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CHICAGO THEATER REVIEWS

The latest reviews and critic recommendations from Chicago
BWW Review: Teatro ZinZanni's LOVE, CHAOS AND DINNER Provides Old-Fashioned Circus an

BWW Review: Teatro ZinZanni's LOVE, CHAOS AND DINNER Provides Old-Fashioned Circus and Comedy Entertainment

by Rachel Weinberg — July 25, 2019
The Seattle-based circus, comedy, and cabaret spectacle Teatro ZinZanni has arrived in Chicago with the hybrid show LOVE, CHAOS AND DINNER. And ZinZanni serves up entertainment with a capital a?oeEa?? in this production. The evening alternates between decidedly low-brow slapstick comedy scenes, musi...
BWW Review: Dave Malloy's GHOST QUARTET with Black Button Eyes Productions at Stage 7

BWW Review: Dave Malloy's GHOST QUARTET with Black Button Eyes Productions at Stage 773

by Emily McClanathan — July 22, 2019
Dave Malloy's staged song cycle GHOST QUARTET is a madcap romp through seven centuries of mythology, folk tales, gothic horror stories, murder ballads, and more. Described in the lyrics as a 'circular story,' the nonlinear plot follows four friends through interweaving stories that include two siste...
BWW Review: Marriott Theatre's DARLING GRENADINE a Bittersweet Reflection of Life's C

BWW Review: Marriott Theatre's DARLING GRENADINE a Bittersweet Reflection of Life's Complicated Realities

by Emily McClanathan — July 18, 2019
Daniel Zaitchik's new musical DARLING GRENADINE delicately balances sentimentality and realism in a heartfelt look at one man's struggle with addiction and its effect on those who love him. In its Midwest premiere at Marriott Theatre, Aaron Thielen directs a stellar cast who do equal justice to Zait...
BWW Review: TRUE WEST Proves A Remarkable, Quintessentially Steppenwolf Production

BWW Review: TRUE WEST Proves A Remarkable, Quintessentially Steppenwolf Production

by Rachel Weinberg — July 17, 2019
The newly opened production of TRUE WEST is a quintessentially Steppenwolf show in the best way possible: it's a fresh staging of a gritty American drama with a first-rate cast and production values....
BWW Review: THE RECOMMENDATION at Windy City Playhouse

BWW Review: THE RECOMMENDATION at Windy City Playhouse

by Emily McClanathan — July 16, 2019
Upon arrival at Windy City Playhouse's flagship venue in Irving Park, audience members are handed an acceptance letter welcoming them to Brown University's class of 2011. Thus begins an intimate journey through the world of THE RECOMMENDATION, written by Jonathan Caren and directed by Jonathan Wilso...
BWW Review: THE MUSIC MAN at Goodman Theatre

BWW Review: THE MUSIC MAN at Goodman Theatre

by Rachel Weinberg — July 14, 2019
Director Mary Zimmerman lends her whimsy to THE MUSIC MAN at Goodman Theatre in a production that pays homage to the small-town charm and iconic score of Meredith Willson's classic musical. Under Zimmerman's direction, this MUSIC MAN becomes a joyful company piece showcasing, in particular, the tale...
Review: Kokandy's HEAD OVER HEELS Has Got The Beat

Review: Kokandy's HEAD OVER HEELS Has Got The Beat

by Misha Davenport — July 8, 2019
Elizabethan comedy meets modern constructs of gender fluidity in Kokandy's top-notch production of HEAD OVER HEELS....
Review: Pride Arts' GRINDR: THE OPERA Worth a Hook Up

Review: Pride Arts' GRINDR: THE OPERA Worth a Hook Up

by Misha Davenport — June 29, 2019
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BWW Review: THE RIVER at BoHo Theatre

BWW Review: THE RIVER at BoHo Theatre

by Emily McClanathan — June 27, 2019
In THE RIVER, Tony Award-winning playwright Jez Butterworth spins an atmospheric tale with as many twists and turns as its namesake. Following its 2012 premiere in London and subsequent Broadway run, Jerrell L. Henderson directs the Chicago premiere by BoHo Theatre, now a resident company at the Gre...
BWW Review: Theo Ubique's HEDWIG Ignites

BWW Review: Theo Ubique's HEDWIG Ignites

by Misha Davenport — June 21, 2019
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BWW Review: IF I FORGET at Victory Gardens Theater

BWW Review: IF I FORGET at Victory Gardens Theater

by Rachel Weinberg — June 16, 2019
In IF I FORGET, Steven Levenson provides a close study of the kitchen sink family drama. At its center, the play addresses fundamental questions about what it means to be Jewish in America at the turn of the 21st century (the first act of the play takes place in July of 2000, while the second jumps ...
BWW Review: EMMA at Lifeline Theatre

BWW Review: EMMA at Lifeline Theatre

by Emily McClanathan — June 9, 2019
'I am going to take a heroine whom no one but myself will much like.' So Jane Austen famously prefaced the vivacious Emma Woodhouse, whom she describes as 'handsome, clever, and rich' in the opening words of her 1815 novel. Indeed, Emma, the meddlesome, would-be matchmaker is arguably the most contr...
BWW Review: MS. BLAKK FOR PRESIDENT at Steppenwolf Theatre Company

BWW Review: MS. BLAKK FOR PRESIDENT at Steppenwolf Theatre Company

by Rachel Weinberg — June 5, 2019
While MS. BLAKK FOR PRESIDENT's narrative flounders in certain points, the play's integrity never flounders. Watching the play unfold, there's no denying the relevance of the issues that Blakk faced in 1992 to today's society. But the play brilliantly conveys that resonance while also still maintain...
BWW Review: Cirque du Soleil VOLTA in Chicago

