Review: COME GET MAGGIE at Rogue Machine Theatre At The Matrix
Love may be real and not science fiction.
Tracey Paleo - Page 2
Review: KRISTINA WONG, SWEATSHOP OVERLORD at Kirk Douglas Theatre
'Like any of the heroines I could possibly reference, Kristina Wong embodies all of them in her own fierce amalgamation.
Review: Disney's THE LION KING Wows at the Hollywood Pantages
From the moment Rafiki (Gugwana Dlamini) Shaman of the Pride Lands, heralded her recognizably famous opening note, the audience was uproarious.
Review: CLYDE'S at Mark Taper Forum
Quite possibly, a perfect production.
Review: RADIO GOLF at A Noise Within
There is a reason why August Wilson is one of the more prolifically produced playwrights in modern American theater.
Review: DESERT STORIES FOR LOST GIRLS at Latino Theatre Company In Association With Native Voices At The Autry
In this full-circle journey, for the women of DESERT STORIES FOR LOST GIRLS, for us the viewers, and for their future generations, there is the sense that healing is what life for all Native American women absolutely needs to be about.
Review: OKLAHOMA at Ahmanson Theatre
It seems everybody is having one of two reactions to Director Daniel Fish’s revival of OKLAHOMA! currently playing at the Ahmanson Theatre.
Review: LAVENDER MEN at Skylight Theatre
Taffeta’s dialog is often an attack on the audience rather than a composition about Lincoln.
Review: ACROBUFFOS' AIR PLAY at The Broad Stage
What did our critic think of ACROBUFFOS' AIR PLAY at The Broad Stage?ACROBUFFOS’ AIR PLAY tells its own story of friendship and fun with a little competition in between through fans and props.
BWW Review: MAN OF GOD at Geffen Playhouse
Set in a hotel room on a mission trip to Thailand, MAN OF GOD four high school girls must grapple with the possibility of their Pastor being a sexual predator.
BWW Review: METAMORPHOSES at A Noise Within
Tales of Midas, Orpheus, Aphrodite, Lucina, Alcyone, Iris, Phaeton, and Ceyx cohese together like a perfectly simmered, aromatic stew of human passion, sex, humor, greed, whimsey, and heartbreak in a rare revival of Mary Zimmerman's multi-award winning theatrical event, METAMORPHOSIS at A Noise With
BWW Review: ALMA at Kirk Douglas Theatre
National LatinX Playwriting Award winner Benjamin Benne’s stunning nee play, ALMA, launches the new theater season at the Kirk Doulas Theater and it is triumphantly resonant.
BWW Review: RAPUNZEL ALONE at The Wallis Annenberg Center Of Performing Arts
Lettie is a city girl and London is her home.
BWW Review: A LITTLE NIGHT MUSIC at Greenway Court Theatre
12-time Tony Award-nominated, 'A Little Night Music' made a decided splash at the Greenway Court Theatre with the highlight of being a non-traditionally gender cast production.
BWW Review: SINGING REVOLUTION at The Broadwater Mainstage
SINGING REVOLUTION is a contemporary production designed to inspire American youth with the ideas that peaceful resistance, social justice, and acts of kindness can change the world.
BWW Review: EVERYBODY'S TALKING ABOUT JAMIE at The Ahmanson Theatre
“It was just what we needed!” Ahmanson Theatre audiences' response to the opening night of EVERYBODY LOVES JAMIE was absolutely joyous and triumphant.
BWW Review: THE SOLDIER DREAMS at Open Fist Theatre Company
Director Amanda Weier has coordinated a well-cast and appealingly fluid production that retains Canadian playwright Daniel MacIvor’s 90s generational stamp - one of the best aspects of this dream play.
BWW Review: THE ENIGMATIST at The Geffen Playhouse
Renowned magician and New York Times crossword constructor David Kwong offers a sophisticated presentation of multi-layered illusion, where clues are everywhere and the surprises that happen often, can be solved by observing with a rational eye.
BWW Review: URINETOWN THE VIRTUAL MUSICAL at MSD Productions
Producer and multi-award-winning director and choreographer Marcus S.
BWW Feature: THE MOST IMPORTANT THEATER CONVERSATION THIS YEAR IS NOW NOW NOW at Hollywood Fringe Festival
With every shift of the Covid-19 crisis, live stream, rather than continuing to be a bramble of thorns for theater, has become a way forward.
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