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The Craft of Theatre: Seminars and Discussions in Brechtian Theatre
(5/12/2012) The autobiographical account by one of German theater's great actors of his life in the theater. |
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Theatre World: Volume 63 2006-2007
(9/1/2009) Applause Theatre and Cinema Books is pleased to make this venerable continuing series complete by publishing Theatre World Volume 63. Theatre World remains the authoritative pictorial and statistical record of the season on Broadway, Off-Broadway, Off-Off-Broadway, and for regional theatre companies. Volume 63 features Duncan Sheik and Steven Sater's Tony Award-winning Best Musical Spring Awakening, which also earned a Theatre World Award for actor Jonathan Groff. Tom Stoppard's The Coast of Uto... |
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Rock of Ages: A New Musical
(1/1/2009) Rock of Ages tells the tale of a rock star who meets his dream girl at a Los Angeles club performance in the '80s. This Tony Award -nominated Broadway musical features the hits of bands including Journey, Night Ranger, REO Speedwagon, Pat Benatar, Twisted Sister, and others. Our songbook includes 30 piano/vocal selections: Any Way You Want It * Can't Fight This Feeling * Come On Feel the Noize * Every Rose Has Its Thorn * Heaven * Here I Go Again * Hit Me with Your Best Shot * I Hate Myself for ... |
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Theatre World 2005-2006
(7/1/2008) The most complete annual record of American theatre. Celebrating its 62 year, Theatre World remains the authoritative and pictorial record of the season on Broadway, Off Broadway, and Off-Off Broadway, and for regional companies. Volume 62 features the Tony Award-winning Best Musical Jersey Boys, which also earned a Theatre World Award and Tony Award for its star, John Lloyd Young, while British imports Richard Griffiths and The History Boys gave lessons on how to earn rave reviews as well. Sex ... |
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The Oxford Companion to the American Musical: Theatre, Film, and Television
(2/1/2008) From the silver screen to the Great White Way, small community theatres to television sets, the musical has long held a special place in America's heart and history. Now, in The Oxford Companion to the American Musical, readers who flocked to the movies to see An American in Paris or Chicago, lined up for tickets to West Side Story or Rent, or crowded around their TVs to watch Cinderella or High School Musical can finally turn to a single book for details about them all. For the first time, this... |
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The Complete Lyrics of Oscar Hammerstein II
(1/1/2008) From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George ... |
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Theatre World Volume 64, 2007-2008
(1/1/2008) Celebrating its 64th year, Theatre World remains the definitive annual record of the American theatre season - the most complete record of the Broadway, Off-Broadway, Off-Off-Broadway, and regional theatre season. Volume 64 features Harvey Fierstein's A Catered Affair, starring Faith Prince, and Tracy Lett's moving August: Osage County, the latter part of a strong season for original dramas on Broadway. It was a season also rife with stellar revivals, including Sunday in the Park with George; So... |
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The Cambridge Companion to the Musical
(1/1/2008) Tracing the development of the musical on both Broadway and in London's West End, this updated Companion continues to provide a broad and thorough overview of one of the liveliest and most popular forms of musical performance. Ordered chronologically, essays cover from the American musical of the nineteenth century through to the most recent productions, and the book also includes key information on singers, audience, critical reception, and traditions. All of the chapters from the first edition... |
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The Cambridge Companion to August Wilson
(3/1/2007) One of America's most powerful and original dramatists, August Wilson offered an alternative history of the twentieth century, as seen from the perspective of black Americans. He celebrated the lives of those seemingly pushed to the margins of national life, but who were simultaneously protagonists of their own drama and evidence of a vital and compelling community. Decade by decade, he told the story of a people with a distinctive history who forged their own future, aware of their roots in an... |
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Without You: A Memoir of Love, Loss, and the Musical Rent
(7/1/2006) Rent can be characterized as a Tony- and Pulitzer-winning rock musical and film, but it can be described also as an ensemble experience that just kept growing. Nobody can describe that deeply human process better than actor Anthony Rapp, who played video artist Mark Cohen in both the Broadway play and the movie. His heartwarming personal memoir shows the continuity between the musical's genesis and the emotional lives of the artists workshopping it. With You takes you backstage and into the hea... |
