The San Francisco Gay Men’s Chorus, the world's first openly gay chorus, continues it’s forty-eighth season with a concert both cheerful and deeply emotional celebrating the music and events of the 1980’s.
What did our critic think of AN INTIMATE EVENING WITH LUCIE ARNAZ at Feinstein's At The Nikko?
There is plenty of interesting ideas in Eisa Davis’ into the lives of four women, students in a summer music program.
What did our critic think of GODS & MONSTERS at New Conservatory Theatre Center?
What did our critic think of SONGS FOR A NEW WORLD at Hillbarn Theatre?
TheatreWorks and director Jeffrey Lo must have been licking their chops with the chance to produce the regional premiere of Eboni Booth’s Pulitzer Prize winning Primary Trust.
For every lover of Ibsen, Arthur Miller and Stephen Sondheim, there’s a lover of The Three Stooges, Abbott & Costello and of course, Monty Python.
There’s a giant dynamo inside the petite frame of Marilyn Maye that propels her constantly forward, now approaching her 98th birthday, and eighth decade of performances.
The late AIDS activist Larry Kramer meets Pete Buttigieg in John Fisher’s wild political fantasia Left Field, now occupying the full stage at Theatre Rhino.
Arthur Miller needed after his disastrous Broadway debut with the four-performance The Man Who Had All the Luck, and an article in an Ohio newspaper would provide the basis for All My Sons which would on to win two Tony awards for Best Author and Direction of a Play.
The Paranormal Activity franchise (seven films from 2007 -21), while critically panned, proved people love to be scared, then laugh at their foolishness.
What did our critic think of THE NOTEBOOK at Orpheum Theatre?
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Change is hard, we all know that.
Heidi Schreck’s award-winning 2019 homage to the US Constitution couldn’t be timelier than at this moment of political crisis in America.
Trey Parker and Matt Stone are on a high recently, with their long- running animated series South Park skewering the present administration in their inimitable profane and darkly surreal style.
What did our critic think of MOULIN ROUGE! THE MUSICAL at Orpheum Theatre? The appeal, based on the audience, is the acknowledgment of the song snippets – an “I know that song” reward.
Mix one part All About Eve, one part Gypsy, and a healthy shot of The Bad Seed in a blender and you’ve got the recipe for Ruthless!, a delightfully dark comedy alternative to the typical holiday fare.
What did our critic think of CINDERELLA at Hillbarn Theatre?
Over two hundred and fifty years after fighting the British for independence, we’re absolutely gaga over Lauren Gunderson and Margot Melcon’s delightful Christmas at Pemberley series and its spot on depictions of Regency England.
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