Patti LuPone did Sunset Blvd in London. She has a cast recording.
Faith Prince wasn't just up for Audrey; she was cast in the role. But she had another commitment and they wouldn't let her out of her contract. She eventually played the part as a replacement.
Carolee Carmello made it to the final round for Mother in Ragtime (original production).
Ben Platt auditioned for Henry in Next to Normal and was told he was too young for the part, even though he was the exact age of the character at the time.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Huh? LuPone was THE original Norma Desmond in the 1994 London World Premiere in SUNSET BLVD months before Glenn Close played Norma in the Los Angeles American Premiere a few months later.
Kaye Ballard desperately wanted Mame and unlike several others who said they would consider the part but wouldn't audition (NanetteFabray, for example), she auditioned several times without complaint, as did Angela. In the end, her performance style was not considered sophisticated enough for the stylish Mame. This was after numerous bigger ladies had turned the part down cold (Rosalind Russell, Mary Martin, Dolores Gray, etc.) Herman had always wanted Garland to play the part, and she was nearly a replacement after Lansbury, but at that point in her life she wasn't insurable.
I have also heard that Patti was offered the witch in the original Into The Woods, but she felt she was "better suited" to play Cinderella. They wouldn't give it to her and she left. I can't see her in that role.
Here's one about a person who got the part but walked away. The Will Rogers Follies was to star John Denver as Will. However, there was a song lyric that referred to a child as a "kid" and he didn't like that slang. Librettist Peter Stone was against changing it (although Cy Coleman, Betty Comden, and Adolph Green had no issues with the change). After Stone said it would not change, Denver got up and left and never returned.
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Megan Hilty was originally cast as Audrey in the National Tour of Little Shop of Horrors when she was fresh out of college. They then cast Anthony Rapp as Seymour but decided the age gap between them was too big so gave Megan the flick.
StephieElise said: "Megan Hilty was originally cast as Audrey in the National Tour of Little Shop of Horrors when she was fresh out of college. They then cast Anthony Rapp as Seymour but decided the age gap between them was too big so gave Megan the flick.
Giving someone "the flick" is an expression; it means they let her go. But in Hilty's case, she landed right on her feet and went into Wicked. It was actually a much better career move in a lot of ways: it kept her employed off and on for years, much longer than if she'd done the Little Shop tour.
Someone here said Laura Osnes auditioned for Anya/Anastasia, but did not get it. Honestly, so glad because Christy Altomare is PERFECT as Anya. Hoping Laura will be her replacement. But, I'm still surprised and mad (not raging of course lol) Laura did not get Ariel though.
Brody and AC - whoops. I know Patti was replaced with Glenn in LA, and I mixed the Evita story and this. Thought she was supposed to originate the role on Bway and someone else had done it in London.
Caption: Every so often there was a rare moment of perfect balance when I soared above him.
LuPone was original contracted to originate the role in London, play the role there for a year, then immediately come to New York to open the Broadway production. Close was originally only meant to do the show in LA. However, LuPone opened to mixed reviews, whereas Close opened to raves. The rest is history.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Webber and Rice never gave serious consideration to anyone except Yvonne Elliman, but Bette Midler auditioned for Mary Magdalene in Jesus Christ Superstar after several years of boredom in Fiddler and before she began her legendary career as The Divine Miss M. Apparently, even though she was not an appropriate fit for Tom O'Horgan's cast of Hair veterans and holdovers from the pre-Broadway concert tour of JCS, she auditioned so well that Tom couldn't quite let go of her, and even had Robert Stigwood and the authors see her for the part. The story comes from casting director Michael Shurtleff's book on the art of the audition.
LarryD2 said: "Giving someone "the flick" is an expression; it means they let her go. But in Hilty's case, she landed right on her feet and went into Wicked. It was actually a much better career move in a lot of ways: it kept her employed off and on for years, much longer than if she'd done the Little Shop tour.
Thank you. I thought there was a film remake that I missed.
Sondheimite said: "Amy Adams lost a role in The Wedding Singer to Laura Benanti
Really? I've never heard this one before. Seems odd they went with Laura (who I didn't think was a perfect fit in the role) over Amy Adams, who was already an Oscar nominee by then.
A little swash, a bit of buckle - you'll love it more than bread.