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The World of Theatre: Tradition and Innovation
(11/29/2005) The World of Theatre is the first introduction to theatre book to truly focus on diversity and globalism, integrating coverage of multicultural, international and experimental theatre throughout. Theatre is presented as a global and multicultural form that reflects both traditional and evolving world views. While the American commercial theatre and European forms are central to the text, alternative theatres are placed side by side for comparison and contrast in each chapter, thus avoiding the s... |
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Theatre and Travel: Tours of the South
(3/2/2005) Presents rare information on traveling circus, minstrel, opera, and Toby shows. This collection of essays explores an understudied but pervasive aspect of American theatre: theatre on the road, from minstrel shows and Toby shows to contemporary African American theatre, 19th-century circus rail travel, and small-town opera houses. The challenges in gathering and compiling data on these ephemeral productions, from such far-flung sources as railroad schedules and weather reports, minutes f... |
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New York Then/New York Now
(2/21/2005) New York Then/New York Now—a collection of essays, memoirs, interviews, commentary, and plays—contemplates New York City’s history and future as a center for groundbreaking theatrical forms and ideas. Featuring the work of theater artists, producers, and critics, this special issue of Theater is concerned with the ideas and practicalities of making theater in and for New York within specific historical, political, and economic contexts. The first section, “New York Then,” reflects on ... |
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The Complete Lyrics of Irving Berlin
(1/10/2005) Gathered together in one volume for the first time: all of the incomparable song lyrics of Irving Berlin, whose career and work are the most important and all-encompassing in the history of American popular music. Berlin came from a poor immigrant family and began his career as a singing waiter, but by the time he was nineteen he was publishing his songs and quickly found fame with "Alexander's Ragtime Band" in 1911. In the extraordinary six decades that followed, Berlin wrote one popular hit... |
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The Cambridge Companion to Edward Albee
(1/1/2005) Edward Albee, perhaps best known for his acclaimed and infamous 1960s drama Who's Afraid of Virginia Woolf?, is one of America's greatest living playwrights. Now in his seventies, he is still writing challenging, award-winning dramas. The essays in this collection provide a comprehensive, multi-faceted survey of Albee's career. Written in an engaging and accessible way, this book should appeal equally to students, scholars, and general readers. |
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The Complete Annotated Gilbert & Sullivan
(1/1/2005) Lovers of Gilbert and Sullivan will be in heaven with the publication of these two books, which nicely complement each other. Stedman (English, Roosevelt Univ., Chicago) offers an outstanding study of this playwright and his often overlooked works, with much of its value deriving from its study of Gilbert without Sullivan. The author is a recognized expert on Gilbert as well as the Victorian time period, and she shows him to be a complex and interesting man who often found himself at odds with ... |
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The Cambridge Companion to David Mamet
(1/1/2004) This collection of specially written essays offers both student and theatregoer a guide to one of the most celebrated American dramatists working today. Readers will find the general and accessible descriptions and analyses provide the perfect introduction to Mamet's work. The volume covers the full range of Mamet's writing, including now classic plays such as American Buffalo and Glengarry Glen Ross, and his more recent work, Boston Marriage, among others, as well as his films, such as The Ver... |
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Golda's Balcony: A Play
(11/21/2003) The sold out off-Broadway smash has moved to Broadway! The rise of Golda Meir from impoverished Russian schoolgirl to Prime Minister of Israel is one of the most amazing stories of the 20th century. Now her life has been transformed into a one-woman play of overwhelming power and triumph by William Gibson, author of The Miracle Worker. Golda's Balcony earned actress Tovah Feldshuh a 2003 Drama Desk award."Enlightening ... Now, hearing from someone who was there at the birth of the country, who ... |
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The Wadsworth Anthology of Drama
