dmrockon092 said: "Does anyone recommend where to sit for each part? Buying tickets for a gift, and I'm thinking of splurging."
We were in center orchestra row L, seats 107-108, for both parts. These seats were great, although I wouldn't have minded being a bit closer to the action. I recommend staying in center orchestra without going any further back than this, if possible. The production design is not broad or panoramic, so there isn't really
romain2 said: "Regarding The Inheritance... was amazed though at the confusion of some of the theater goers around me. At Part 1 the straight couple behind me didn’t know it was going to be a Howard’s End adaptation with gay characters and AIDS as a major topic. They were trying to give away their tickets for Part 2 during the act breaks. At Part 2 I sat next to a couple who hadn’t seen Part 1 and didn’t know you needed to. Before the start of Part 2 I did my
Mike Barrett said: "JBC3 said: "Glad you were able to start a new thread and get this off your chest."
I can't stand comments like this, for many reasons:
1: Not everyone reads every single thread, or everyday here. They may not be aware the topic exists.
2: The search function on here is a hit or miss, there are several times I know the exact thread I'm looking for and the search engine doesn't provide it.
The helicopter itself is attached to an articulated arm that is mounted on the rear wall. There are no actual blades on the helicopter:
"It's not ideal to give actors buzz cuts while they're performing, so real rotors were out of the question. 'The original helicopter had tennis balls on ropes for its rotors,' Kinley says. The center piece would start to spin while the helicopter was offstage; by the time it arrived, the centrifugal force meant that the ropes
Well, damn. Beetlejuice was on my "shows to fill in any empty slots" list in November, and we ended up going with The Sound Inside instead (a decision we ultimately regretted). Now I wish I'd overruled my husband and seen Beetlejuice then.
Fan123 said: "TheTheatre St-Denis has posted a few performance clips from a recent press event for these concerts. Whilesome of the delivery in these clips seems a little awks to me, it's still interesting to hear this in French. It's also interesting to hear a snippet of a more operatic voice than usual (to my knowledge, anyway)as the Phantom.
Kitsune said: "I went for Round #3 on Tuesday evening (Look, Groundhog Day is my favorite recent musical, tickets are affordable, and it's easy to get to the theater from work)"
Never apologize for taking every opportunity to experience whatever brings you joy. I saw it three times on Broadway.
PatrickDC said: "I remembered I wanted to ask here, for those who know Donna’s life and career. Why did they have so many actresses playing male roles, including some prominent men in her life, like Giorgio Moroder? It’s made clear she was used badly by men, professionally and personally. Is there symbolism to a woman taking control and playing (nearly) all the roles? I feel like I’m missing something I should have grasped."
yellibean2 said: "I'm feeling kind of dim right now because I really can't figure out how to put in a spoiler box. I've mostly posted on this board like 10 years ago and I don't think that was an option then. I'll just put it below after the dots"
Just FYI for future reference, it's really very easy, once you know where the tool is. In the gray toolbar, just click the [+] icon immediately to the right of the smiley face em
