetwood Max Raue Center For The Arts (10/03-10/03) |
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Love Story: A Tribute to Taylor Swift Raue Center For The Arts (11/07-11/07) |
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Mean Girls Paramount Theatre (8/26-10/11) |
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Rotary Rocks The Raue: James Garner's Tribute to Johnny Cash Raue Center For The Arts (10/24-10/24) |
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The Dave Matthews Tribute Band Raue Center For The Arts (9/25-9/25) |
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Blond Ambition: A Tribute to Madonna Raue Center For The Arts (11/07-11/07) |
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Memphis The Musical Studebaker Theater at the Fine Arts Building (10/24-10/25) |
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The Beautiful Game In Concert Athenaeum Center for Thought and Culture (8/31-8/31) |
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Elgin Symphony Orchestra Raue Center For The Arts (12/11-12/11) |
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Poison de Maat Studio Theatre (10/03-10/24) |