BWW Review: GENERATION ME Captivates at New York Musical Festival
As part of the New York Musical Festival, Generation Me is absolute perfection in its ability to prove how kindness and cruelty are of the same unfortunate hand.
Kristen Morale - Page 6
BWW Review: The Unforeseen Known that is Potomac Theatre Project's ARCADIA
Written by Tom Stoppard, directed by Cheryl Faraone and presented by the Potomac Theatre Project as a start to its wondrous 31st season, Arcadia truly tests the limits of what constitutes a good show by not only compelling the audience to listen and understand, but also to feel and experience: a mix
BWW Review: The Theatrical Reverie that is MARTIN DENTON, MARTIN DENTON
In Martin Denton, Martin Denton, now in performances at the Kraine Theater over on East 4th, a tag team of mother and son tell the tale of their almost haphazardly formed theater lives with the grace and pomp of any engaging storyteller; you would think they actually had the entire thing planned out
BWW Review: BASTARD JONES Rocks the House at the Cell Theatre
"It's not unusual to be loved by anyone…" Admittedly, this is the wrong Tom Jones and yes, I may have stolen this little pun from the show's opening narrative, but that Mr.
BWW Review: REPRISE at the Paradise Factory Theater Will Bring Audiences Back for More
Written and directed by Emmy Award winner Eric Maierson and now in performances at Tom Noonan's Paradise Factory Theater, Reprise arrives for its World Premiere and packs quite a punch in the brief hour it takes to get through the entire ordeal.
BWW Review: Fear Not! GIOVANNI THE FEARLESS Is the Adventure We'll Never Forget
Although the show has officially ended, the curtain closed, the beautiful coloratura no longer reaching the heavens, the likes of Giovanni the Fearless are still very much alive in the hearts of audiences fortunate enough to see this whimsical musical comedy.
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BWW Review: DIVORCE PARTY and the End of Life As We [Don't Really] Know It
What we have here is a masterfully crafted show called Divorce Party, something so wacky and farfetched but so rooted in the inward and outward complexities of life (as are so many absurd things) that it encapsulates life as we acknowledge it to be, but are not always so eager or able to share with
BWW Review: Sharp Cast Brings Scandal to the Stage in Pearl Theatre Co.'s VANITY FAIR
With a slight contemporary flare that is truthfully surpassed by the timeless spark characters like Becky Sharp and Amelia Sedley hold so dear, and with an effect made that much more potent when seen in a theatrical light, the Pearl Theatre Co.
BWW Review: Be Prepared for the Ride of Your Life with Solnik's THE FARE
When a man gets into a taxi, inebriated and tired, and is convinced that the driver kidnapped him because he refused to pay an exorbitant fare, is his truth greater than the driver's testimony of racial slurs and attempted murder? When there is no other witness accept one's memory, these two men mus
BWW Review: Experience the Timeless Magic of the New Vic's THE AGING MAGICIAN
In association with Beth Morrison Projects and VisionIntoArt, The Aging Magician now celebrates its off Broadway premiere with The New 42nd Street at the New Victory Theater - a theater dedicated to providing children with quality (and usually fantastic) productions in the very heart of Times Square
BWW Review: Biting through the Dam with THE PROVIDENCE OF NEIGHBORING BODIES
Written by Jean Ann Douglass and directed by Jess Chayes, The Providence of Neighboring Bodies comes to Theater 511 (in association with Ars Nova) for its World Premiere in New York.
BWW Review: Good Things Come In Three's with American Bard's VISIONARY VOICES
Directed by Aimee Todoroff and Tonya Pinkins and now in performances at the Gloria Maddox Theatre, Visionary Voices begins with Susan Glaspell's Trifles, followed by Marita Bonner's Exit: An Illusion and ending with Glaspell's The People - three wonderful plays that are more engaging and poignant in
BWW Feature: Vengeance Has a Face in CRUEL INTENTIONS: THE MUSICAL
Cruel Intentions takes Choderlos de Lacios' eighteenth century novel Les Liaisons dangereuses and brings themes of incest, manipulation and vengeance to new heights.
BWW Review: Theater2020's SWEENEY TODD Triumphs No Matter Which Way You Cut It
Directed and choreographed by Judith Jarosz (who is also one of the theater's two Producing Artistic Directors) and with music direction by Tom Mcdonough, Theater2020 brings a beautifully executed production of Sondheim's musical to the first professional theater in Brooklyn Heights.
BWW Review: Think Big with THE BIG BROADCAST ON EAST 53rd at the TBG Theatre
In association with Playalinda Productions, playwright Dick Brukenfeld and Director Charles Maryan come together to present the World Premiere of The Big Broadcast on East 53rd, now in performances at the TBG Theatre (actually off of 36th Street), What I can only describe as one whirlwind of a show
BWW Review: A Victory of a Performance with ELEPHANT & PIGGIE'S WE ARE IN A PLAY!
Recently arrived for its off-Broadway premiere at the New Victory Theater is Mo Willems' musical extravaganza 'Elephant & Piggie's We Are in a Play!,: written especially for the little guys in a theater that caters to children of all ages.
BWW Review: Holding On to Holden at the New Ohio Theatre
One can only imagine why a person chooses to write, filling the desolate borders of blank pages with untold stories; one can only imagine the reasons.
BWW Review: Life and WHAT WE WANTED at the Clurman Theatre
Written by David Harms and directed by Drew Foster (in association with Skyhook Productions LLC) for its current run at the Clurman Theatre (NY's Theatre Row), What We Wanted is truly one of the most intriguing plays I have ever seen performed.
BWW Review: The Re-Imagined Beauty of New Ohio Theatre's A CHRISTMAS CAROL
Adapted by Matt Opatrny and directed/choreographed by Jessica Burr, the eleven-member troupe Blessed Unrest recently opened A Christmas Carol at the New Ohio Theatre.
BWW Review: What it Means to Live with Origin Theatre Company's POISON
Poison brings two people together in a cemetery to discuss the desecration and movement of their son's grave, as part of the cemetery's plan to expand.
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