I recently saw Baz Luhrmann’s Elvis biographical film and thought it was extremely well done. It made me wonder if there has ever been an attempt to make an Elvis bio musical, similar to that of Beautiful or Tina. If not, I think Baz should hire his moulin rouge broadway collaborators and get started on the stage adaptation of the Elvis film. Danny Burstein as the Colonel and Sam Gravitte as Elvis please!
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Hopefully never. I’m ready for more original, daring musicals to make it to Broadway. Sondheim has left us, but I’m so grateful for the Strange Loops, next to normals, and the Caroline or Changes.
I was thinking about how well Baz's Elvis would translate to the stage. I do wonder, though –– is Elvis's voice SO iconic that it would be a distraction without it? I know there have been many bio-musicals of other iconic artists, but Elvis seems a little different (sort of like a Sinatra bio-musical). I believe Austin Butler's voice is heavily augmented by footage of the real Elvis.
Ermengarde, you make an interesting point and I think that is why I enjoyed the film so much. Elvis’ voice has such a big presence in the film.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
TotallyEffed said: "I feel like Elvis had one of the easiest voices to impersonate."
Yes but not necessarily impersonate well –– and could become camp very easily since there's more to it. (Not that Baz's film ISN'T campy.) But I suppose one could say the same of MJ so who knows?
ErmengardeStopSniveling said: "I was thinking about how well Baz's Elvis would translate to the stage.I do wonder, though –– is Elvis's voice SO iconic that it would be a distraction without it? I know there have been many bio-musicals of other iconic artists, but Elvis seems a little different (sort of like a Sinatra bio-musical). I believe Austin Butler's voice is heavily augmented by footage of the real Elvis."
Hasn’t Baz been continuously saying that it is indeed all Austin?
I’m pretty sure the early portions of the film, it’s all Austin butler. Though, they start to blend the voices later in the film, especially the Las Vegas scenes. You can kind of tell.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
EDSOSLO858 said: "All Shook Upwasn’t so successful on Broadway… I dunno."
That wasn't a biomusical . the book for ALL SHOOK UP is dreadful but it is a fun show.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I think Baz's film is very deeply theatrical and close to genius at times, but I don't really desire to see it or any more of his films translated to the stage. It's a theatrical *sensibility* applied to cinematic techniques that cannot be replicated as effectively in any other setting. And absolutely zero interest in yet another local tribute conc--sorry, Broadway bio-musical.
TotallyEffed said: "Sounds like you need to brush up on the meaning of “zero to do with.”
Cheyenne Jackson may have emulated an Elvis-like persona, but his character Chad was not Elvis nor were there any elements of Elvis’ life woven into the storyline. In the same way MAMMA MIA! uses the music of ABBA but the musical itself has nothing to do with the band or their story.
The movie is garbage, it's Austin that shines. Just like Rami in Bohemian Rhapsody. Elvis was such a loser in like a thousand different ways so I doubt anyone cares to see his life turned into a musical.
Sutton Ross said: "The movie is garbage, it's Austin that shines. Just like Rami in Bohemian Rhapsody. Elvis was such a loser in like a thousand different ways so I doubt anyone cares to see his life turned into a musical.
See: All Shook Up
"
That so-called “garbage” is Certified Fresh” on Rotten Tomatoes - 78% positive critic reviews (over 300 of them) and a 94% audience score with over 5,000 people weighing in.
I haven’t seen the new Elvis movie yet, but I saw the Kurt Russell version that seems well liked. I think what’s central to the story in the Russell version is the contrast between Elvis’s public persona of glorious voice and raw charisma, and his extraordinarily dysfunctional, almost pathologically uncool reality. That’s a hard balance to strike in a stage show.
However, I can see “Walk Hard” translating well to the stage and rendering all artist biomusicals instantly obsolete.
Sutton Ross said: "The movie is garbage, it's Austin that shines. Just like Rami in Bohemian Rhapsody. Elvis was such a loser in like a thousand different ways so I doubt anyone cares to see his life turned into a musical.
See: All Shook Up
"
Michael Jackson was a loser in a thousand different ways and they successfully turned his life into a stage musical.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
There was a musical. ELVIS: AN AMERICAN MUSICAL that toured and did a lengthy sit in Vegas in the late 80s. Broadway was the goal but not 100% sure it got there. Johnny Seaton starred, who later played Pharaoh opposite Donny Osmond in the Livent JOSEPH tour.