If this is true, I hope they use a completely different book, design, cast, and director than they did in the Park last summer. I know I'm in the minority, but I loathed that production.
"There’s nothing quite like the power and the passion of Broadway music. "
The director is the same, but they are switching book writers (The Tony winner from Tootsie). Jelani actually said in LITTLE KNOWN FACTS that he’s actually unsure if he’s going to take the role again if it’s coming to Broadway and Roger is unlikely to return because of BTTF in London.
disneybroadwayfan22 said: "The director is the same, but they are switching book writers (The Tony winner from Tootsie). Jelani actually said in LITTLE KNOWN FACTS that he’s actually unsure if he’s going to take the role again if it’s coming to Broadway and Roger is unlikely to return because of BTTF in London."
I know there were a lot of rumors spoken about how the team last summer was not thrilled with his performance, nor were they originally on board with casting him.
disneybroadwayfan22 said: "The director is the same, but they are switching book writers (The Tony winner from Tootsie). Jelani actually said in LITTLE KNOWN FACTS that he’s actually unsure if he’s going to take the role again if it’s coming to Broadway and Roger is unlikely to return because of BTTF in London."
I know there were a lot of rumors spoken about how the team last summer was not thrilled with his performance, nor were they originally on board with casting him.
I don't know about the former, but he actually did confirm the latter. He initially didn't get it because he couldn't sing Go the Distance in the original key. Lear pretty much had to beg to the creative team (from my understanding) to cast Jelani and then Jelani had to convince an unnamed man in power (I'm assuming Thomas S.) that he was right for the role. It's a really interesting interview (Hercules starts at 46:00).
I've been saying for a year now that people need to stop assuming Hercules is going to Broadway, because there's been no indication to suggest that it is, but that I'd be happy to change my tune if we got new information. I guess this is that new information. So I'm perfectly happy to admit that I was wrong.
But I will repeat one of the things that I (and others) have been saying this whole time: the production that played in Central Park was conceived entirely around the unique PublicWorks mission. It was written and produced for that highly specific context, and that informed a lot of what the final product looked and felt like. So those expecting a "transfer" of the Central Park production will be disappointed, and those who hated the Central Park production are in luck.
Even if it's true that DeBessonet has been hired to direct the new version of the show, we should still expect the new incarnation to be very different. There are some components that I'm sure can stay: the new songs, maybe the cast, maybe the puppetry, etc. But it would need to be a new adaptation (so it makes sense that they would hire a new book writer), and a new production that doesn't center around an amateur community ensemble. I do hope they keep some of the changes to the story, though. If they're smart, I expect that they'll do a completely separate out-of-town tryout for the new version of the show before bringing it to Broadway. Also, even if this is their intention, there's a still a chance that the plans won't pan out.
@BCfitasafiddle: Are you talking about Alladin or Bart? Personally I thought both of them were pretty good for the material they were given.
JBroadway said: "Even if it's true that DeBessonet has been hired to direct the new version of the show, we should still expect the new incarnation to be very different. There are some components that I'm sure can stay: the new songs, maybe the cast, maybe the puppetry, etc. But it would need to be a new adaptation (so it makes sense that they would hire a new book writer), and a new production that doesn't center around an amateur community ensemble. I do hope they keep some of the changes to the story, though.If they're smart, I expect that they'lldo a completely separate out-of-town tryout for the new version of the show before bringing it to Broadway. Also, even if this is their intention, there's a still a chance that the plans won't pan out."
From what I've heard, this was the plan. Whether it moved to Bway after or just licensing, I'm not sure. And whether those plans are still around post-covid, who knows.
I think Nick Adams would be perfect for this (looks-wise he kind of looks like the cartoon). Unfortunately Cythia Erivo would never allow that casting now.
Being that they replaced the bookwriter from the Public production (Robert Horn is now writing it), it would make sense that they should do some kind of workshop.
That live-action film doesn't seem anywhere near "real," and the Russo Brothers (of Avengers Endgame and Community) have a lot on their dance cards.