(6/25/2003) Known through three editions as the boldest and most distinguished introduction to drama, William Worthen's pace-setting text continues to provide exciting plays usefully situated within their historical and cultural contexts. |
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The Lyrics of Noel Coward
(1/1/2002) Mad Dogs and Englishmen, Don't Put your Daughter on the Stage, Mrs Worthington and over 250 more lyrics from Coward's musical masterpieces. Noel Coward is one of the greatest lyricists of the twentieth century. Songs such as A Room with a View, The Stately Homes of England, Mad Dogs and Englishmen and Mrs Worthington are known, sung and loved the world over. This edition gathers together over 250 of Coward's lyrics, arranged in chronological order and grouped by show. In addition, these masterp... |
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Theatre World 1994-1995, Vol. 51
(1/1/2000) Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama a... |
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Theatre World 1993-1994, Vol. 50
(1/1/2000) Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama a... |
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The Social Significance of Modern Drama
(1/1/2000) Out of print virtually since its completion in 1914, Emma Goldman's pioneer work Social Significance in Modern Drama bridges modern drama and political philosophy, pointing out the road that remains to be travelled toward a theatre of social empowerment. Activist, feminist, philosopher and anarchist, Emma Goldman was a passionate thinker about all things modern when the 20th century was still raw and new. The emergence of her treatise on the theatre after years of obscurity is certain to arouse ... |
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Polaroid Stories
(1/1/1999) Naomi Iizuka’s 1997 play, Polaroid Stories, consciously uses stories, characters and themes from Ovid’s Metamorphoses to tell the stories of street kids living on the edge in a desolate, urban landscape. Because these characters are named after Orpheus and Eurydice, and Echo and Narcissus, or based on stories of Dionysus, and Ariadne and Theseus, and because scenes are entitled “The Story of Semele” or “Theseus in the Labyrinth,” Iizuka creates a world that has two dimensions: the g... |
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The Complete Lyrics Of Lorenz Hart
(1/1/1995) This expanded edition includes an appendix of previously uncollected and newly discovered lyrics. |
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Musicals!: A Complete Selection Guide for Local Productions
(12/2/1994) From A . . . My Name Is Alice to The Zulu and the Zayde, this second edition of a title first published in 1984 contains information about 500 musicals (100 of which are new to this edition) available for production by community theaters and schools. Listed alphabetically by title, each entry includes date of original production, playwright, composer, lyricist, plot summary, licensing agent and music publisher, recordings and librettos available (for in-depth research by the user), and cast (num... |
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The Story of Starlight Theatre
(3/1/1992) Starlight Theatre is a magic place where an evening of musical theatre under the stars in Kansas City's Swope Park speaks so strongly of emotion that the audience is transformed by the presence of the creative experience. This book is filled with historical photos and provides a "behind the scenes" look at the real workings of the second largest outdoor theatre in the United States. A must for theatre goers everywhere. Unlike many other art forms, live outdoor theatre is a participatory expe... |
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All My Sons
(2007) Joe Keller and Herbert Deever, partners in a machine shop during the war, turned out defective airplane parts, causing the deaths of many men. Deever was sent to prison while Keller escaped punishment and went on to make a lot of money. In a work of tremendous power, a love affair between Keller's son, Chris, and Ann Deever, Herbert's daughter, the bitterness of George Keller, who returns from the war to find his father in prison and his father's partner free, and the reaction of a son to his fa... |
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The Seafarer
(2007) Conor McPherson returns to his native Dublin for the setting of his new play, which he will direct in a much-anticipated production at London’s National Theatre in fall 2006. It is Christmas Eve, and James “Sharky” Harkin, erstwhile fisherman/van driver/chauffeur, gathers with friends at the dingy flat he shares with his blind brother to drink booze and play cards. As Christmas Eve becomes Christmas Day, the familiar-looking stranger Mr. Lockhart reminds Sharky of the bargain he made when ... |
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Shining City
