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What source material would never work as a musical? |
Some topics may of course be trickier to musicalize, but never work would be a stretch.
But just for giggles, I’ll put forth: Jaws.


joined:7/24/15
joined:
7/24/15
Not so much a fan of this thread topic. I think you can be skeptical of a lot of musical source topics (today's announcement of the Princess Diana musical is one for me, for instance), but when in recent years alone we've had a rap musical about Alexander Hamilton, a pop opera about War and Peace, a contemporary piece centered around a high schooler killing himself, and a folksy-sounding musical about a Canadian town on 9/11, it's hard to rule out anything as never working as a musical.
It's really all about having the right creative team. Always.


joined:12/4/07
joined:
12/4/07
A Christmas Story (based on the tv production)
Carrie
Alice in Wonderland
It's impossible to say going forward, only going backwards.
joined:6/19/16
joined:
6/19/16
Miles2Go2 said: "Any source material can work if the right creative team is involved.
But just for giggles, I’ll put forth: Jaws."
I'm trying so hard to imagine this!
"Michael Riedel...The Perez Hilton of the New York Theatre scene"
- Craig Hepworth, What's On Stage
Just off the top of my head:
The Scarlet Letter
The Grapes of Wrath
The Metamorphosis (unless Bialystock and Bloom are paroled, and choose it for their followup to SFH)
A musical about cats
A 3 1/2 hour musical about the French revolution
A musical about a lesbian and her gay dad who ends up killing himself
A musical about the signing of the Declaration of Independence
Kind of a silly thread.
I believe you're conflating the current thread with this one:
https://www.broadwayworld.com/board/readmessage.php?thread=1105230#4989156
I agree with the sentiments already in this thread - anything has the potential to make a good musical if (a) the right creative team is behind is and (b) they go in the right direction with it and (c) they actually manage to execute it.
I would even go so far as to say that many of the terrible musical adaptations we've seen in the past not only had great potential to be good musicals, but actually made a lot of the right big picture decisions, and they mainly screwed up in the execution. Take Spider-Man for example: many will disagree with me, but I think the decision to make it a huge-budget spectacle with rock music and a forced perspective comic-book look was actually spot on. If the book and score has just been better quality I think it could have been a surprise artistic success like Spongebob has been.
And I think that's the case with many bad musical adaptations; that they were sort of "almost there," but screwed up in a major way with the execution.
Otherwise known as "the thread that producers/writers will be looking to for ideas."
Ooh boy...
Jurassic Park.
Would the T-Rex be a tenor or a baritone?
A 3 1/2 hour musical about the French revolution
Do you mean Les Miserables? Because it wasn't about the French Revolution. That would be their first show, La Révolution Française, which is fascinating in its own right.
That's the really wonderful thing about Les Miz - so many of its fans have absolutely no idea that it's not about the French Revolution.
humbugfoto said: "Jurassic Park.
Would the T-Rex be a tenor or a baritone?"
Oh my. That would be almost as good as Jaws.
"Michael Riedel...The Perez Hilton of the New York Theatre scene"
- Craig Hepworth, What's On Stage


joined:7/24/15
joined:
7/24/15
CindersGolightly said: "A CPR handbook, probably."
I’ve heard this is LMM’s next project.
newintown said: "That's the really wonderful thing aboutLes Miz - so many of its fans have absolutely no idea that it's not about the French Revolution."
And if you correct someone by saying it depicts the June Rebellion of 1832, you'll get some really blank stares.
If it has this guy, I don't even care what it's about.












joined:9/11/16
joined:
9/11/16
Posted: 12/18/17 at 9:45pm