BWW Review: Miranda Rose Hall's PLOT POINTS IN OUR SEXUAL DEVELOPMENT Has a Loving Couple Torn By Sexual Incompatibility
Falling in love is the easy part.
Michael Dale - Page 30
BWW Review: MCC Encores Jocelyn Bioh's Colorism Drama SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY
As the grand finale of their fourteen year residency at Christopher Street's Lucille Lortel Theatre, before moving to their brand new Hell's Kitchen digs, Manhattan Class Company brings in an encore engagement of Jocelyn Bioh's Lortel and Outer Critics Circle Award-winning drama from last season, th
BWW Review: Jez Butterworth's Olivier-Winning THE FERRYMAN is A Harvest of Engaging Characters and Performances
The angry graffiti painted on the red bricks of the Bogside alleyway, memorializing Irish Republicans who have fallen in the cause of independence, contributes to the ominous mood of the opening scene of Jez Butterworth's Olivier-winning THE FERRYMAN, which has transferred to Broadway with most of i
BWW Review: Christine Lahti is Gloria Steinem in Emily Mann's Riveting GLORIA: A LIFE
'I grew up in working class Toledo,' says the subject of Emily Mann's Gloria: A Life, arguably the most potent, informative, emotionally riveting and ultimately uplifting theatre piece currently playing in New York, 'and my biggest dream was to become a Rockette.
BWW Review: Daniel Radcliffe, Cherry Jones and Bobby Cannavale Hilariously Debate The Value of Truth in THE LIFESPAN OF A FACT
'I take liberties with things that deepen the central truth of the piece,' explains writer John D'Agata.
BWW Review: Glenn Close is Joan of Arc's Bewildered Mom in Jane Anderson's MOTHER OF THE MAID
Behind most poverty-to-celebrity stories, there's usually a hard-working parent or two who dreamed of a better life for their child, but perhaps never imagined that better life might include rock stardom, athletic heroism or, in the case of Jane Anderson's Mother of the Maid, breaking all gender mo
BWW Review: Mark Sonnenblick's Superb MIDNIGHT AT THE NEVER GET Mixes Song, Romance and Resistance
While it would be easy to exit the York Theatre these days having been absolutely swept away by Mark Sonnenblick's wonderfully engaging and ear-tingling score for his new musical, MIDNIGHT AT THE NEVER GET - a sumptuous collection mixing beautiful melodies framing lyrical poetics with jaunty numbers
BWW Review: Aasif Mandvi Offers New Yorkers Seconds of His Obie-Winning SAKINA'S RESTAURANT
Savvy New Yorkers will immediately have a clear picture of the work environment when Azgi, the narrating character of playwright/actor Aasif Mandvi's solo piece SAKINA'S RESTAURANT, says he's moving from a village in India to Manhattan to work as a waiter at a restaurant located at 400 E.
BWW Review: Eddie Korbich Plays Brilliant But Bigoted Richard Wagner in Allan Leicht's MY PARSIFAL CONDUCTOR
'A Jew? In heaven? Jews?' an incredulous 92-year-old Cosima Wagner asks her delirium-induced vision of her long-gone husband, Richard, at the outset of Allan Leicht's history-based My Parsifal Conductor.
BWW Review: Heidi Schreck's Inescapably Truthful WHAT THE CONSTITUTION MEANS TO ME
Though designer Rachel Hauck's set for Heidi Schreck's inescapably truthful, yet eventually hopeful autobiographical performance piece WHAT THE CONSTITUTION MEANS TO ME is based on the author/performer's memories of her home town's VFW Hall, it's likely that many audience members entering the audito
BWW Review: Beautifully Sung and Acted GIRL FROM THE NORTH COUNTRY Matches Storytellers Conor McPherson and Bob Dylan
Do not expect a rousing 'Rainy Day Woman'/'Blowin' In The Wind'/'Mr.
BWW Review: Richard Bean's Eccentric Comedy THE NAP Introduces Snooker To Broadway
British playwright Richard Bean made a riotous Broadway debut six years ago with the knockabout farce ONE MAN, TWO GUVNORS, but his newest hit to cross the Atlantic, The Nap, while full of good-natured fun, partakes in subtler eccentricities.
BWW Review: Janet McTeer Speaks The Speeches Ever So Trippingly in Theresa Rebeck's BERNHARDT/HAMLET
'All that privilege and he can't figure out how to do anything?,' ponders one of the world's greatest actors as she attempts to delve into the psyche of one of the world's greatest theatrical characters.
BWW Review: Craig Lucas' Job-Inspired Drama, I WAS MOST ALIVE WITH YOU, Performed in Both Spoken English and ASL
The press script provided to critics reviewing Craig Lucas' somber and overstuffed drama, I WAS MOST ALIVE WITH YOU, specifies that the play 'was created to be performed by Deaf and hearing actors for Deaf and hearing audiences' and that all productions 'must provide full access for hearing and Deaf
BWW Review: Kristine Nielsen and Annette O'Toole in Tennessee Williams Rarity A LOVELY SUNDAY FOR CREVE COEUR
Don't be surprised to immediately sense a bit of familiarity in the dynamic between the two main characters as director Austin Pendleton's very fine La Femme Theatre production of the lesser-known Tennessee Williams drama A Lovely Sunday for Creve Coeur commences.
BWW Review: Edie Falco, Michael McKean and Peter Scolari Tackle Politics and Marriage in Sharr White's THE TRUE
Dorothea 'Polly' Noonan, the real-life central character of Sharr White's new political drama, THE TRUE, was the grandmother of current United States Senator Kirsten Gillibrand.
BWW Review: Musical Dating Adventure NEUROSIS Is Extremely Enjoyable Fluff
While the exact location of composer Ben Green, lyricist Greg Edwards and bookwriter Allan Rice's funny and frothy new musical dating adventure, Neurosis, is never revealed, it's a safe bet that New Yorkers, who have glamorized and romanticized neurotic tendencies into a beloved badge of honor, will
BWW Review: Richard Nelson Gives UNCLE VANYA The Rhinebeck Treatment
For the better part of the present decade, playwright/director Richard Nelson has been going seriously Chekhovian, first with a quartet of plays set during the Obama years in the Rhinebeck, New York home of a family named Apple and then with a trio of visits during the 2016 presidential campaign wit
BWW Review: Jen Silverman's Weird and Wonderful COLLECTIVE RAGE
Eat your heart out, THE PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE.
BWW Review: R.R.R.E.D. Warns of Genetic Extinction of Redheads
There are times in musical theatre when a talented cast performing their hearts out can make questionable material not only endurable, but even somewhat enjoyable.
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