(2005) Shining City has been an unqualified critical success and quite possibly Conor McPherson’s finest work. In Dublin, a man seeks help from a counselor, claiming to have seen the ghost of his recently deceased wife. But what begins as just an unusual encounter becomes a struggle between the living and dead—a struggle that will shape and define both men for the rest of their lives. Also included here is the one-act, Come on Over, about a Jesuit priest sent to investigate a “miracle” in hi... |
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Lips Together, Teeth Apart
(1992) The author of such critically acclaimed plays as The Lisbon Traviata and Frankie and Johnny in the Clair de Lune, Terrence McNally has graced the American theater with a voice that captures our fear of intimacy in the modern age with dead-on insight, wit, and poignancy. But never has he blended these disparate elements into such a brilliantly cohesive whole as he has in Lips Together, Teeth Apart,hailed by Frank Rich of the New York Times as McNallys"most ambitious and most accomplished play yet... |
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Dead Hollywood Blondes
(2009) The darkly comic musical play based on Hollywood Starlets who overdose and wake up in Limbo where an old studio system and two angels run the afterlife. |
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The Pillowman: A Play
(2006) While still in his twenties, the Anglo-Irish playwright Martin McDonagh has filled houses in New York and London, been showered with the theatre world's most prestigious accolades, and electrified audiences with his cunningly crafted and outrageous tragicomedies. With echoes of Stoppard and Kafka, his latest drama, The Pillowman, is the viciously funny and seriously disturbing tale of a writer in an unnamed totalitarian state who is interrogated about the gruesome content of his short stories an... |
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The Cripple of Inishmaan
(1998) In 1934, the people of Inishmaan learn that the Hollywood director Robert Flaherty is coming to the neighboring island to film a documentary. No one is more excited than Cripple Billy, an unloved boy whose chief occupation has been grazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. And as news of his audacity ripples through his rumor-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a w... |
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The Beauty Queen of Leenane and Other Plays
(1998) These three plays are set in a town in Galway so blighted by rancor, ignorance, and spite that, as the local priest complains, God Himself seems to have no jurisdiction there. The Beauty Queen of Leenane portrays ancient, manipulative Mag and her virginal daughter, Maureen, whose mutual loathing may be more durable than any love. In A Skull in Connnemara, Mick Dowd is hired to dig up the bones in the town churchyard, some of which belong to his late and oddly unlamented wife. And the brother... |
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Sight Unseen and Other Plays
(1995) Margulies's plays explore individuals' needs to be part of a group, usually a family, a religion, or both. Sometimes these are bitingly funny, as in the parodical Loman Family Picnic, about a young man who escapes his unhappy family life by imagining a musical of Death of a Salesman. Sometimes the plays are surreal, as in the Twilight Zonish What's Wrong With This Picture? about a dead wife and mother who is resurrected by her family's intense need--and then must convince them to let her rest in... |
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Closer
(2007) The play focuses on the complex relationships, politics and morality of four people trading partners in search of love and lust. It uniquely blends elements of tragedy, comedy, and melodrama and challenges audience perceptions at every turn. Marber turns upside down romantic notions of love and sex uniting two people as one and pointedly challenges the idealistic notion that total honesty is the best way to preserve a relationship. As the four characters move in and out of relationships and expo... |
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Oleanna
(1998) In David Mamet's latest play, a male college instructor and his female student sit down to discuss her grades and in a terrifyingly short time become the participants in a modern reprise of the Inquisition. Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship, and abuse. |
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Glengarry Glen Ross
(1994) Winner of the 1984 Pulitzer Prize, David Mamet’s scalding comedy is about small-time, cutthroat real estate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their fair share of the American dream. Here is Mamet at his very best, writing with brutal power about the tough life of tough characters who cajole, connive, wheedle, and wheel and deal for a piece of the action—where closing a sale can mean a brand new Cadillac but losin... |
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Reckless and Other Plays
(2002) This volume combines some of Craig Lucas' best-known work, including Reckless and Blue Window along with his newest play, Stranger. The three plays continue the author's exploration of the nature of relationships in an ever-increasingly distant society. |