BWW Review: Cirque du Soleil VOLTA in Chicago

by Rachel Weinberg — June 3, 2019
French Canadian troupe Cirque du Soleil delivers a death-defying and dazzling array of acrobatic acts with VOLTA, now resident in a large tent occupying Soldier Field's South Parking Lot. Each of VOLTA's astounding, seemingly superhuman acts grow increasingly more jaw-dropping as the show progresses...
BWW Review: MARY SHELLEY'S FRANKENSTEIN at Lookingglass Theatre Company

BWW Review: MARY SHELLEY'S FRANKENSTEIN at Lookingglass Theatre Company

by Emily McClanathan — May 30, 2019
With Lookingglass Theatre Company being the fourth Chicago theater to produce a Frankenstein adaptation over the past year in celebration of the novel's 200th anniversary, audiences may well ask what more can be said about this classic tale. Rest assured: in MARY SHELLEY'S FRANKENSTEIN, writer and d...
BWW Review: FALSETTOS National Tour in Chicago

BWW Review: FALSETTOS National Tour in Chicago

by Rachel Weinberg — May 30, 2019
The national tour of the 2016 Broadway revival of FALSETTOS, once again helmed by director James Lapine, has landed in Chicago with a first-rate production and cast. The mighty touring ensemble of seven captures all the neuroses and emotional journeys of the musical's composite 'Tight-Knit Family.'...
BWW Review: SIX at Chicago Shakespeare Theater

BWW Review: SIX at Chicago Shakespeare Theater

by Rachel Weinberg — May 25, 2019
Bow down to the queens of SIX. In this new musical from Toby Marlow and Lucy Moss (with direction from Moss and Jamie Armitage), the six wives of King Henry VIII are taking back their mics and sharing their stories-in the form of contemporary pop musical songs. This masterful musical sizzles with el...
BWW Review: NEXT TO NORMAL at Writers Theatre

BWW Review: NEXT TO NORMAL at Writers Theatre

by Rachel Weinberg — May 17, 2019
Under the direction of David Cromer, Writers Theatre presents a NEXT TO NORMAL that is raw and electric. Tom Kitt's music and Brian Yorkey's book and lyrics have an utter immediacy to them in this production (and each note sounds great thanks to the music direction of Andra Velis Simon and the six-p...
BWW Review: THE WINTER'S TALE at Goodman Theatre

BWW Review: THE WINTER'S TALE at Goodman Theatre

by Rachel Weinberg — May 14, 2019
Goodman Theatre's THE WINTER'S TALE is one of the most inventive and playful productions of Shakespeare I've seen....
BWW Review: WEST SIDE STORY at Lyric Opera

BWW Review: WEST SIDE STORY at Lyric Opera

by Rachel Weinberg — May 6, 2019
Lyric Opera has staged a grand, traditional WEST SIDE STORY that serves as a veritable primer for this iconic musical. With director Francesca Zambello at the helm, who is no stranger to directing classic musicals, Lyric's production celebrates the beauty and complexity of Leonard Bernstein's stunni...
BWW Review: The Adrienne Arsht Center and The House Theatre of Chicago's UNITED FLIGH

BWW Review: The Adrienne Arsht Center and The House Theatre of Chicago's UNITED FLIGHT 232

by Cristina Pla-Guzman — May 6, 2019
Last night the heaven's opened the flood gates and it rained as if a hurricane was upon us in Miami, Florida. I have never seen so many lightning bolts nor that much flooding on I-95. Although not many people braved the storm, I was proud to be among the few that came to watch the Adrienne Arsht Cen...
BWW Review: ROALD DAHL'S MATILDA THE MUSICAL at Drury Lane Theatre

BWW Review: ROALD DAHL'S MATILDA THE MUSICAL at Drury Lane Theatre

by Emily McClanathan — May 5, 2019
British novelist Roald Dahl possessed that rare quality in an author of children's books: the ability to captivate the imaginations of his young readers and simultaneously entertain their parents. His distinctive witty prose, dark humor, and eccentric characters are beloved worldwide: a daunting pre...
BWW Review: THE CHILDREN at Steppenwolf Theatre Company

BWW Review: THE CHILDREN at Steppenwolf Theatre Company

by Rachel Weinberg — May 2, 2019
Lucy Kirkwood's aptly titled THE CHILDREN, now in its Chicago premiere at Steppenwolf Theatre Company, poses thought-provoking questions about the responsibilities that humankind has to future generations. Kirkwood's intentionally crafted play filters these broad themes through the specific narrativ...
BWW Review: FOOTLOOSE at Marriott Theatre

BWW Review: FOOTLOOSE at Marriott Theatre

by Emily McClanathan — April 30, 2019
Marriott Theatre's FOOTLOOSE is a fun-filled throwback to the '80s, with a strong ensemble cast that does full justice to the original film's chart-topping hits. Directed by Gary Griffin and choreographed by William Carlos Angulo, this production radiates infectious energy....
BWW Review: HAMLET at Chicago Shakespeare Theater

BWW Review: HAMLET at Chicago Shakespeare Theater

by Rachel Weinberg — April 27, 2019
Chicago Shakespeare Theater Artistic Director Barbara Gaines has staged a HAMLET that captures both the universality of Shakespeare's language and the equally universal-but also profoundly personal-experience of grief for the title character....
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