Drew Sarich. This is him singing the title song in Jesus Christ Superstar. The production itself kinda sucks, but his voice and performance make him my favorite Judas ever.
I stayed at the Hotel Edison a few years ago, and after a certain hour, they make you show your card key to get in. During the day, you should be fine to cut through if you're inconspicuous.
Why do people have such an issue with male ballet dancers? They're cultured, in great shape, and surrounded by girls. They're doing pretty well for themselves if you ask me.
I listened to a YouTube video of the star singing "Save The Girl". Tom Kitt really can't write lyrics, but the music is really nice. I wouldn't mind giving the whole show a listen.
Not Broadway, but I saw a college production of Eurydice, and Eurydice's entrance to the Underworld made my jaw hit the floor.
It was a two level set, and on the upper level were these wooden meshed slats that would slide left and right to reveal the Father, the Nasty Interesting Man's apartment, etc. Then, when Eurydice enters, the slats unmeshed, and Eurydice walked through them as it rained.
Not sure if I'd call it costume or set,
Best Scene Changes Aug 27
2019, 10:26:04 PM
Dead West Spring Awakening, at the end of Mama Who Bore Me. The boys all jump down onto their chairs, it’s perfectly timed with the lights, and we’re in a totally different location.
I'm listening to the concept album now, and two songs in, I absolutely love it. The fusion of hip-hop, rock, and punk, the exciting unpredictable lyrics, this is some of the best new music I've listened to in a while.
I'm a quarter Jewish, which I say for the sake of full disclosure, not to insinuate that I have any concrete authority based on my heritage.
The difference between Falsettos and the aforementioned Angels and Producers is that Falsettos is a play about Judaism, and the latter two are plays about characters that happen to be Jewish. The fact that they are Jewish is important to the stories (especially in
Having read this play, I think it's brilliant. It's a shame it never made it to Broadway. I also think it's really impressive that Branden Jacobs-Jenkins also wrote the play before he was even 30 years old. He's one of the most creative, original voices in the theatre right now and I look forward to every new play he writes.
For like a full minute, I thought this was Craig Robinson (from The Office and Hot Tub Time Machine) and I thought, "What an... interesting casting choice."
Jessryn said: "little_sally said: "Isn't Jeanine Tesori also writing an opera of Lincoln in Bardo?"
According to the article I found Tesori is composing the opera Grounded and the other female composer the Met commissioned, Missy Mazzoli, is working on Lincoln in the Bardo."
I remember hearing Tesori was also writing an opera about Eugene O’Neill with a libretto by Tony Kushner.
