Review: PLAZA SUITE by Neil Simon at Hillbarn Theatre
It’s no coincidence that Neil Simon’s Plaza Suite opens Hillbarn’s historic 85th season, for it was 85 years ago that the comedy opened on Broadway.
Steve Murray - Page 4
Review: CHAIN OF LOVE (A BROADWAY ALBUM) Release Party And Concert With Carly Ozard And Friends
What did our critic think of CHAIN OF LOVE (A BROADWAY ALBUM) ALBUM RELEASE PARTY AND CONCERT WITH CARLY OZARD AND FR at GRNHS Gallery + Studio?
Review: HOME? A PALESTINIAN WOMAN'S PURSUIT OF LIFE, LIBERTY & HAPPINESS at Z Below
Hend is an adorable Palestinian five-year old giddy about attending her Jewish best friend’s Purim party.
Review: THE MAGNOLIA BALLET at Shotgun Players
A Black queer teen longs to be touched, to be held and squeezed tight.
Review: LIBERACE & LIZA: A TRIBUTE 'PIER PRESSURE' at Feinstein's At The Nikko
Liberace & Liza: Pier Pressure (A Tribute), which rolls back into Feinstein’s for a return engagement, is one of the finest acts of this genre, featuring two extraordinary performers combining their talents to bring Liberace and Liza Minelli to life.
Review: JURASSIQ PARQ at SF Oasis
There’s a strong history of outrageous drag performance art in San Francisco.
Review: MY FAIR LADY at SF Playhouse
Who doesn’t love a good transformation story? Dowdy bookkeeper Loretta Castorini morphing into Cher in Moonstruck or the streetwise prostitute becoming the elegant Julia Roberts in Pretty Woman are contemporary examples.
Review: DISRUPTION at Dolores Park
Michael Gene Sullivan and his troupe may be secretly saying to us all- “See I told ya so.
Review: & JULIET at Orpheum Theatre
Witty, funny, flashy, and eye-popping, & Juliet rides the wave of phenomenally successful jukebox musicals and succeeds not only with the familiarity of the pop songs it includes, but by its remarkably well-written book
Review: COME BACK TO THE 5 & DIME, JIMMY DEAN, JIMMY DEAN at TheatreWorks Silicon Valley
Robinson’s adaptation sticks to the development of the characters and deletes some unnecessary filler.
Review: DO YOU FEEL ANGER? at Marin Theatre
Marin Theatre concludes its 24-25 season with Mara Nelson Greenberg’s Do You Feel Anger?, about an empathy coach hired to train workers at a debt collection agency facing major lawsuits for their abusive communication skills.
Review: DOODLER at The Marsh
Developed during the COVID pandemic lockdown, this one-man show has Fisher playing about a dozen characters and running the technical aspects of the show as well.
Review: CO-FOUNDERS at American Conservatory Theatre
There was a palpable buzz pre-show at A.
Review: NEXT TO NORMAL at Victoria Theatre
A musically gifted daughter feeling neglected and invisible.
Review: JUSTIN VIVIAN BOND: OH WELL at Feinstein's At The Nikko
Before JVB was a sensation in New York City ( Tony-nomination (2007) GLAAD (2000), Obie (2001), Bessie (2004), Ethyl (2007), and a Foundation for Contemporary Arts Grants to Artists (2012) awards, and 2024 MacArthur Fellow), they were a cherished counterculture icon in San Francisco.
Review: PARADE at Orpheum Theatre
A true story of unspeakable injustice is beautifully realized in Parade, deservedly winner of the 2023 Tony Award for Best Revival of a Musical.
Review: TO MY GIRLS at New Conservatory Theatre Center
JC Lee’s 2022 To My Girls continues the tradition of a group of gay guys getting together to trade snarky barbs, renew friendships and uncover hidden grudges.
Review: THE RADICALIZATION OF ROLFE at Safehouse Arts
Andrew Bergh’s The Radicalization of Rolfe, winner of a 2016 FringeNYC Overall Excellence Award, might have had its germination by observing the naïve American white males joining the MAGA movement of our current president.
Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME at SF Playhouse
San Francisco Producing Director and co-founder Susi Damilano has done a remarkable job of imagining the world of fifteen-year-old mathematics genius Christopher who just happens to be autistic.
Review: COST OF FREE- A CONVERSATION WITH SAN FRANCISCO MIME TROUPE'S MICHAEL GENE SULLIVAN
The San Francisco Mime Troupe, founded in 1959, started with movement 'Events' with visual art elements and music, segued to commedia dell’arte, and now presents fully fledged outdoor political musical theatre with a decidedly “left” bent.
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