Click below to access all the Broadway grosses from all the shows for the week ending 6/16/2019 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
*For Hamilton, they had increased their prices so high by this point that the potential gross was around $3m. That number isn't really helpful, but the avg paid tells the better story.
Biggest Tony boosts (or coincidences) -- The Ferryman up by $152k, two shows up 100k (Beetlejuice and King Kong), 4 up by $50k (Hadestown, Ain't Too Proud, Tootsie, Oklahoma), and 2 up $25k (KMK and BMC).
Man, that would be really crazy if Pretty Woman closes soon, right after Brennin Hunt, who moved his entire family from Nashville to do this role. If that happens, the "having the worst luck ever" award would definitely go to him this year. Damn.
The pattern was generally one of increased earnings and decreased attendance, particularly for most of the Tony award runners up (Tootsie, The Prom, Etc...) Beetlejuice was an exception, possibly due to the popularity of the original film...
Frankie and Johnny’s horrifically low earnings mean it will likely suffer the same abrupt closure as the Rudin trio. The struggling musicals will hang on for a bit longer, but I expect plenty of them to leave Broadway during the three major closing periods (September, January and April)
P.S Tootsie’s “high grosses, falling attendance” problems leaves me wondering if it was a good idea to open it in a theatre as large as the Marquis...
Pose2 said: "Man, that would be really crazy if Pretty Woman closes soon, right after Brennin Hunt, who moved his entire family from Nashville to do this role. If that happens, the "having the worst luck ever" award would definitely go to him this year. Damn."
I mean, if the grosses keep dropping, they might as well close it on 7/21 (Barks & Karl's final day). Even with an expensive new advertising plan, I can't see this jumping back up over the summer with so many new shows on the boards, even though it's more female-skewing than most of the other musicals.
The impact of the TONYs takes longer to be seen, because people buy tickets for later dates. But, I don't think that THE PROM is going to see a major jump. No stars, and no wins.
There's no way THE PROM & KING KONG last past Labor Day. Long-running shows Waitress & Beautiful need to close up, too.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
So do we think Beetlejuice will hang around through the summer? I have tickets in September but also have a NYC trip in July and I was going to grab TKTS for it cause everyone seemed to think it was doomed
I agree with BritCrit that Tootsie's producers probably picked the wrong theater. It needed to be a big hit to fill 1,611 seats each night at the Marquis. It's too easy to get discount tickets, even just before showtime.
I've raised questions about Hadestown's intermediate-term commercial longevity in another thread. Daddy Warbucks, your numbers support the idea that the show is closer to Dear Evan Hansen than other recent Tony winners, at least for now. I doubt it will do as well as DEH longer term, but it found an audience even before the Best Musical win. Moulin Rouge! will certainly draw attention when it opens, but that won't hurt Hadestown for the time being.
Regarding Ain't Too Proud, when is the last time a biomusical was such a monster hit? Was Beautiful even this big a hit?
We like to wonder if shows helped themselves with Tony performances. I've tended to be skeptical that it matters much. Is Beetlejuice the possible exception, both to remind viewers the musical exists and because it was amusing to watch?
The Frankie and Johnny in the Clair de Lune lesson, I guess, is not to open a play in May when there are a bunch of popular plays from the current season still in theaters. I saw it, but it just got lost in the shuffle.
Cher Show was down slightly last week. SJB is on vacation now. I was looking at days this week. The mezz is mostly unsold for most shows. I hope it picks up this summer.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
SomethingPeculiar said: "I mean, if the grosses keep dropping, they might as well close it on 7/21 (Barks & Karl's final day). Even with an expensive new advertising plan, I can't see this jumping back up over the summer with so many new shows on the boards, even though it's more female-skewing than most of the other musicals."
My prediction is that Moulin Rouge is siphoning off a good portion of Pretty Woman's ticket base and will be taking over as the new "date night" musical.
Bettyboy72 said: "Cher Show was down slightly last week. SJB is on vacation now. I was looking at days this week. The mezz is mostly unsold for most shows. I hope it picks up this summer."
One would think they'd reduce the prices of those tix just to get people in. It's been like that throughout the spring (rear mezz full; orch full; but mid-mezz empty).
SJB was out at least for the Weds and Sunday matinees last week. I was there Sunday and iy looked completely full and the audience didn't seem to care she was out and totally loved Dee. I even overheard some people at the SD gasping when the guard told them that they didn't see SJB.Maybe it will pick up when she comes back from vacation ?