Roger Martin - Page 2

An adaptation of Strindberg's classic MISS JULIE, this new play written by Hilary Bettis at the behest of New Drama's artistic director, Michael Hausman, has Miss Julie as an arrogant Miami socialite, interested only in pleasure and adulation.

Zoetic Stage is presenting the 2015 five time Tony Award musical FUN HOME at the Arsht Center and it's a show without secrets

Ooo,Baby, you better be nice to just everyone you meet...or you're gonna be sorry

Zoetic Stage's 'Dancing Lessons' is a 100 minute one act that plays like 30. It's filled with laughter. And joy and tenderness step right in.

The Irish/Czech musical ONCE won eight Tonys. That's reason enough to produce it, but when you add twelve terrific actor/musicians, superb choreography and musical staging on a working Dublin bar, and direction by a master of musicals, you've got the positive delight of ONCE at Actors' Playhouse.

Think you can sit through two hours and fifteen minutes of greed, regret, scorn, defeat, sex, and the Holocaust without sighing and squirming in your seat? Shake your head no if you must, but you're wrong. And Joseph Adler, producing artistic director at GableStage, is right here to prove you're wrong with his mighty production of IF I FORGET...or Family Woes 'R' Us.

The celebrated English farce, 'Noises Off', now playing at Actors' Playhouse in Coral Gables, has 753 door slams in its three acts. I know. I counted them. And counted also the laughs that came with each slam. 753. Exactly. Hey, it's a farce. And a brilliant one, written back in 1982 by Englishman Michael Frayn.

Poignancy arrives, tenderness not far behind. 'Most Wanted' becomes a play about memories.

the all time irreverentist, funniest, outragiest, precision dancingest, wonderfully singingest, touring America show.

Playwright Mark St. Germain's 'Becoming Dr Ruth' is a tender ode to an unusual woman with an unusual life.

it's Clay Cartland as the world's favorite pirate captain, Black Stache.

The cast performs with a precision remarkable in a brawling rock and roll musical

They're at it again up at Island City Stage, bouncing off the walls, ahootin' and ahollerin' and lighting up the Broward sky with their shattering smiles.

There's a Dublin thug, a walking knuckle duster with an accent straight from Sheriff Street, on stage.

The Grand Canyon's Havasupai tribe are dying out from diabetes. They have a champion. Social anthropologist Ken (Carlos Orizondo) has lived with them, studied them, and written a book about them and he's trying to help them survive. So he brings in a genetic anthropologist Jillian (an outstanding Betsy Graver) to draw their blood and from this discover why the diabetes.

You think the Mona Lisa's smirking? Well, so do I. She's got that tight little smile because she's survived 450 years of slightly perverted adoration culminating in being whacked by a tossed rock.

If you've never seen a drag show, or if you have, or even better, if you've starred in one, you'll love THE LEGEND OF GEORGIA MCBRIDE at GableStage.

Just watch the brilliant Carol Sussman as Marjorie, sliding through dementia to death and beyond.

THE CARETAKER is a long play. Plenty of room for brilliant monologues and Pinter's lengthy silences, words left unsaid, emotions implied. A tightening tension building THE CARETAKER to its enigmatic climax.

There's a lovely presentation of a beloved old musical at Boca Raton's Wick Theatre