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Rabbit Hole
(2007) A story of loss, heartbreak, and forgiveness-told through daily moments and emotional hurdles-as a family moves on after the accidental death of their four-year-old. With a critically acclaimed Broadway premiere, featuring Cynthia Nixon and Tyne Daly, Rabbit Hole has been hailed as an artistic breakthrough for the highly regarded David Lindsay-Abaire. |
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Bug: A Play
(2006) Set in a seedy Oklahoma City motel room, the play centers on the meeting between Agnes, a divorced waitress with a fondness for cocaine and isolation, and Peter, a soft-spoken Gulf War drifter introduced to her by her lesbian friend, R.C. Agnes stays at a hotel in hopes of avoiding her physically abusive ex-husband, Jerry, who was just released from prison. At first, she lets Peter sleep platonically on her floor, but not long after she promotes him to the bed. Matters become more complicated as... |
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August: Osage County
(2009) One of the most bracing and critically acclaimed plays in recent Broadway history, August; Osage County a portrait of the dysfunctional American family at its finest - and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. |
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This Is How It Goes: A Play
(2005) Belinda and Cody Phipps appear a typical Midwestern couple: teenage sweethearts, children, luxurious home. Typical except that Cody is black--"rich, black, and different," in the words of Belinda, who finds herself attracted to a former (white) classmate. As the battle for her affections is waged, Belinda and Cody frankly doubt the foundation of their initial attraction, opening the door wide to a swath of bigotry and betrayal. Staged on continually shifting moral ground that challenges our rece... |
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The Shape of Things
(2003) In a modern version of Adam's seduction by Eve, The Shape of Things pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching result... |
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The Mercy Seat: A Play
(2003) Set on September 12, 2001, The Mercy Seat continues Neil LaBute’s unflinching fascination with the often-brutal realities of the war between the sexes. In a time of national tragedy, the world changes overnight. A man and a woman explore the choices now available to them in an existence different from the one they had lived just the day before. Can one be opportunistic in a time of universal selflessness? |
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Some Girl(s): A Play
(2006) Your career as a writer is blossoming, your beautiful, young fiancee is waiting to get married and rush off to Cancun by your side—so what is your natural reaction? Well, if you're a man, it's probably to get nervous and start calling up old girlfriends. And so begins a single man's odyssey through four hotel rooms as he flies across the country in search of the perfect woman (that he's already broken up with). Some Girl(s) is the latest work from Neil Labute, American theater's great agent pr... |
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Fat Pig: A Play
(2004) Cow. Slob. Pig. How many insults can you hear before you have to stand up and defend the woman you love? Tom faces just that question when he falls for Helen, a bright, funny, sexy young woman who happens to be plus sized-and then some. Forced to explain his new relationship to his shallow (although shockingly funny) friends, finally he comes to terms with his own preconceptions of the importance of conventional good looks. Neil LaBute's sharply drawn play not only critiques our slavish adherenc... |
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Kander and Ebb
(2009) Composer John Kander and lyricist Fred Ebb collaborated for more than forty years, longer than any such partnership in Broadway history. Together they wrote over twenty musicals. Their two most successful works, Cabaret and Chicago, had critically acclaimed Broadway revivals and were made into Oscar-winning films. This book, the first study of Kander and Ebb, examines their artistic accomplishments as individuals and as a team. Drawing on personal papers and on numerous interviews, James Lev... |
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Take Me Out
(2002) Darren Lemming is the star center fielder for the champion New York Empires. An extraordinary athlete, he fills both his fans and his teammates with awe at his abilities and his presence on the field and off. When he makes the matter-of-fact announcement that he’s gay, he throws his team into turmoil and confusion, while he also emboldens his closeted accountant, Mason Marzac, to come to terms with his own sexuality—and to fully experience the pure joy of watching great athletes play a spor... |
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